This arrangement has been made from the original orchestration for full orchestra and incorporates the cuts authorized by the composer in 1963. The piano duet part is optional unless no wind is available. The brass parts are fully cued in both string and woodwind parts. The minimum wind required is 1 flute 1 oboe and 2 clarinets. This has recently been re-typeset by Goodmusic so is clearer than the original OUP printing but no musical changes have been made and the new edition is fully compaible with the old one.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb 3 Trombones Timpani Percussion (3 players - Cymbals Triangle Bass drum Tenor drum Glockenspiel Tubular bell in C Side drum Large gong) Strings (Violin 1 Violin 2 Viola Cello Bass) Piano duet (optional) (Part included in Pack)

Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunes are:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.

Arthur Bliss’s first orchestral compositions his studies for Full Orchestra are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2 Flutes Oboe Cor Anglais 2 Clarinets in Bflat Bass Clarinet in Bflat 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani Percussion Harp Celesta Strings. Full score and orchestral parts are available on hire from the publishers. Duration: c. 12 minutes.

Of Elgar's five Pomp and Circumstance Marches the first in D is the best known as it includes Land of Hope and Glory. The origin of the title of these marches is a speech in Shakespeare's 'Othello':O now for ever/ Farewell the tranquil mind! farewell content!/ Farewell the plumed troops and the big wars/ That makes ambition virtue!/ O farewell!/ Farewell the neighing steed and the shrill trump / The spirit-stirring drum th' ear-piercing fife / The royal banner and all quality / Pride pomp and circumstance of glorious war!This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestrationlist above may be omitted if necessary.Duration: 6 minutes OrchestrationPiccolo 2 Flutes 2 Oboes 2 Clarinets in A or Bb Bass clarinet* 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Snare drum Triangle Bass drum Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) (* = instruments optional)

From the Soundtrack of the Film The Mission-Ennio Morricone's score for the film the Mission has been arranged for Orchestra by Richard Ling. Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion [1] (Bass drum Suspended Cymbal) Harpsichord (optional) Strings (Violin 1 Violin 2 Viola Cello Double Bass).

This work was written by Michael Nyman towards the end of 1997 commissioned by the English Sinfonia to celebrate the orchestra's taking up residence in Stevenage Hertfordshire. The first performance was given by the EnglishSinfonia under Bramwell Toevy at the Royal Festival Hall London on 14 April 1998.Duration c. 17mins. Instrumentation:; 2 FLUTES; 2 OBOES; 2 CLARINETS IN Bb; 2 BASSOONS; 2 HORNS IN F; 2 TRUMPETS IN Bb; TIMPANI; STRINGS

Parry wrote 'I was glad' for chorus with an organ accompaniment. There have been various orchestral arrangements but here Peter Lawson has endeavoured to produce an orchestration in the style that Parry himself might have employed. The Organ part is optional and serves to add depth at appropriate moments. Whilst a chorus part is published in this edition this orchestration is compatible with the original choral copy as published by Novello.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) Organ (optional)

Orchestral Score. Instrumentation.     3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) TamtamCrotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed.Crotales sound two octaves higher than writtenDuration: c. 6 minutesOrchestral parts areavailable on hire from the publisher

Score-Morton Gould's Philharmonic Waltzes (Waltz Suite In Three Parts). Full score. Playing time: 9 minutes.Instrumentation: 2 Flutes (2nd on Piccolo) 2 Oboes 2 Clarinets Bass Clarinet (on 2ndClarinet part) 2 Bassoons Contra Bassoon 4 Horns 3 Bb Trumpets 3 Trombones Tuba Percussion (3) Timpani Piano Harp Strings.

What can you say about this piece? It is probably Elgar's best known work. Not a simplified arrangement just 2 Trumpet parts transposed into Bb (originally 3 in F) and the contra bassoon omitted.Duration: 2½ minutesOrchestration2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Strings (Violin 1 Violin 2 Viola Cello Bass)

This popular march was written for the film 'The Dam Busters' about the wartime exploits of the R.A.F.'s 617 squadron and their attempts to destroy the dams in Germany's industrial heartland using the 'bouncing bomb' a secret weapon invented by Barnes-Wallis. No secret weapons are required to perform this arrangement just a reasonably able orchestra! Saxophone parts are provided as alternatives (or additions) to the horn parts. The 3rd violin doubles the viola (where necessary at the octave) and either may be omitted.Duration: 4 minutes Orchestration2 Flutes 2 Oboes 3 Clarinets in Bb 2 Bassoons 2 Horns in F (or Alto saxes in Eb or Tenorsaxes in Bb) 3 Trumpets in Bb 2 Trombones Tuba Timpani Percussion (Triangle Cymbals Side Drum Bass drum) Strings (Violin 1 Violin 2 Viola or Violin 3 Cello Bass)

For Orchestra. Premiered by The Royal Danish Orchestra conducted by Michael Schonwandt Koncerthuset DR 29th May 2009.Commissioned by and written for The Serge Koussevitzky Music Foundation in the Library of Congress.Dedicated to the memory of Serge and Natalie Koussevitzky.Instrumentation.3 Flutes 3rd doubling Piccolo3 Oboe 3rd doubling Cor Anglais3 Clarinets in Bb 3rd doubling Bass Clarinet In Bb3 Bassoons 3rd doubling Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba3 Percussion (three players)1 - Triangle Mark Tree Tubular Bells TamTam (Large) Glockenspiel Snare Drum Lion's Roar.2 - TamTam (Large) Chinese Cymbal Spring Coil (Mounted) TamTam (Large) Reco-Reco.3 - Bass Drum (Large) Antique Cymbals (full range) Spring Coil (mounted) TamTam (large) Cymbal (suspended) Reco-Reco.The three large TamTams should differ slightly in pitch.Strings (minimum 16-14-12-10-8)

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical

I Was Glad When They Said Unto Me (Score)-Orchestrated by Gordon Jacob.Instrumentation.2 Flutes2 Oboes2 Clarinets in B flat2 Bassoons4 Horns in F8 Trumpets in B flat2 Tenor TrombonesTubaTimpaniPiccolo SnareHarpOrganChorusStrings