Both of these works for oboe and piano explore the emotions of grief and anger following loss or bereavement. Fierce Tears I and Fierce Tears II both use a melodic line taken from Berkeley's Oboe Concerto but it is developed in different ways in each work.

Instrumental Play-Along-Solo arrangements of 14 well-known melodies are featured in this collection for beginning instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks! Songs include: All of Me ? Evermore ? Hallelujah ? Happy ? I Gotta Feeling ? I'm Yours ? Lava ? Rolling in the Deep ? Viva la Vida ? You Raise Me Up and more. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK amulti-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Oboe-Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010.I - A MountainII -FixationIII - FlowersIV - Fountains Metamorphoses after Britten by philipvenables 'Metamorphoses after Britten arejust that: four miniatures each inspired by one of Benjamin Brittenﾃ｢ﾂ�ﾂ冱 Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception ofFountains in a short cathartic coda. Some of the movements also take specific musical elements from Brittenﾃ｢ﾂ�ﾂ冱 pieces.I very much viewed these pieces as musical Haiku and in that sense I hope they embody a sense ofpeace brevity and simplicity.The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell.The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vickiand Andrew Vaughan' ﾂ�ﾂ�ﾂ�ﾂ� - Philip Venables ﾂ�ﾂ�ﾂ�ﾂ�

A Must-Have Collection of Well-Known Songs Including Oboe Features!-If you've been taking oboe lessons for a little while you are probably eager to learn some familiar songs. The First 50 Songs You Should Play on Oboe includes a wide variety of favorites from pop hits and movie themes to classical melodies and folk songs many of which originally featured oboe! Songs include: All of Me ﾃつｷ All You Need Is Love ﾃつｷ Amazing Grace ﾃつｷ Canon in D ﾃつｷ Circle of Life ﾃつｷ Fight Song ﾃつｷ Gabriel's Oboe ﾃつｷ The Godfather (Love Theme) ﾃつｷ Hallelujah ﾃつｷ I Will Always Love You ﾃつｷ Just Give Me a Reason ﾃつｷ Just the Way You Are ﾃつｷ Let It Go ﾃつｷ My Heart Will Go on (Love Theme from 'Titanic') ﾃつｷ Pure Imagination ﾃつｷ Roar ﾃつｷ Rolling in the Deep ﾃつｷ Satin Doll ﾃつｷ See You Again ﾃつｷ ShakeIt Off ﾃつｷ Shallow ﾃつｷ Stand by Me ﾃつｷ Summertime ﾃつｷ Symphony No. 9 in E Minor (From the New World) Second Movement Excerpt ﾃつｷ Tequila ﾃつｷ This Is Me ﾃつｷ Uptown Funk ﾃつｷ What a Wonderful World ﾃつｷ and more!

Metodo per oboe. Par KASTELEIN / NYNKE JAARSMA. A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie ASCOLTA, LEGGI

Metodo per oboe. Par KASTELEIN / NYNKE JAARSMA. A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie ASCOLTA, LEGGI

The play-along book ?Playing with the Orchestra VOL. I? has been designed for flute, Bb clarinet, oboe, Bb trumpet, F horn, violin and cello. The original symphony orchestra part for each instrument is printed in its own edition. The orchestral recordings were performed by an 80-strong professional orchestra, the Bratislava Symphony Orchestra, conducted by David Hernando Rico. The series includes many successful works by the composer Otto M. Schwarz, such as ?Around the World in 80 Days?, ?Nostradamus?, ?Dragon Fight?, ?The Story of Anne Frank? and most recently ?The White Tower?, compositions that also feature in the Top 40 of the world-wide Classic New Releases on Spotify.

A great collection of over 80 Beatles tunes including: All You Need Is Love ﾃつｷ Eight Days a Week ﾃつｷ Eleanor Rigby ﾃつｷ A Hard Day's Night ﾃつｷ Help! ﾃつｷ Here Comes the Sun ﾃつｷ Hey Jude ﾃつｷ I Want to Hold Your Hand ﾃつｷ In My Life ﾃつｷ Let It Be ﾃつｷ The Long and Winding Road ﾃつｷ Revolution ﾃつｷ Sgt. Pepper's Lonely Hearts Club Band ﾃつｷ Ticket to Ride ﾃつｷ Twist and Shout ﾃつｷ Yellow Submarine ﾃつｷ Yesterday ﾃつｷ and more.

