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You've Selected:
Hymn
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Suk Josef - Meditation On The Old Czech Hymn St Wenceslas Op.35a - Conducteur
Orchestra
[Score]
Barenreiter
Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. ...
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Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. 35a Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian ?St. Wenceslas? hymn. The hymn?s message ? a plea for the well-being of the Czech people, directed at their patron saint ? was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. ? First Urtext edition Edition no. TP 583 ISMN 9790260107809 Editor Nouza, Zdenek Language(s) of text Czech, English, German Product format Study score, Urtext edition Binding Stapled Pages / Format XI, 6 S. - 22,5 x 16,5 cm
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Alfred Janson: Construction and Hymn For Symphony Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Construction And Hymn For Symphony Orchestra (1963) by the Norwegian pianist and...
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Construction And Hymn For Symphony Orchestra (1963) by the Norwegian pianist and composer Alfred Janson.
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Virgil Thomson: Symphony On A Hymn Tune: Orchestra: Study Score
Orchestra
Peermusic Classical
Symphony On A Hymn Tune
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Morton Gould: VI. Hymnal: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score-From American Ballads settings of familiar tunes for Orchestra. The title...
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Score-From American Ballads settings of familiar tunes for Orchestra. The titles in this series include: Star-Spangled Overture (50347140) · II. Amber Waves (51347150) · III. Jubilo (50347160) · IV. Memorials (50347170) · V.Saratoga Quickstep (50347180) · and VI. Hymnal (50347190).
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Carl Nielsen: Hymnus Amoris Op. 12: Orchestra: Parts
Orchestra
Carl Nielsen Edition
Carl Nielsen's Hymnus Amoris for Orchestra. Set of parts.
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Carl Nielsen: Hymnus Amoris Op.12: SATB: Score
Orchestra
[Partitions]
Carl Nielsen Edition
This is the Full Score for Hymnus Amoris Op.12 by Carl Nielsen. For Soloists Ch...
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This is the Full Score for Hymnus Amoris Op.12 by Carl Nielsen. For Soloists Choir and Orchestra.Published by the Carl Nielsen Edition.
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Hymne A La Justice Orchestre (MAGNARD ALBERIC)
Orchestra
[Score]
Salabert
Par MAGNARD ALBERIC. / Hymnes et chorals / Date parution : 1905-06-24/ Réper...
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Par MAGNARD ALBERIC. / Hymnes et chorals / Date parution : 1905-06-24/ Répertoire / Orchestre
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Three Early Hymns (from The Legacy of Faith): Orchestra: Parts
Orchestra
Shawnee Press
This year celebrate our national holidays by programming this splendid montage o...
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This year celebrate our national holidays by programming this splendid montage of American hymns. “When I Can Read My Title Clear ” “I Know That My Redeemer Lives ” and the beloved “I WillArise” make up this trio of praises and the general nature of these early hymns make programming a breeze for any time of the year. An extraction from the commemorative cantata Legacy of Faith.
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Hymne Pour Orchestre
Orchestra
Jobert
Oeuvre de lumière, le projet de cet hymne repose sur le travail d'un unique tis...
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Oeuvre de lumière, le projet de cet hymne repose sur le travail d'un unique tissu harmonique servant de matière constituante à deux parties fortement contrastées.Flirtant avec la musique répétitive américaine ou bien encore l'imaginaire spectral, le matériau musical est essentiellement composé d'empreintes d'accords majeurs superposés. L'orchestre exacerbe toute la force de cet environnement diatonique avec rutilance: cordes en cascades, cuivres éclatants, percussions scintillantes.La stabilité immatérielle de la première partie, de laquelle émerge un lyrisme puissant et lumineux, laisse place à une bacchanale survoltée, sorte de miroir aux contours rythmiques aiguisés. / Orchestre
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Poul Ruders: Listening Earth - A Symphonic Drama for Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchest...
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Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical
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Morton Gould: Fall River Legend: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Fall River Legend ballet suite for Orchestra. Study score.F...
