SKU: HL.14043723
ISBN 9781783059522.
This is an updated edition of Francis Poulenc 's 1962 work Sonata For Oboe And Piano , edited by Millan Sachania . Featuring the full score and a separate Oboe part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks. Originally completed in 1962, Poulenc 's Sonata For Oboe And Piano had been brewing in his mind for at least five years. The last of Poulenc 's trio of sonatas for woodwind instruments, he tragically passed away before it could be definitively engraved, leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition, publishedposthumously. A number of revisions have taken place, but this, expertly edited by Millan Sachania , aims to provide a playable, legible, precise and authoritative score that reflect closest Poulenc 's intentions. This new edition revises many minor details, including Piano chords, tied notes, the correction of various bars throughout as well as his crescendos during the third movement. At all points, Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended. This is a most exciting prospect considering the reputation that this work has garnered as a piece of profound poignancy. Dedicated to Sergey Prokofiev, it has been said that the mournful final movement, Deploration , is something of an obituary. What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned oboist Christopher Cowie and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the Oboe in your very own performance. This is a unique opportunity for oboists to learn from an authoritative.
SKU: BR.MR-2295
ISBN 9790004488430. 9 x 12 inches.
It is difficult to determine exactly how many oboe concertos Antonio Vivaldi wrote. Although the present Concerto in F major was earlier seen as a secure work by Vivaldi (therefore it has the old RV-number 458), Vivaldi's authorship got even more disputable (in contrast to the C major Concerto RV 446 MR 2294). The doubts cannot even be dispelled by the existence of two sources from a large collection in Lund, Sweden. The Adagio central movement deserves our particular attention, as it was transmitted in different versions in the two sources. In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time, which make this version of the Adagio particularly interesting for performers.In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time.
SKU: HL.254191
9.0x12.0 inches.
Andante for oboe and piano was found only after the composers death in 2014. According to his private notes discovered by his family, it was written in 1951, which means that it is one of its earliest compositions. This one-part work, set in neoromantic aesthetics, is based on two themes. The first one - in D Minor - initially appears in the piano part, and then it is captured by the oboe. It puts a listener in a tranquil, sentimental mood. The second one - in D Major - is livelier and jollier (piu mosso), though in terms of melodic motifs some of its fragments come closer to the first theme in a form of its variation-style development. This is capped by a solo cadenza of the oboe that leads to the recapitulation of the first theme and the following tranquil, cantilena-style coda. Jozef Swiders Andante for oboe and piano, despite its charming simplicity, is a work full of reverie, nostalgia and subtle melancholy. This proves the young composer's liking for clarity, lyricism and romantic expression, typical of his late artistic work.
SKU: IS.OP4179EM
ISBN 9790365041794.
In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism. Though mostly known for writing larger scale works during his life, this Concertstuk for oboe and piano, composed towards the end of his life came at a time when he unexpectedly because to compose chamber music. In addition to this work for oboe, he composed a solo piece for clarinet, as well as four string quartets during his final years.
SKU: BT.AMP-343-401
ISBN 9789043138628. 9x12 inches. English-German-French-Dutch.
White Light was commissioned by Fumiko Teramoto, oboist with the Musashino Grand Concert Band from Tokyo, Japan. The request was for a moderately slow piece, of intermediate difficulty, which included White in the title, as this is her lucky colour. Composer Philip Sparke decided to use this suggestion to write a piece that was bright and light in terms of harmony and colour, with much use of simple major and minor chords and an emphasis on pure and transparent timbres. He was also keen to capture the essence and history of the oboe as a solo instrument - the piece is pastoral in character and often almost baroque in style. Also available for oboe and concert band (AMP317-010/140). Wit is de gelukskleur van het opdrachtgevende orkest van dit uitdagende solowerk voor hobo en piano. Philip Sparke schreef daarom een opgewekte compositie. Het zwaartepunt ligt op de heldere klanken van het hoge hout en de harmonie,klankkleur en instrumentatie is helder en doorzichtig.Ook verkrijgbaar voor hobo en harmonieorkest (AMP 317-010/140).Weiß ist die Glücksfarbe des auftraggebenden Blasorchesters und daher im Titel dieses Solowerks für Oboe und Klavier. Passend dazu schuf Philip Sparke ein Stück, das sowohl heiter als auch hell in seiner Harmonik, seinen Farben und seiner Orchestrierung ist, viele einfache Dur- und Mollakkorde enthält und den Schwerpunkt auf die klaren Klänge der hohen Holzbläser im Orchester legt. Ebenfalls erhältlich für Oboe und Blasorchester (AMP 317-010/140).Les indications données étaient les suivantes : une pièce modérément lente et de difficulté moyenne ; enfin, le mot ‘blanc ‘ devait figurer dans le titre, faisant ainsi allusion la couleur fétiche de l'orchestre dédicataire. C'est en s'inspirant de ces quelques éléments que Philip Sparke composa White Light, une pièce lumineuse et harmonieusement légère. De caractère pastoral et de style plutôt baroque, White Light expose avec passion la quintessence du hautbois. Disponible en version Hautbois et piano, elle existe également pour Hautbois solo et orchestre d'harmonie.In questo lavoro per oboe solista e pianoforte, Philip Sparke crea un pezzo che è allo stesso tempo allegro e luminoso nella sua armonia e nei colori, e che nell'orchestrazione contiene molti semplici accordi maggiori e minori. Disponibile anche per oboe e banda (AMP 317-010/140).
