Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
1
Digital
Sheet Music
12
Sheet Music
Books
12
Music
Equipment
102
Music sheet library
with delivery
Post mailing
Digital sheet music
You've Selected:
After Dark
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano, Vocal and Guitar (69)
Piano solo (42)
C Instruments (31)
Bb Instruments (19)
Guitar notes and tablatures (14)
Concert band (14)
String Quartet: 2 violins, vio… (12)
Lyrics and Chords (10)
Violin (9)
Choral SATB (9)
Eb Instruments (7)
Piano, Voice (5)
Orchestra (5)
B Flat, E Flat, C and Bass cle… (4)
Violin and Piano (4)
Double Bass (4)
Bass Clef Instruments (4)
Clarinet and Piano (3)
Flute, Viola and harp (3)
Piano Trio: piano, violin, cel… (3)
Piano Accompaniment (3)
Marching band (3)
Brass ensemble (2)
Concert Band / Harmonie (2)
Choral 3-part (2)
Soprano voice, Orchestra (2)
Mandolin (2)
Guitare (2)
All Instruments (2)
Brass ensemble, Percussion (2)
Easy Piano (2)
B Flat, E Flat and C Instrumen… (2)
Cello (2)
Clarinet (2)
Recorder (1)
Saxophone (1)
Mezzo-Soprano voice, Piano (1)
Instruments en Clé de Fa (1)
High voice, Piano (1)
Chamber Music (1)
Guitare Electrique (1)
Chamber Orchestra (1)
Viola da Gamba, Violin, Basso … (1)
Vocal et Piano (1)
Ukulele (1)
Guitar (1)
Organ (1)
Biography (1)
Tenor Saxophone and Piano (1)
Viola (1)
Piano et Orchestre de Chambre (1)
Bass guitar (1)
Melody line, (Lyrics) and Chor… (1)
Baritone voice (1)
Low voice (1)
Instruments en Do / C (1)
Accordion (1)
Instruments Clé De Fa (1)
Fake Book (1)
ORCH/VLA::Orchestra, Viola (1)
Keyboard (1)
Ensemble Flexible à 7 Parties… (1)
Baryton et Orchestre (1)
Baritone voice, Piano (1)
Voice solo (1)
Horn and Orchestra (1)
Oboe (1)
Guitare et Voix (1)
Soprano voice (1)
FILTERS AND ORDERS
FILTERS AND ORDERS
Sorting and filters :
Relevance
Best sellers
Price low to high
New releases
Most commented (USA)
A-Z
Level easy to difficult
Level difficult to easy
In Stock
Medias (all)
With CD or online
With online audio
With CD
With DVD
Sheet music only
Samples (all)
With cover
With audio
With sheet extract
Audio+Extract
Languages
English
French
German
Italian
Japanese
Spanish
Russian
Deutsh
>Swedish
Português
USA
7
Europe
5
1
Details
Details
In The Shadow Of The Bat: Orchestra: Score
Orchestra
Wilhelm Hansen
In The Shadow Of The Bat - Concerto for Three Trombones and Orchestra by Niels M...
(+)
In The Shadow Of The Bat - Concerto for Three Trombones and Orchestra by Niels Marthinsen (2009). Programme note: In the Shadow of the Bat is a triple concerto for three trombones and orchestra inspired by Batman and his enemies The Joker Two-Face and The Penguin. A central idea of modern versions of the Batman myth is that the batman is created by the fantastic villains that he fights and they are created by him - and that Batman is driven by revenge and hate barely held in check by an intense sense of justice. Batman represents 'the dark side' while the villains are hyper-imaginative colourful creative caracters who happen to be completely insane. The rivalry between soloists and orchestra is anything but friendly: The three soloists represent one villain each the orchestra 'is' the batman - and while the villains take centre stage during most of the concerto they are eventually overwhelmed by the sheer power of the orchestra and sent where they belong: The lunatic's asylum. The concerto begins with the creation of the batman: An eight year old boy persuades his parents to leave an opera performance before it is over; outside in an alley they are shot and killed by a criminal while the boy watches. And he decides that all criminals must be punished! Then follows the Villaineuos Fugue: a multi-part fugue-like exposition of villain motives and stylistic environments. It is the exposition of the joker (alto trombone) two-face (tenor trombone) and the penguin (bass trombone). And after a brief and very slow interlude where the three criminals form an alliance and make their plans the Toccata of Crime begins: Bright fast moving highly energetic expansive and colourful music still dominated by the soloists. But later the orchestra moves to centre stage with slow omnious swooping bat-music that climaxes as the soloists are defeated by the orchestra. In the Shadow of the Bat is commissioned
91.99 GBP - Sold by Musicroom UK
Similar items
Details
Details
Per Nørgård: Symphony No. 2 In One Movement: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from ...