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Score-Morton Gould's Fall River Legend ballet suite for Orchestra. Study score.Fall River Legend was commissioned by Ballet Theatre with choreography by Agnes de Mille music byMorton Gould and sets by Oliver Smith and recieved its world premiere performance at the Metropolitan Opera House New York on April 22 1948.Having selected for her subject the historical Lizzie Borden murder case deMille used both pantomime and ballet techniques to convey the story. Morton Gould created the musical score in a similar way alternating programmatic sections with more formal dance patterns. The set dance movements formthe basis of this orchestral suite omitting most of the purely dramatic sequences.A feeling of austerity and doom opens the Prologue followed by a group of Waltzes depicting Lizzie's childhood. The sadness of Lizzie'sgirlhood is reflected in the nostalgic Elegy. Church social is a setting for a parish dance and Hymnal Variations suggest the old New England hymn tunes. The festive Cotillion is an exhuberant sequence of dancing patterns.Epilogue returns to the foreboding mood of the prologue.
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Charles E. Ives: Symphony No. 3: Orchestra: Score
Orchestra
Associated
Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most ...
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Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most concisely-scored of his five symphonies. Containing only Strings a few Winds Horns and Trombone this is a clear and uncluttered reminiscence of nineteenth centuryAmerica as viewed through some of its traditional hymn tunes and in doing so evokes the old 'camp meetings' which were such a feature of pioneer life. The first movement ‘Old Folks' Gatherin'’ is a patchwork of hymntunes drifting through an unpredictable constantly changing harmonic orientation. After a climax is reached a quiet passage opens with oboe and flute over hushed distant strings. Ives reintroduces part of the middle section and settles down to a quiet coda ending the movement almost imperceptibly. The second movement ‘Children's Day’ opens with strings in two parts over Haydnesque eighth notes in the horns. ‘There is a Fountain Filled withBlood’ ‘Happy Land’ ‘Naomi’ and ‘There's Music in the Air’ all are heard. As this is a movement depicting children at play Ives is playful himself weaving hymn tunes into one another in a somewhat tongue-in-cheek manner. Thethird movement ‘Communion’ is darker in tone than the others and provides a psychologically satisfactory close to the work as a whole. This is the 1990 edition of the Score The Charles Ives Society Critical Edition edited byKenneth Singleton and reprinted in 2001. It contains substantial notes on Ives and this work.
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Realms Of Endless Day (F/O)
Orchestra
Alfred Publishing
'Realms of Endless Day' is a fantasy setting of the hymn tune melody, 'Picardy.'...
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'Realms of Endless Day' is a fantasy setting of the hymn tune melody, 'Picardy.' This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns 'Let All Mortal Flesh Keep Silence' and 'Christians, Let Us Love One Another,' as well as the 'Hymn of Saint James.' This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30) / Orchestre
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Joseph M. Martin: Affirmation of Life from Rose of Calvary: Orchestra: Parts
Orchestra
Shawnee Press
From the best-selling cantata The Rose of Calvary comes the grand finale avail...
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From the best-selling cantata The Rose of Calvary comes the grand finale available for the first time as an individual octavo. A rousing conclusion to any Easter or life-affirming worship event. This hymn montage joinsclassic hymns “I Know That My Redeemer Lives ” “When I Survey the Wondrous Cross ” and others to proclaim the risen Christ with unbounded joy. Brant Adams' orchestration is brilliant!
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The European Anthem (BEETHOVEN LUDWIG VAN)
Orchestra
[Score]
Schott
Music from the last movement of the Ninth Symphony. Par BEETHOVEN LUDWIG VAN. Th...
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Music from the last movement of the Ninth Symphony. Par BEETHOVEN LUDWIG VAN. The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house./ Répertoire / Orchestre
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Joseph M. Martin: Appalachian Winter: Orchestra: Parts
Orchestra
Shawnee Press
From the composer of Festival of Carols and The Winter Rose comes a cantata that...
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From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score
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There Is A Savior: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Hope Publishing Company
The text to this classic contemporary song speaks of hope for tomorrow and the p...
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The text to this classic contemporary song speaks of hope for tomorrow and the promise of mercy and forgiveness from the Savior. The inclusion of the old gospel hymn refrain 'My Savior's Love ' brings the message home expressing how marvelous and wonderful the Savior's love truly is. The text to this classic contemporary song speaks of hope for tomorrow and the promise of mercy and forgiveness from the Savior. The inclusion of the old gospel hymn refrain 'My Savior's Love ' brings the message home expressing how marvelous and wonderful the Savior's love truly is.
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Carl Nielsen: Cantatas 3: Orchestra: Score
Orchestra
Carl Nielsen Edition
Volume 3 Carl Nielsen Cantatas. Hardback.Franz Neruda in Memoriam; Hymn for the...
