Rimsky-Korsakov's famous Flight Of The Bumblebee for Flute with Piano accompaniment.

Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar

During his lifetime John Dowland was one of the few English composers whose fame spread throughout Europe. He has never been entirely forgotten although his music was almost completely ignored during the whole of the eighteenth century and most of the nineteenth. The early twentieth century saw a dawning recognition among scholars and specialists of the rare quality of his work.This is a comprehensive and exhaustive collection of Dowland’s compositions for the Lute with critical commentaries lists of sources and biographical notes as thoroughly compiled and edited by Diana Poulton and Basil Lam.The music is presented in both keyboardnotation and Lute tablature.

This huge collection offers instrumentalists the chance to play 101 of the most popular classical themes including Ave Maria (Bach/Gounod & Schubert) • Bist du bei mir (You Are with Me) (Stözel) • Canon in D (Pachelbel) • Clair de Lune (Debussy) • Dance of the Sugar Plum Fairy (Txhaikovsky) • 1812 Overture (Tchaikovsky) • Eine Kleine Nachtmusik (“Serenade”) First Movement Excerpt (Mozart) • The Flight of the Bumble Bee (Rimsky-Korsakov) • Funeral March of a Marionette (Gounod) • Für Elise (Beethoven) • Gymnopedie No. 1 (Satie) • Jesu Joy of Man's Desiring (Bach) • Lullaby (Brahms)• Minuet in G (Bach) • Ode to Joy (Beethoven) • Piano Sonata in C (Mozart) • Pie Jesu (Fauré) • Rondeau (Mouret) • Swan Lake (Tchaikovsky) • Wedding March (Mendelssohn) • William Tell Overture (Rossini) and many more.

for flute and piano- Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century Flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works forthe Flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Replaces the old edition HE35 from Hunt Edition. First published in Hamburg in 1888. In editing the Sonatinas Susan Milan has tidied some of the articulation making the Flute part consistent. Discrepancies between markings in the Flute and Piano part have been corrected. She has occasionally added some slurs where the lyrical nature of a section might be enhanced and staccati have been added where it appears to have been missing. On the whole expression marks have not been added or changed original markings.

The first volume of the Complete Flute Method by Giuseppe Gariboldi this edition has been reviewed and edited by Jan Merry. The finger positions articulations and breathing have been added to the method where necessary as well as some helpful advice has been included. This particularly melodic method starts with some theory basics and covers all beginner needs such as scales rhythms and trills among others using some small studies or exercises. Even though most of the Flute now uses the Boëhm method the book has kept the old eight?key Flute tablatures. This volume of Complete FluteMethod is completed by a second volume also available at Alphonse Leduc. Giuseppe Gariboldi (1833-1905) is an Italian flautist and composer who wrote numerous pieces for Flute. Most of his study books are still used to teach the Flute including '20 Little studies Op. 132' or 'Daily exercises Op. 89'.

A versatile and very popular collection of well known pieces from a wide variety of styles for players to dip into and enjoy.Easy Winners For Flute has something for everyone. From Christmas tunes to classics from television themes to folk tunes the fifty-nine unaccompanied tunes have been carefully selected and arranged. The choice of range technique and style of music has been carefully geared to the instrument and ability range. The titles in Easy Winners For Flute have been arranged as unaccompanied solos but combined with the optional CD or easy Piano accompaniments a whole new world of playing opportunity opensup. Teachers talk of pupils finding the book addictive unable to leave it alone after playing along with the CD which cleverly incorporates just enough of the solo line to support the player without providing simply a play along.Easy Winners For Flute is an essential companion to a tutor book and an ideal partner to Winners Galore for Flute.

Les classiques de la flûte n° 74 (rév. Marcel Moyse)-Composed by Jules Demersseman (1833-1866) Concert Solo n?6 Op. 74 has been reviewed by the French flautist Marcel Moyse. Written for Flute and Piano it would fit players with advanced skills and abilities and a great endurance. It contains up to 5 flats and 4 sharps. Part of the series 'Flute Classics' this piece number 76 is among those adapted by P. Taffanel Ph. Gaubert M. Moyse and others. Very enjoyable yet very difficult this piece was written as a Concert Solo and could be easily be used in recitals or contests. Considered as a maestro by some musicians Marcel Moyse hascomposed many Flute methods and exercise books that have also been published by Alphonse Leduc. His methods are widely used and recognised worldwide.

