The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.

This is the Piano solo part for Concerto For Saxophone Piano And Orchestra composed by Anders Koppel in 2006.

Premiere January 2011 by Marc-Andr? Hamelin Piano and the Indianapolis Symphony Orchestra Gilbert Varga conductor.

Søren Nils Eichberg's Piano Concerto No. 1 - for Piano Solo and Orchestra (2004).  

Concerto For Saxophone Piano And Orchestra was composed by Anders Koppel in 2006.

Grieg composed this Concerto for Piano and Orchestra in 1868 for himself to play however Edmund Neupert played the first public performance in Copenhagen on April 3 1869. The music is rife with Scandinavian influences including traits of Schumann and Mendelssohn and Norwegian folk dance elements and rhythms. It is a dramatic and dynamic work that is never flat using constant development flourishes and crescendo from the first movement to the last. Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

extrait du - excerpt from SĂ©rie V Vol. 2 bis-Claude Debussy's Fantaisie Pour Piano Et Orchestre (2e Version). Piano part.

Nicknamed 'The Emperor' for its nobility and grandeur Beethoven's Piano Concerto No.5 in E Flat Op.73 was the composer's last piano concerto. Written in 1809 when Beethoven was 39 it ranks among the most popular concertos in the repertoire and is considered to be one of the strongest works conceived by Beethoven. Reproduced here from an authoritative early edition the score appears with bar-numbered movements. Ideal for classroom or home study.

A Sonata for Violin and Piano by the great Czech composer. This is Dvorák's only Violin Sonata and is a relaxed almost tranquil affair with the two instruments interlaced and complementing each other.

5 Study scores in a boxed set-Now that all the scores Critical Commentaries and complete performance materials have been published for Beethoven?s five Piano Concertos (BA 9021-9025) Bärenreiter is now presenting the five study score editions in a boxed set. The musical text reflects a judicious study of every surviving source producing an Urtext edition at the very highest level. This is the standard edition of these Beethoven?study scores beautifully engraved and collected in a lavish box set.Rounding off the edition is an informative introduction by Beethoven scholar Barry Cooper on the genesis of the works and a foreword by the renownededitor Jonathan Del Mar describing the sources and the editorial approach.Bärenreiter Urtext editions are at the cutting edge of scholarship presenting wonderfully scholarly editions of masterpieces by masters at affordable prices.The standard edition for pianists students conductors and libraries.