Classroom Activity And Poster Pack-Benjamin Britten's celebrated and much-loved Young Person's Guide To The Orchestra began life in 1946 as a British Government commission for music to accompany an educational film aimed at introducing the young to the instruments of the orchestra. Britten's eventual theme and variations form features a showcase for every instrument or instrumental group based upon a popular theme adapted from Henry Purcell along with explanatory narration.In this classroom pack Wesley Ball presents a selection of strategies for children to explore Britten's musical guide using worksheets listening maps and more. The activities are intended to engage children inthe active understanding of the orchestra and its growth from the Baroque period onwards. The lessons are all supported by an accompanying CD recording of the full work.This edition is complete with a full Instrumental Poster Pack comprising 24 posters and fun facts to decorate the classroom and further aid the teaching of orchestral instrumental information.

Techniques d'orchestration, volume 1, s'adresse à tous les musiciens qui souhaitent étudier l'écriture orchestrale et qui s'intéressent aux techniques permettant de transcrire pour orchestre une partition composée initialement pour piano. / Théorie - harmonie / Billaudot

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Formation Musicale vous pourrez découvrir une des oeuvres de Koechlin Charles en l'occurence TRAITE ORCHESTRATION 3 qui a été éditée par la maison d'édition Max Eschig. / Formation Musicale / Partition

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Formation Musicale vous pourrez découvrir une des oeuvres de Koechlin Charles en l'occurence TRAITE ORCHESTRATION 1 qui a été éditée par la maison d'édition Max Eschig. / Formation Musicale / Partition

Par DRUMM SIEGFRIED / ALEXANDRE JEAN FRANCOIS. Musical Training in the Orchestra The authors have devised - with help from instrumental teachers - a method that is a tool both lively and amusing for children, and as precise as possible for teachers, while letting them teach according to their personal musical style. Some of the advantages of musical training in the orchestra: - a much clearer and less abstract relationship between solfège and playing an instrument (all solfège training is directly related to the instrument that the student has chosen) - an oral before a written presentation - more thorough ear training, due to scores played by different instrumentalists - improved comprehension/analysis of the works proposed as a result of playing an instrument - develops the student's autonomy - playing an instrument collectively as part of this course will encourage the student (once the necessary level is reached) to participate in a conservatory or music school ensemble Each volume of Symphonic FM comes in a book for the student (adapted to the instrument played) and a book for the teacher./ Méthode / Formation Musicale

Originally published in the 1940s Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians these were produced by a man who could play every instrument of the orchestra could compose a satisfying piece for almost every kind of ensemble and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.

Le terme instrumentation désigne l'étude des instruments eux mêmes et de leurs caractéristiques individuelles. C'est à quoi s'est attaché l'auteur de ce guide en détaillant les possibilités des instruments qui composent les ensembles à vent: étendue, timbres, techniques, effets (articulations, trilles, trémolo, flatterzunge ...). Figurent également une liste des élanges de timbres ainsi que des exemples de dispositions orchestrales. Un ouvrage à l'usage des compositeurs, arrangeurs et orchestrateurs, enseignants, grands élèves, futurs chefs d'orchestre ... Compositeur/Auteur : VANBESELAERE Jean-Philippe Discipline/Instrument : formation musicale Collection : Guides pratiques Support : Livre Style/Genre : méthode - études Date de parution : juin-95 Nombre de pages : 96

A Holiday Musical for Young Voices-The welcome mat is out and everyone is invited! From candles burning and carolers singing to a fifteen foot buffet and jingle bells ringing share the traditions of the season with this charming 15-minute holiday musical forprimary grades. Five original songs and clever rhyming narration allow for easy preparation and limited rehearsal time. The Teacher's Manual features full piano/vocal arrangements narration and staging suggestions and the handyReproducible Pak comes complete with vocal lines lyric sheets and narration ... everything your ?stars on stage? need to present a wonderful show for family and friends. Use the professionally produced orchestrationby John Higgins on the performance/accompaniment CD for extra seasonal sparkle! Receive all three components in the handy Classroom Kit for dollar-stretching value.Performance Time: 15 minutes. For Gr. K-4.

Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Formation Musicale

Ce choix de textes propose de développer sous forme de pratique orale (instrumentale et vocale, solistique et orchestrale) les trois fondamentaux d'un cours de formation musicale classique :

- La lecture
- L'audition
- L'analyse.

Le prétexte à l'improvisation, omniprésent, doit permettre non pas de reproduire mais de produire, créer quel que soit le type de source musicale : rock, jazz, musiques contemporaines, électroniques, classiques ou traditionnelles...

Cet ouvrage s'adresse à des élèves instrumentistes de 2e et 3e cycle. / Solfège / Livre /

Exercices De Lecture Pour La Formation Musicale - Vol. 4 is the fourth book of a theory method in six volumes by Dia Succari. Written for upper beginners it features 26 exercises focusing on reading notes on staves. Each exercise can be read from left to right and from right to left. The keys that feature in the book are G and F keys with introduction to the C key. Dia Succari is a Syrian musician who studied music at the Paris Conservatoire among musicians such as Henri Challan Jeanine Rueff and Marcel Bitsch. Olivier Messiaen was one of his composition professors and he also learnt to conduct anOrchestra.