Andrew D. Gordon world renowned music educator author of over 60 music educational products has previously written numerous books on Flute styles such as: ?100 Ultimate Blues Riffs for Flute? ?100 Ultimate Jazz Riffs for Flute? ?The Blues Scale for Flute? as well as another book that A.D.G. Productions publishes ?Ultimate Funk Grooves for Flute? authored by Ben Tompsett which have all been well received by students teachers and musicians all over the world.As playing funk styles is a passion of Andrew?s he has written this instructional book ?100Ultimate Soul Funk and R

Grades 1-5-Fifty progressive studies for unaccompanied flute. The fifty short unaccompanied pieces in these two books explore the versatility of the flute and the many moods and styles it can portray. These pieces have been designed primarily as studies but may be grouped as desired into suites for solo performance. The material has been arranged in progressive order of difficulty with Book 1 covering a level of Grades 1-5 and Book 2 covering Grades 6-8.

Continuing in the tradition of previous publications in the Classics series: Classic Solos and Classic Duets, Mary Karen Clardy has selected 24 of the most significant standard études from Carl Joachim Andersen's op. 21, 30, 33, 37 and 41, Antoine Benoit Tranquille Berbiguier's Studies and Ernesto Köhler's Romantic Études op. 66. Performance notes, composers' biographies and a glossary of terms are included providing helpful historical background to the pieces. An optional second flute part has been composed for each étude providing opportunities for the teacher or another player to support and reinforce phrasing, rhythm, tone quality, intonation and style. These parts may be downloaded for free from our website. The second flute parts have been recorded on the CD to provide supportive accompaniments for playing along - an invaluable aid in daily practice. Andersen, Carl Joachim: C Major: Op. 37/1 Andersen, Carl Joachim: A Minor: Op. 37/2 Köhler, Ernesto: G Major: Romantic Etudes/2 Köhler, Ernesto: E Minor: Octaves (Romantic Etudes/9) Andersen, Carl Joachim: D Major: Op. 37/5 Andersen, Carl Joachim: B Minor: Op. 37/6 Köhler, Ernesto: A Major: Cantabile Moderne (Romantic Etudes/16) Köhler, Ernesto: F# Minor: Dance of the Insects (Romantic Etudes/19) Köhler, Ernesto: E Major: Russian Dance (Romantic Etudes/25) Andersen, Carl Joachim: C# Minor: Op. 30/10 Berbiguier, Antoine Benoit Tranquille: B Major: No. 15 Andersen, Carl Joachim: G# Minor: Op. 33/12 Andersen, Carl Joachim: Gb Major: Op. 21/13 Andersen, Carl Joachim: Eb Minor: Op. 37/26 Andersen, Carl Joachim: Db Major: Op. 33/15 Berbiguier Antoine Benoit : Bb Minor: No. 12 Andersen, Carl Joachim: Ab Major: Op. 33/17 Andersen, Carl Joachim: F Minor: Op. 41/18 Andersen, Carl Joachim: Eb Major: Op. 30/19 Berbiguier, Antoine Benoit: C Minor: No. 8 Andersen, Carl Joachim: Bb Major: Op. 41/13 Köhler, Ernesto: G Minor: At the Well (Romantic Etudes/6) Köhler, Ernesto: F Major: Consolation (Romantic Etudes/4) Berbiguier, Antoine Benoit: D Minor: No. 4

Prefazione di Giampaolo Pretto-Flautist composer and conductor Giampaolo Pretto has been pursuing a long and varied artistic career as the first flute of the RAI National Orchestra a member of the Quintetto Bibiena and as soloist musical director of the Turin Philharmonic Orchestra and many other roles. Protagonist of numerous recordings and radio and television broadcasts he has long been the didactic director of the Orchestra Giovanile Italiana. Passionate about teaching in 2013 he published Dentro il Suono a text that gave rise to a homonymously-named flute school.

Larry Clark's The Complete Scale Compendium focuses on what is most common in the study of classical music: core major and minor scales as well as chromatic pentatonic whole-tone and blues scales.The mastery of scales and scale patterns has long been established as the best way to improve technical abilities on all instruments. With this book students will learn the construction of these scales while practicing unique patterns enriching their technique. Specific slurs and articulations have been left off of the exercises so that a multitude of different articulation and slur patterns can be used. The exercises are presentedin two ways: by scale pattern and by key.The Complete Scale Compendium is available for Flute Clarinet Alto Saxophone Trumpet Trombone and Violin.