E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 344 pages. Published by Hal Leonard. (100210).

Performed by The Beatles. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 208 pages. Published by Hal Leonard.

(E-Z Play Today #216). By Frank Sinatra. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 256 pages. Published by Hal Leonard

By Various. For Electronic Keyboard, Keyboard. E-Z Play Today. Softcover. 144 pages. Published by Hal Leonard

(An A-Z Guide to Getting Better). Keyboard instruction. Softcover with CD. 152 pages. Published by Hal Leonard

(Music from the Motion Picture Soundtrack E-Z Play Today Volume 212). By Kristen Anderson-Lopez and Robert Lopez. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 48 pages. Published by Hal Leonard

Keyboard

SKU: HH.HH481-SOL

Composed by Thomas Vincent. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH481-SOL. Published by Edition HH Music Publishers (HH.HH481-SOL).

ISBN 9790708146926.

This set of six short two-movement keyboard sonatinas, or ‘lessons’ (in the traditional English manner), come from a hitherto overlooked 1755 publication by a composer already well known and appreciated for his slightly earlier oboe sonatas. Vincent’s melodic gifts and skill in musical construction, clearly evident in the wind sonatas, are here complemented by an obvious flair for effective keyboard writing and an ability to spring welcome musical surprises.

Keyboard

SKU: HH.HH454-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH454-SOL. Published by Edition HH Music Publishers (HH.HH454-SOL).

ISBN 9790708146612.

George Berg’s eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian, German and French music in a playfully eclectic manner. This sparkling, idiomatic music – barely known until now – is equally suitable for private enjoyment and concert use.