The Good-morrow which was written in 1971 is a setting for mezzo-soprano and piano of five poems by John Donne. These are not songs in the closed sense: the settings deliberately blur one poem into the next so as to form a little musical drama about a passionate but light-hearted love-affair. The model for this piece was the beautiful song-cycle The voice of love (1966) by Nicholas Maw who was my teacher from 1968 until 1971 and whose influence upon my development was both strong and fruitful. My debt to Maw (who died in 2009) is great and this song-cycle was my grateful acknowledgement of it. The Good-morrow was first performed in 1986 at the Purcell Room London by Linda Hibberd and Giles Swayne.1. I wonder by my troth2. 'Tis true 'tis day3. Come live with me and be my love4. So so breake off this last lamenting kiss5. Now thou hast lov'd me one whole day

Mezzo-Soprano Book/2-CDs Pack-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: And All That Jazz · Another Op'nin' Another Show · Anything Goes · Beauty and the Beast · Don't Rain on My Parade · Everything's Coming up Roses · Hernando's Hideaway · I Get a Kick Out of You · I Got Rhythm · I Love Paris · Miss Byrd · My Funny Valentine · People · Rose's Turn · Send in the Clowns · Sunday in the Park with George · Whatever Lola Wants (Lola Gets) · When You're Good to Mama · and more.

L'édition de livres et 2CD de la collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Baryton ou Basse 3