SKU: HL.48182998
UPC: 888680877194. 9.0x12.0x0.053 inches.
“As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera style, transcribed for the Oboe by Fernand Gillet, or for Cor Anglais by G. A. Leduc, contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Piece in the Habanera style clearly exemplifies these qualities through flourishing Oboe or Cor Anglais lines and evocative, chordal and rhythmic Piano accompaniments. Moreover, Habanera rhythms heard throughout the piece create further excitment. All of these musical elements combine to create a highly enjoyable piece for the Oboe and Cor Anglais repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition of Piece in the Habanera style make this an irresistable purchase for aspiring Oboe and Cor Anglais players.â€.
SKU: ST.C461
ISBN 9790570814619.
This edition replaces the old Nova Edition NM394 and the subsequent but also now defunct EMA142. Both previous editions are now out of print. This is a freshly edited, updated and greatly improved edition.[bg_collapse view=link color=#4a4949 icon=arrow expand_text=Show More collapse_text=Show Less ]Gioacchino Rossini: Variations for Oboe and PianoRossini was still a student at the Liceo Filarmonico in Bologna when he wrote these Variations at the age of 18. Originally thought to have been written for Clarinet in C and Orchestra, recent scholarship, culminating in Heinz Holliger’s brilliant recording (Philips 9500 564), has provided many good reasons why the oboe is clearly the solo instrument. Not only does it ‘look like’ oboe music but the writing (within the oboe’s exact range at that time) ignores more than an octave of the clarinet’s potential range. Also, it is most unusual to find the solo wind instrument duplicated in the accompanying orchestral parts, thus providing unnecessary competition in timbre.Frédéric Chopin: Variations on a Theme by RossiniNo such ambiguity surrounds the origin of Chopin’s Variations on a Theme from Rossini’s opera La Cenerentola — orginally for flute. It is not definitely known for whom they were written, but they may have been either for his father (who played the flute), or for his close friend Matuszynski. They date from 1826-30 and here transposed from the original E major into D major for the oboe, provide a valuable addition to the oboist’s nineteenth century repertoire.[/bg_collapse]Arranged by Mark GoddardGrades 7–8Former Spartan Press Cat. No.: EMA142.
SKU: ST.C551
ISBN 9790570815517.
Bagatelle for Oboe and Piano was composed in 1950. This is the first time that the piece has been published.Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.
SKU: ST.C550
ISBN 9790570815500.
Traveller’s Joy — Two Walking Tunes for Oboe and Piano was composed in 1956. This is the first time the piece has been published.Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.
SKU: ST.C513
ISBN 9790570815135.
Sonatina for Oboe and Piano was composed in 1967 and given its first performance by Dinah Demuth, to whom it is dedicated. The Sonatina for Cor Anglais and Piano of 1968 was also written for Dinah Demuth, then a member of the Midland Light Orchestra, whose broadcasts included solo works such as these two Sonatinas. This Sonatina was originally published by Phylloscopus Publications in 1995.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.Former Spartan Press Cat. No.: PP160.
SKU: HL.48180963
UPC: 888680878313. 9x12 inches.
Exploiting the oboe to its full potential, Fantaisie Pastorale is an exciting and challenging addition to the advanced oboists' repertoire. From Lent to Allegro passages, this piece by French composer Eugène Bozza (1905-1991) covers a huge variety of the oboe's possibilities. The piece begins with an emotional, characterised cadenza, portraying the pastoral title. However, the tempo gradually increases through the piece, evoking the fantasy aspect, climaxing with flourishing semiquavers and ending with a grand tonic cadence. Bozza's Fantaisie Pastorale for Oboe and Piano is not only symbolic, but also includes exciting challenges, making for an imperative performance piece in the oboe repertoire.