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Volume 3 Carl Nielsen Cantatas. Hardback.Franz Neruda in Memoriam; Hymn for the Commemoration of the Niels W. Gade Centenary; Cantata for the Centenary of The Chamber of Commerce; Cantata for the Centenary of The Polytechnic College; Hymn to Art; Cantata for the Fiftieth Anniversary of The Society for the Education of Young Merchants; Poetry in Song and Music for the Inauguration of the Public Swimming Baths
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Peter Maxwell Davies: The Turn Of The Tide: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
The task: to write a piece that could involve children as players singers and c...
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The task: to write a piece that could involve children as players singers and composers alongside a professional symphony or chamber orchestra. The solution: a peace-cry for the biosphere in which the collaborative nature of theenterprise is a metaphor for a wished-for human enlightenment to the ways of the natural world. Davies provides five musical elements and five ways of development and uses these to illustrate five branches of life on earth:water-plants trees fish birds and mammals (including man). There is a space for answers from children's instrumental groups and then a larger space in which the children can develop the given ideas perhaps with members of theorchestra. Davies returns as composer to depict through an excess of development creation turned sour. Finally everyone comes together with a unison hymn with orchestra and instrumental groups celebrating the turn of thetide.This work for young instrumentalists children's chorus and orchestra was commissioned by the Association of British Orchestras as the centrepiece of an education project which coincided with the implementation of theNational Curriculum for music in schools in England and Wales echoing similar developments in Scotland and Northern Ireland.Score. Duration c. 25mins.
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Traditional: Savior of the Nations Come: Orchestra: Parts
Orchestra
Walton Music
Long an advent season favorite hymn this majestic new arrangement can be perfor...
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Long an advent season favorite hymn this majestic new arrangement can be performed with piano alone or with either full or chamber orchestra. Two options for narration are provided or alternate season-appropriate readings could be substituted at the discretion of the conductor. Perfect for mixed choirs at various levels for concert or worship! Available: SATB divisi and Orchestra (score and parts for full or chamber orchestra).
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Joseph M. Martin: The Celtic Choir: Orchestra: CD
Orchestra
Shawnee Press
Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts fo...
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Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts for flute (penny whistle) violin cello guitar piano and percussion): The soaring beauty of traditional folk music and Gaelic-inspired original songs permeates this collection with fresh sounds and expressive words. From lilting dance-like songs of praise to noble hymn tunes that encourage and motivate this gathering of sacred songs provides a great variety of styles tempos and usages. Decorated with optional acoustic instruments and driven by well-crafted piano parts these anthems are designed to work for choirs of any size. Catch the wave of enthusiasm for this ancient musical culture and bring a refreshing spirit ofworship into your ministry! Songs include: Celtic Praise Song - In the Valley Flows a River - The Master Has Come - A Celtic Hosanna - Come to the Upper Room - Here is Love - Celtic Alleluia - Not I But Christ - A Celtic Blessing. Score and parts for flute (penny whistle) violin cello guitar piano and percussion.
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Chorale and Tribute: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Chorale (2001 02) for orchestra is a kind of musical meditation on the chorale...
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Chorale (2001 02) for orchestra is a kind of musical meditation on the chorale Es ist genug from Bach?s cantata O Ewigkeit du Donnerwort itself a harmonisation of J R Ahle?s 1662 hymn. Nick Kimberley?s preface outlines the context of the Bach original and refers to Alban Berg?s use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works Lindberg?s Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. ?I make an analogy with the rise and fall of the tide. When the tide is in the sea-bed is invisible; but when the tidegoes out you see the rock formation on the sea-bed.?Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen?s debut with the Los Angeles Philharmonic.
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John Rutter: Star Carol: Orchestra: Score
Orchestra
Oxford University Press
Orchestral & Instrumental Carol & Hymn Accompaniments-The Full Score for Rutter'...
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Orchestral & Instrumental Carol & Hymn Accompaniments-The Full Score for Rutter's Star Carol for Mixed Chorus Optional Children's Chorus and Small Orchestra. Parts Available (Y5705).
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John Rutter: Un Flambeau Jeannette: Orchestra: Score
Orchestra
Oxford University Press
Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Un Flambeau ...
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Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Un Flambeau Jeannette Isabelle/Bring A Torch Jeannette Isabella for SATB choir (with divisions) and small Orchestra.Full score for Rutter's arrangement of this popular French carol.
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John Rutter: Un Flambeau Jeannette: Orchestra: Parts
Orchestra
Oxford University Press
Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Un Flambeau ...
