By Ralph Vaughan Williams (1872-1958). Arranged by David Matthews. For soprano voice solo, SSA chorus, and full orchestra (3 flutes (III doubling piccolo), 3 oboes (III doubling English horn), 3 clarinets (III doubling bass clarinet), 3 bassoons (III doubling contra), 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, celesta, harp, piano, organ, soprano solo, women). Orchestral. Miscellaneous. Study score. 168 pages. Duration 42'. Published by Oxford University Press

By Arnold Schoenberg. For 4 (2 piccolo) 3 (english horn) 4 (e|,bass clarinet) 3 (contrabassoon) 4331 timpani, percussion, celesta, harp, strings. Op.16.New Version reduced for normal-sized orchestra by the composer. Duration 20'. Published by C.F. Peters.

Orchestra (3(3 piccolo).2 (English horn).3 (bass clarinet).2 (contrabassoon) - 4.3.3.1 - 4 percussion, harp, piano/celesta; strings)

SKU: SU.91110060

For Orchestra. Composed by Edward Knight. Orchestra. Study Score. Composed 1988. Duration 14'. Subito Music Corporation #91110060. Published by Subito Music Corporation (SU.91110060).

3(3pic) 2,eh 3,bcl 2,cbn; 4331; 4 perc, hp, pno/cel; stgs Duration: 14' Composed: 1988 Published by: Subito Music PublishingFull Score & Parts: available on rental:.

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

Orchestra (2(1).2(1).2 (Eb, bass clarinet).2 - 4.3.3.1 - 4 percussion, piano/celesta, strings)

SKU: SU.95010280

For Orchestra. Composed by Judith Lang Zaimont. Orchestra. Study Score. Composed 1988. Duration 18'. Subito Music Corporation #95010280. Published by Subito Music Corporation (SU.95010280).

Instrumentation: 2,1 2,1 2,Eb,bcl 2; 4331; 4perc, pno/cel, stgs Duration: 18' Full Score & Parts: available on rental Composed: 1988 Published by: Subito Music Publishing A work that utilizes with persuasive eloquence a wide range of orchestral colors and compositional techniques. Zaimont lays out in clear display her formal concepts, contained masterfully by a centrifugal moving tonality that never lacks direction. -- The Greenville (SC) News.

(For Small Orchestra). By George Rochberg. Orchestra. For 2 Flutes, Oboe, 2 Bb Clarinet, 2 Horns in F, 2 Trumpets in C, 2 Trombones, Tuba, Piano, Celesta, Timpani, Large Bass Drum, Small Snare Drum, Crash Cymbals, Slapstick, Temple Blocks, Small Triangle,. full score (large). contemporary.

(Suite For Orchestra) Composed by John Williams. For flute I (alto flute, piccolo), flute II (piccolo), piccolo (flute, alto flute), oboe I,II, english horn (oboe), Bb clarinet I (A clarinet), Bb clarinet II (A clarinet, Bb bass clarinet), Bb bass clarinet (Bb clarinet, Eb piccolo clarinet), bassoon I,II, contra bassoon, F horn I-IV, trumpet I-III, trombone I-III, tuba, timpani, percussion I,II, harp, piano (celesta), violin I,II, viola, cello, cornet and contrabass. From the motion picture "Harry Potter And The Sorcerer's Stone". Format: full score (spiral-bound). Movies. Series: John Williams Signature Edition. 86 pages. 10.5x14 inches. Duration 16m26s. Published by Hal Leonard.

For Orchestra. By Lukas Foss. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Percussion, Harp, Organ, Piano, Celesta, Violin, Viola, Cello, Contrabass. World Premiere Chicago Symphony Orchestra February 19, 1992. Classical. Full Score - Study. 104 pages. Published by Carl Fischer.

By Donald Erb. Orchestra. For Flute, Oboe, English Horn, Clarinet, Bass Clarinet in Bb, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor Trombone, Bass Trombone, Tuba, Timpani, Vibraphone, Marimba, Crotales, Chimes, Harmonica (in C), Small Bass Drum, Tuned Drums, Gallon Jug, Small Mounted Wine Glass, Large Suspended Cymbal, Large Suspended Cymbal, Snare Drum, Glockenspiel, Roto-Toms, Harmonica (in B), Harmonica (in D), Medium Bass Drum, Medium Bass Drum, Wine Glasses (Partially Filled with Water), Medium Mounted Wine Glass, Medium Suspended Cymbal, Medium Tam-Tam, Vibraphone (Normal Mallets and 2 Double Bass Bows), Xylophone, Harmonica (in Bb), Nipple Gong (in C), Bass Drum, Tom-Tom, Wine Glass, Small Suspended Cymbal, Small Tam-Tam, Harp, Violin I, Violin II, Viola, Cello, Contrabass, Piano, Celesta, Yamaha Dx7 with Phase Shifter. Full Score - Large. 90 pages. Published by Theodore Presser Company.

Orchestra

SKU: HL.14027993

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993).

ISBN 9788759811832. English.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.

3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo
3 Oboes, 3rd also Cor Anglais in F
3 Clarinets in Bb, 3rd also Bass Clarinet in Bb
3 Bassoons, 3rd also Contra Bassoon

4 Horn in F
3 Trumpets in Bb
3 Trombones
1 Tuba

Timpani

4 Percussion, four players
Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)
Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal
Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal
Player 4 - Bass Drum, Glockenspiel, Xylophone

1 Harp

1 Piano, also Celesta

Strings - 16/14/12/10/8

All transposing instruments are notated in their relevant transpositions.
Any accidental apply only to the note that it immediately precedes, except tied notes.
Naturals appear occasionally 'for safety'.

'LISTENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.
The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic.
I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.

(For Orchestra). Composed by Behzad Ranjbaran. For orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets in Bb, bass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in C, 2 trombones, bass trombone, tuba, timpani, percussion, celesta, harp, strings). Persian Trilogy. Contemporary. Full score - study. Standard notation. 96 pages. Duration 22 minutes. Theodore Presser Company #416-41412. Published by Theodore Presser Company

By Richard Strauss. Arranged by Stephan Kohler. (Study Score). Schott. 172 pages. Published by Eulenburg.

Composed by Burrill Phillips. Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet in C I, Trumpet in C II, Trumpet in C III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Percussion, Harp, Celesta, Vio. Full score (study). Standard notation. 85 pages. Published by Carl Fischer