The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.

ﾂ�ﾂ�Camﾃｵes (1524-1580) est le plus grand poﾃｨte portugais de la Renaissance, En 1572, il publie son chef-d'oeuvre, les Lusiades (Os Lusiadas), vaste ﾃｩpopﾃｩe en vers qui relate l'histoire du Portugal et surtout le voyage de Vasco de Gama en Inde (1497-1498), Ma seule ambition a ﾃｩtﾃｩ de prolonger l'univers poﾃｩtique de Camﾃｵes, ﾃ� la fois lyrique, irrﾃｩel et nostalgique, Le hautbois y est traitﾃｩ de maniﾃｨre expﾃｩrimentale et quasi symphonique, I - Le Roi de Mﾃｩlinde La flotte du Roi de Mﾃｩlinde (actuellement Malindi, Kenya) accueille dans la liesse celle de Vasco de Gama, (chant II strophes 73-113), Le foisonnement de motif, d'effets, de doigtﾃｩs spﾃｩciaux imite les canons, les feux d'artifice, l'ivresse de la foule et le 'ﾂ�discordant vacarmeﾂ�' des fanfares qui jaillissent de chaque bateau, de chaque barque, Tout doit ici dﾃｩborder de joie, Deux continents, deux peuples, deux cultures se fﾃｪtent mutuellement dans une lumiﾃｨre ﾃｩclatante, II - Egarﾃｩs par la faim Dﾃｩlire des marins accablﾃｩs par la faim, la soif et le scorbut, (chant IV strophes 70-71 et 81-83) Mer d'huile, chaleur accablante, Sans transition, la frﾃｩnﾃｩsie du premier mouvement fait place ﾃ� la maladie et la mort, On reconnaﾃｮt les fanfares, mais elles ne sont plus que lambeaux, Les berceuses de l'enfance viennent hanter les agonisants, Interlude 1 - Le Vieillard du Restelo A Lisbonne, neuf mois plus tﾃｴt, devant les caravelles prﾃｪtes ﾃ� lever l'ancre, un vieillard s'ﾃｩtait ﾃｩlevﾃｩ pour condamner l'appﾃｩtit de gloire et la barbarie des hommes, dﾃｩguisﾃｩe sous le nom de bravoure, Il avait prﾃｩdit aux marins de grandes ﾃｩpreuves, (chant IV strophes 94-104) Le souvenir de ces imprﾃｩcations (accords ﾃｩnigmatiques, brouillﾃｩs, lointains) se mﾃｪlent aux berceuses du mouvement prﾃｩcﾃｩdent, III - La trombe marine Terreur des marins devant un cyclone, phﾃｩnomﾃｨne qui leur est inconnu, (chant V strophes 18-22) Vﾃｩritable catharsis ﾃｩclatant au 'ﾂ�furiosoﾂ�' et se rﾃｩsorbant trﾃｨs progressivement, Ici plus qu'ailleurs, le hautbois sort de ses limites, Interlude 2 Cet ﾃｩpisode ne figure pas dans le texte de Camﾃｵes, Aprﾃｨs le passage de la trombe, les imprﾃｩcations du vieillard planent ﾃ� nouveau sur le bateau et n'en sont que plus solennelles, IV - L'ﾃｮle des Amours Vﾃｩnus rﾃｩserve aux valeureux survivants, dﾃｩcouvreurs des Indes, une ﾃｮle enchanteresse peuplﾃｩe de nymphes, (chant IX strophes 38-89) Ce ne sont pas les ﾃｩbats des marins et des nymphes qui sont ﾃｩvoquﾃｩs ici, mais le grouillant mystﾃｨre de l'ﾃｮle, L'homme a abandonnﾃｩ toute ambition matﾃｩrielle, Il fusionne avec le monde, / Hautbois

Composer's Note: 'Figment VI was written for Heinz Holliger's brilliant command of his instrument, and I tried to express my gratitude for his performance.' Elliott Carter / Hautbois