SKU: HL.14040299
French.
SKU: HL.14040149
SKU: HL.14040301
SKU: BA.BA07568
ISBN 9790006558285. 33 x 24 cm inches. Preface: Sylvie Bouissou. Text: Louis Fuzelier.
The new scholarly-critical edition of the score of Rameau’s “ballet hroïque” Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consisted of a prologue and three acts: Le Turc gnreux, Les Incas du Prou and Les Fleurs. But Les Fleurs already proved controversial in the early performances, and from 11 September of that same year it was given a wholly new form. For the revival on 10 March 1736 Rameau and Fuzelier added an entirely new act Les Sauvages, and in the years that followed, the “ballet hroïque” was presented either complete (1743, 1751 and 1761) or abridged with a prologue, Les Incas du Prou and Les Sauvages (1751–73).With regard to the instrumental movements (dances and descriptive pieces), the present publication is based on the complete edition Opera Omnia Rameau (OOR) volumes IV/2 and IV/7 edited by Sylvie Bouissou which are currently in preparation. It includes not only the orchestral pieces in the version deemed valid by Rameau in 1736 (with version 2 of Les Fleurs and Les Sauvages), but also those from the first version of Les Fleurs (1735) as well as its 1743 and 1773 revisions. Performers are thus given a complete selection of all the orchestral numbers from one of Rameau’s central stage works for use also in concert performance.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA08893
ISBN 9790006567560. 33 x 24.3 cm inches. Text: Duplat de Monticourt, Pierre-Jacques.
This edition unites all the purely instrumental parts of Rameau’s comdie-ballet “Les Paladins” for performance as a suite in the concert hall.In view of the wealth of the work’s musical treasures and the stylistic innovations – similar to the “Borades” – the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this stage work not being performed again until well into the 20th century. The story that the comdie-ballet tells is based on a fable by La Fontaine, “Le Petit chien qui secoue de l’argent et des pierreries” (i.e. “The little dog who shakes silver and stones”). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opra.This critical edition is based on the corresponding volume issued in the series “Opera omnia Rameau” (BA 8870-01). Since “Les Paladins” remained unpublished during Rameau’s lifetime and was also not included in the “Œuvres complètes”, this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians.The orchestral parts are available on hire.
SKU: BA.BA07569
ISBN 9790006523375. 32.9 x 23.9 cm inches. Text Language: French/German. Preface: Soury, Thomas. Louis de Cahusac.
Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Borades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruris”, a scoring found nowhere else in his uvre.For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.
SKU: BA.BA08896
ISBN 9790006574926. 33 x 24 cm inches. Preface: Sylvie Bouissou. Text: Simon-Joseph Pellegrin.
Rameau’s “Hippolyte et Aricie” showcases great confusions amongst nymphs and gods. The opera represents a fascinating masterpiece of a Baroque “Tragdie en musique” by the French composer. This edition of the “Symphonies” includes all of the purely instrumental numbers of the opera in their various versions. The contents provides an overview of the movements according to keys so that an effective suite can be easily compiled for a concert performance. The expressive and diverse music encompasses some of Rameau’s most popular instrumental works.
SKU: BA.BA08866-90
ISBN 9790006577200. 27 x 19 cm inches. Text: Gautier de Montdorge, Antoine-César / Bersin, Louise-Angélique.
The ballet ??Les Fêtes d'Hb? deals with the talents that are usually the subject of the Opra and are placed at the service of love on stage: poetry and declamation (1st entre, La Posie), song and harmony (2nd entre, La Musique) and finally dance and choreography (3rd entre, La Danse); hence the alternative title of the ballet ??Les Talents lyriques?. In this ballet opera, Rameau consistently gives priority to the female roles. The prologue glorifies Hb, the goddess of youth, and her alliance with love, while ??La Posie? praises the poetress Sappho, who sings almost throughout, and ??La Musique? concentrates on the omnipresent princess Iphise; finally, ??La Danse? has as its main character the shepherdess ?gl, who excels in dance and song.Since the premiere, the text of the libretto has been perceived as rather unbalanced. Rameau compensates for these poetic shortcomings with musical boldness and innovations of the highest order. Be it the overture that throws Lully's model overboard, the varied choral movements such as that of the Thessalians ??Que jusqu'au fond de nos grottes profondes?, the virtuoso arias such as Sappho's air ??Un jour pass dans les tourments? or the magnificent monologues for Iphise and Tirte ?? the originality and beauty of the music testify to incredible ingenuity.Audio sample on Youtube
SKU: BA.BA08889
ISBN 9790006575213. 33 x 24 cm inches. Text Language: French. Louis de Cahusac.
This collection of the instrumental numbers from Zoroastre, a Tragdie in five acts includes the movements and dances of all the original versions, i.e. those of January and February 1756 (found in the Opera Omnia Rameau volume IV.26, BA08867-01) as well as those of 1749. Orchestras can compile a suite to meet precisely their own needs. For this purpose, the index includes a separate overview sorted by key. The performance material of the Symphonies is available on hire reflecting the high standard of Opera Omnia.
SKU: BA.BA08899
ISBN 9790006523351. 33 x 24 cm inches. Preface: Denis Herlin. Text: Charles-Antoine Leclerc de La Bruere.
“Dardanus” is Rameau’s third “Tragdie lyrique” composed for Paris after “Hippolyte et Aricie” and “Castor et Pollux”. With its multi-facetted music it represents quite a high point of this genre. Its performance history is remarkable in that within only five years two clearly different versions were being performed.The new critical edition by Denis Herlin for the first time offers the possibility to reconstruct the version of May 1744 in addition to the version of 1739. Also, the Appendices include the complete performance material of the version of April 1744, many parts of which could not be heard since. Last but not least the changes of the successful re-staging of 1760 are presented.This performing edition contains all the purely instrumental numbers of the opera in their various versions. Apart from the preludes and ritornellos, these are above all the diverse dance numbers.
SKU: RM.RAME03140-CO
SKU: RM.RAME03140-BA
ISBN 9790231031409.
Mli I ou Fl - Mli II - Mla - G - Mlo + CB - CR.
SKU: HL.50573165
SKU: BA.BA08891
ISBN 9790006564149. 33 x 24 cm inches. Preface: Sylvie Bouissou.
Christoph Willibald Gluck's opera in four acts about the Curse of the House of Atreus is based on a tragedy by the classical Greek dramatist Euripides. The mythological plot about the siblings Iphigenia and Orestes is characterized by hatred, ritual sacrifice, and murder and was especially popular during the 18th century. The premiere of Gluck's opera in 1779 was immensely successful.Barenreiter now presents a carefully edited and corrected piano reduction that was newly set to meet Barenreiter's current quality standards. An informative preface (Ger/En/Fr) supplements the edition, which also includes all appendices of the score volume the edition is based on, as contained in the Gluck Complete Edition (GGA).
SKU: HL.50573060
SKU: HL.50573061
SKU: HL.50573164
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