SKU: HL.48180154
UPC: 888680794477. 9.0x12.0x0.051 inches.
Composed for oboe and piano accompaniment, Piece V by Cesar Franck is a melodious piece for intermediate players. The piece begins with a quiet introduction starting Andantino quasi allegretto. The main theme is then played twice with the piano introducing each phrases followed by the oboe repeating them. The piece ends in a really nice harmony between the oboe and the piano. There is no major difficulty in this really soft work which would be thoroughly enjoyed by the audience during a recital. Cesar Franck (1822-1890) was a renowned musician (organ and piano), composer and professor born in the United Kingdom of Netherland (Liege) who was based in Paris. Even though he only produced few compositions, some of these pieces were very famous such as Symphony in D minor and Prelude, Chorale and Fugue among others.
SKU: FL.FX072380
This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag...A series of pieces for exams or auditions - for students playing Oboe for 4 years onwards.This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams.
SKU: BO.B.3647
Al Valles, for oboe and piano, is a work that has two distinct characteristics-it is a concert work but was composed as a work for a final examination piece. The work is dedicated to Vicent Montalt, who performed it for his final examination at the Mozarteum in Saltzburg, 2012.Al Valles begins with a Paganini-like cadenza for the oboe which introduces the main feature of the work- the alternation of legato with spiccato which is at times rapid and at other times lento. The cadenza is followed by an Allegro which begins with decisiveness by the piano. The two instruments establish a game of brief and very specific rhythmic figures with rapid chromatic descents, which in the piano are in octaves. A tranquil and mysterious passage ends with a sudden fortissimo. The oboe plays another cadenza, reminiscent of the first one, which is followed by a return of the Allegro. However, this time the music stops on a trill on F # in the high register of the oboe. The work concludes with a rapid coda which begins brilliantly in the piano with chromatic descending octaves.
SKU: HL.49045130
ISBN 9790001159937. UPC: 888680646448. 9.0x12.0x0.225 inches.
Composed for Heinz Holliger, this virtuoso and spirited Oboe Concerto is really something new. The edition with solo part and piano score makes it possible to study the work and use it for performance (of all or individual movements) at conservatoires and competitions.
SKU: FL.FX073425
The Oboe du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.This volume puts together 6 original pieces that can be played from 5 years of Oboe practice. ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 3; Duration: 22 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: HL.48186530
UPC: 888680832018. 9.0x12.0x0.058 inches.
Piece in G minor, Op. 5 is a piece for Oboe and Piano accompaniment composed by Gabriel Pierne. Its medium difficulty will enable intermediate players and above levels to play it, and to appreciate its features. Really enjoyable, this early work, written in 1833, lasts approximately 2?30 and has been transcribed for many other instruments. It is perfect for recitals and concerts. The book contains the score and Oboe part. The score mentions the possibility of replacing the Oboe by a Violin or a Cello. Gabriel Pierne (1863-1937) won the Prix de Rome in 1882.The composer wrote many chamber compositions, Piano pieces, symphonic music and some oratorios..
SKU: FL.FX073424
The Oboe du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.This volume puts together 6 original pieces that can be played from 4 years of Oboe practice. ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 3; Duration: 14 mn 25 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: HL.48181592
UPC: 888680845681. 9.0x12.0x0.068 inches.
“Conte Pastorale is a piece for Oboe and Piano accompaniment by Eugène Bozza. Dedicated to F. Legrand, a professor at the Valenciennes Conservatoire, this work is quite difficult and would be ideal for upper intermediate/advanced players. It is divided in three parts: 1. Moderato 2. Andantino 3. Allegro - Scherzando This volume features the score and parts. It is a really nice for concerts and recitals. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.â€.
SKU: M7.SAE-18-10
ISBN 9790707651391.
This is a unique arrangement for Oboe and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
SKU: M7.SAE-4-09
ISBN 9790707651384.
This is a unique arrangement for oboe and piano, a work that preserves the beauty of the original work, an master piece for sacred music, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
SKU: FL.FX073423
The Oboe du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.This volume, for beginners, is a visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young oboists reflect those rare moments! ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 1; Duration: 6 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: HL.49017529
ISBN 9790001148658. 9.25x12.0x0.221 inches.
The Hungarian composer Istvan Szelenyi (1904-1972) studied composition with Zoltan Kodaly and later taught at the Conservatoire of Budapest. He wrote primarily chamber and piano music. His hitherto unpublished Sonata for oboe and piano was written in 1969 and constitutes an important contribution to the rather small 20th-century oboe repertoire. The one-movement sonata is composed in free tonality and thrives on charming rhythmic turns borrowed from Hungarian folk music.
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