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Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Un Flambeau Jeannette Isabelle/Bring A Torch Jeannette Isabella for SATB choir (with divisions) and small Orchestra.Set of parts for Rutter's arrangement of this popular French carol. This set contains the following string parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db.
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Joseph M. Martin: Petition of Praise: Orchestra: Parts
Orchestra
Shawnee Press
This may be the quintessential opening to any worship service. Using choir cong...
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This may be the quintessential opening to any worship service. Using choir congregation and orchestra to call the service to purpose this inspiring octavo will be performed again and again to encourage the faithful.Incorporating the beloved hymn “Come Christians Join to Sing ” your choir and congregation will resonate immediately with this towering anthem of praise.
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John Rutter: Christmas Lullaby: Orchestra: Score
Orchestra
Oxford University Press
Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Christmas Lu...
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Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Christmas Lullaby for SATB and Piano/small Orchestra. Christmas Lullaby was commissioned in 1989 by the Bach Choir in celebration of the seventieth birthday of its conductor Sir David Willcocks. The haunting melody of the verses and the reflective refrain of 'Ave Maria' have made this an immensely popular carol.
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Hans Werner Henze: Sinfonia N. 6: Orchestra: Score
Orchestra
[Score]
Schott
New Version 1994-Symphony No. 6 was created in the late 1960s and was first per...
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New Version 1994-Symphony No. 6 was created in the late 1960s and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom (Stars in the Night) later the first bars of Mikis Theodorakis hymn of freedom is heard.The second movement is based on the poem Fe de erratas (errata sheet) by Miguel Barnet. In the original version the three parts of the symphony merge withoutinterruption. In the revised version I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound the most significant alternation in comparison to the first version is that I fully composed all of the aleatoric passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control.- Hans Werner Henze
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I Wonder As I Wander (full Score): Concert Band: Score
Orchestra
[Sheet music]
Schirmer
Score-John Jacob Niles' I Wonder As I Wander arranged for Orchestra.This Christ...
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Score-John Jacob Niles' I Wonder As I Wander arranged for Orchestra.This Christian folk hymn was inspired by a song heard by Niles at a fundraising meeting for evangelicals which he attendedin Murphy North Carolina. Niles wrote of the moment he first heard the tune:'A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes wereunbelievable dirty and ragged and she too was unwashed. Her ash-blond hair hung down in long skeins.... But best of all she was beautiful and in her untutored way she could sing. She smiled as she sang smiled rather sadly and sang only a single line of a song'.Niles requested that the girl repeat the fragment seven times paying her a quarter per performance and left with 'three lines of verse a garbled fragment ofmelodic material—and a magnificent idea'. He completed his composition on October 4 1933 and I Wonder As I Wander was first performed on December 19 1933 at the John C. Campbell Folk School in Brasstown North Carolina.This melodic arrangement by Michael Brown offers an opportunity for every group of instruments to shine making it an excellent choice for school concerts or showcases.
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Gustav Mahler: Symphony No 8: Mixed Choir: Vocal Score
Orchestra
[Sheet music]
Universal Edition
Symphonie der Tausend-Gustav Mahler's Symphony No. 8 is a work of exceptions. Se...
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Symphonie der Tausend-Gustav Mahler's Symphony No. 8 is a work of exceptions. Seen from the outside this is true of the forces that are used: with its three choirs eight soloists and an orchestra of far more than one hundred musicians there are few similar works in the annals of music. This cast of performers determines the second exceptional element of the work the mix of instrumental and vocal characteristics that makes it to the prototype of a 'vocal symphony' which - as Mahler put it - 'is sung from beginning to end'. In turn the texts that are sung influence the structure of the whole replacing as it were the usual four movements of a symphony with twostrongly divergent 'parts'. And finally as if to emphasize this divergence the texts used - the hymn Veni creator spiritus in the first part and the final scene of Goethe's Faust in the second - are not only written in two languages but also separated in their origins by more than one thousand years. Thus it is a work of extremes and a work of contradiction. It seems however that it was exactly these distinctive features that lifted the symphony above the others and convinced Mahler that his Symphony No. 8 was 'the greatest' work 'that I have composed'. It is an understandable coincidence that he thus raised Symphony No. 8 to the same rank within his oeuvre as Goethe who claimed that the drama was his 'Hauptgeschäft' [main work] did with Faust. Even after composing his late works Mahler retained his belief that Symphony No. 8 was his 'opus summum'. (Christian Wildhagen)
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