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Carmen Suite #1
Orchestra
[Sheet music + CD]
Eulenburg
Carmen est l'un des opéras les plus populaires et les plus joués au monde. Son...
(+)
Carmen est l'un des opéras les plus populaires et les plus joués au monde. Son compositeur Georges Bizet ne survécut que peu de temps à la première, mal accueillie du public. L'opéra s'imposa néanmoins rapidement auprès des grand théâtres, engendrant d'in / Orchestre / 84 pages / Partition + Cd
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Georges Bizet: L'Arlésienne Suite No. 1: Orchestra: Miniature Score
Orchestra
Eulenburg
The première of Daudet's play L'Arlésienne with incidental music by Bizet a...
(+)
The première of Daudet's play L'Arlésienne with incidental music by Bizet at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus before his death in June 1875 Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.
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Georges Bizet: Arlesienne Suite 2: Orchestra: Miniature Score
Orchestra
Eulenburg
The première of Daudet's play L'Arlésienne with incidental music by Bizet g...
(+)
The première of Daudet's play L'Arlésienne with incidental music by Bizet given at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet however did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.
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Georges Bizet: L'Arlesienne Suites Nos. 1 And 2: Orchestra: Score
Orchestra
Dover Publications
L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental ...
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L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental music. For Suite No. 1 Bizet chose four sections from the original score of 27 episodes extensively modifying and rescoring the music in the process. The pieces for Suite No. 2 were selected and reorchestrated by Bizet's close friend Ernest Guiraud following the composer's death in 1875. Reproduced here from the authoritative Breitkopf & Härtel editions they will delight musicians and music lovers. Reprinted from the Breitkopf & Härtel Wiesbaden Germany n.d. editions.
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Intermezzo From Carmen
Orchestra
[Score and Parts]
Alfred Publishing
Cette sélection douce et mélodique béatement est le moyen idéal pour vos él...
(+)
Cette sélection douce et mélodique béatement est le moyen idéal pour vos élèves à développer un style de jeu legato sensible. Suggérant l'air frais des montagnes d'une soirée en Espagne, cet intermezzo ouvre l'acte II de chef d'opéra de Bizet avec un solo de flûte lyrique qui est finalement repris par tout l'orchestre. Mature à consonance et fidèle à l'originale du compositeur, l'orchestration colorée est sûre de garder toutes les sections intéressées. La partie accompagnement de piano peut être joué par la harpe (comme dans la version originale) ou un clavier avec réglage de la harpe. / Orchestre
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Carmen Suite I
Orchestra
Eulenburg
'Carmen ' est l'un des opéras plus populaires et les plus souvent jouées à tr...
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'Carmen ' est l'un des opéras plus populaires et les plus souvent jouées à travers le monde. Première mondiale a été un flop. Néanmoins, l'opéra gagné très rapidement l'acceptation à tous les grands théâtres, apportant dans son sillage des arrangements d'innombrables de certains par / Orchestre
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Carmen Suite II
Orchestra
Eulenburg
Carmen est un des opéras les plus populaires et dans le monde entier plus joué...
(+)
Carmen est un des opéras les plus populaires et dans le monde entier plus jouées. Son compositeur Bizet ne pas premiere, qui fut un échec. L'opéra a été cependant rapidement à tous les grands théâtres et entré d'innombrables modifications / Orchestre
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Dance Of The Reed Flûtes (TCHAIKOVSKI PIOTR ILITCH)
Orchestra
[Sheet music]
Warner Bros.Publications
Arrangeur: Michael Story. Par TCHAIKOVSKI PIOTR ILITCH. Edité par George Megaw....
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Arrangeur: Michael Story. Par TCHAIKOVSKI PIOTR ILITCH. Edité par George Megaw. Arrangé par l'histoire de Michael. Chef d'orchestre partie - de ballet classique de Tchaïkovski, casse-noisette, cet air de fête intemporelle est inscrit pour compter les chaînes. Une danse de proportions monumentales qui sera une joie de répétition ainsi que des performances. (01:45)/ Répertoire / Orchestre
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Gaetano Donizetti: La fille du régiment: Orchestra: Score
Orchestra
[Score]
Ricordi
Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fil...
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Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fille du régiment, always one of Donizetti?s most popular stage works, was first performed at the Théâtre de l?Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success ? at the Opéra-Comique alone, more than one thousand performances were given between 1840 and 1917 ?, and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources ? only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France ?, the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio?s romance «Pour me rapprocher de Marie» from Act Two, included in the original libretto and actually sung at the première, but expunged from the Schonenberger edition of the score. Donizetti himself cut the romance soon after the première, possibly because of the tenor?s poor performance - as a result, the omission became customary. The appendices to this critical edition present, additionally, two unpublished variants, handed down in form of complete and autograph score: these pieces, crossed out or modified through the compositional process, add fresh new possibilities to current performance practices. The first one is a duet for Marie and Tonio that Donizetti had originally devised for Act Two, but later deleted from the score. The second one is a preliminary draft of the Act Two Finale, later expunged and replaced, in both music and literary text, by the final version.
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Bizet, Georges : L'Arlesienne Suite Nr.1
Orchestra
[Study Score / Miniature]
Schott
Partition /
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L'Arlesienne-Suite Nr. 2
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlesienne-Suite Nr. 1
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlesienne-Suite Nr. 2
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlesienne-Suite Nr. 2
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlesienne-Suite Nr. 2
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlésienne Suite #1 And 2
Orchestra
Zen-on
/ Orchestre
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L'Arlésienne Suite #2
Orchestra
Eulenburg
/ Orchestre
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L'Arlesienne-Suite Nr. 2
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlesienne-Suite Nr. 2
Orchestra
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/ Orchestre
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L'Arlésienne Suite #1
Orchestra
Eulenburg
/ Orchestre
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L'Arlésienne Suite #1
Orchestra
Eulenburg
/ Orchestre
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L'Arlésienne Suite #2
Orchestra
Eulenburg
/ Orchestre
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L'Arlesienne-Suite Nr. 1
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlesienne-Suite Nr. 2
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlesienne-Suite Nr. 1
Orchestra
Breitkopf & Härtel
/ Orchestre
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L'Arlesienne. Suites #1 And #2
Orchestra
[Sheet music]
Kompozitor
/ Orchestre / 122 pages / Partition
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Bizet, Georges : L'Arlesienne Suite 1+2
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Score S...
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The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Conducteur : Anthony Bramall / Partition CD /
16.04 EUR - Sold by Note4Piano
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Breitkopf & Härtel
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(Seller in french langage)
Pre-shipment lead time:
On order
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L'Arlesienne-Suite Nr. 1
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Pre-shipment lead time:
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