In Do 'Il Piacere' Op.Viii N.6 Rv 180, F.I-27 - Tomo 81 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Per 4 Vl. e 1 Vc. Op.Iii N.1 F.Iv-7 - Tomo 406. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

In La Op.Iii N.5 Rv 519, F.I-175 - Tomo 410 -Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

In Sol Op.Iii N.3 Rv 310 Rv 310, F.I-173 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Op.Viii N.8 Rv 332 - F.I/16 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Op.Viii N.8 - F.I/16 - Tomo 65. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

'La Notte' Op.X N 2, F.Vi-13 - Tomo 455 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Op.Viii N.12F.I-31 - Tomo 85. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Op.VIII N.11 F.I/30 - Tomo 84. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Parti Orchestra. Par VIVALDI ANTONIO. The orchestral set contains: 3 copies of Vl I and 3 copies Vl II 2 copies of vla, 2 copies of cello 1 copy of organ, contrabass, trumpet and oboe. Today the Gloria RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the ; Gloria as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà, around 1716. In the twelve movements of the ; Gloria, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages. Thesame mastery has also been applied to the ; Kyrie RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass./ Répertoire / Matériel D'Orchestre

Re' Op.Viii N.5 - Rv 253 - F.I/26. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

5x SA Coro 1/5x SA Coro 2/5x TB Coro 1/5xTB Coro 2. Par VIVALDI ANTONIO. Choeur 1 ET 2 SOPRANOS CONTRALTOS/Choeur 1 ET 2 TENOR BASSE/ Répertoire / Matériel D'Orchestre

Cantico Per 2 Soprani, Contralto E Tenore Solisti, Coro A 4. Par VIVALDI ANTONIO. VOCI MISTE, 2 OBOI, 2 VIOLINI, VIOLA E BASSO - PARTI CORO/ Répertoire / Matériel D'Orchestre

Cantico Per 2 Soprani, Contralto E Tenore Solisti, Coro A 4. Par VIVALDI ANTONIO. VOCI MISTE, 2 OBOI, 2 VIOLINI, VIOLA E BASSO - PARTI ORCHEST/ Répertoire / Matériel D'Orchestre