(+)
Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from 1970. Programme Note: After the first performance of my chamber orchestra work VOYAGE INTO THE GOLDEN SCREEN (1969) I was very preoccupied with ‘voyaging on’ in the infinity series I had brought to fruition in the second movement of the work: instead of about 1000 notes of the series I wanted to use about 4000 in order to create the potential for further exploration of the many layers and interval combinations of the infinity series. Instead of the pristine progression of the notes and its orchestration in‘Voyage’ I now wanted to intervene: to create melodies lead up to climaxes darken enlighten etc. but all with respect for the continuous flow and the preservation of the special timeless objectivity characteristic of the infinity series. One can perhaps experience the many recurrences of motifs in tempo layers from fast to very slow as a successor to the fractal computer graphics of the eighties. At any rate this ‘Symphony no. 2 in one movement’ (which was the result) became the precursor of the other works of the seventies including my 50-minute long chorally integrated Third Symphony (from 1973-75) which is also based on the infinity series but in addition has incorporated the upper and lower harmonic series and rhythms with ‘Golden’ duration proportions. The Second Symphony lasts about 25 minutes and was given its first performance on13th April 1970 by the Aarhus City Orchestra conducted by Per Dreier. Per Nørgård August 1992
57.50 GBP - Sold by Musicroom UK
Similar items
Details
Details
Charles E. Ives: Symphony No. 3: Orchestra: Score
Orchestra
Associated
Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most ...
(+)
Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most concisely-scored of his five symphonies. Containing only Strings a few Winds Horns and Trombone this is a clear and uncluttered reminiscence of nineteenth centuryAmerica as viewed through some of its traditional hymn tunes and in doing so evokes the old 'camp meetings' which were such a feature of pioneer life. The first movement ‘Old Folks' Gatherin'’ is a patchwork of hymntunes drifting through an unpredictable constantly changing harmonic orientation. After a climax is reached a quiet passage opens with oboe and flute over hushed distant strings. Ives reintroduces part of the middle section and settles down to a quiet coda ending the movement almost imperceptibly. The second movement ‘Children's Day’ opens with strings in two parts over Haydnesque eighth notes in the horns. ‘There is a Fountain Filled withBlood’ ‘Happy Land’ ‘Naomi’ and ‘There's Music in the Air’ all are heard. As this is a movement depicting children at play Ives is playful himself weaving hymn tunes into one another in a somewhat tongue-in-cheek manner. Thethird movement ‘Communion’ is darker in tone than the others and provides a psychologically satisfactory close to the work as a whole. This is the 1990 edition of the Score The Charles Ives Society Critical Edition edited byKenneth Singleton and reprinted in 2001. It contains substantial notes on Ives and this work.
32.50 GBP - Sold by Musicroom UK
Similar items
Details
Details
Poul Ruders: Corona - The Solar Triology No. 3: Orchestra: Score
Orchestra
Wilhelm Hansen
Corona - The Solar Trilogy No. 3 for Orchestra was composed by Poul Ruders in 19...
(+)
Corona - The Solar Trilogy No. 3 for Orchestra was composed by Poul Ruders in 1995.Programme note:CORONA makes the final part of the SOLAR-TRILOGY a huge symphonic triptych about the life and behavior of the Sun. The first'panel' GONG depicts the birth life and final collapse of our nearest star the second ZENITH describes in its ultra-slow tempo the patient rise of the Sun toward midday ferocity and its subsequent setting. CORONA then is a symphonic 'portrait' of the phenomenally hot whispy brim encircling and radiating from the Sun a sizzling halo of electrons and photons visible only during a total eclipse. Formally CORONAfollows the process of such totality in progress:the gradual eclipsing by the Moon - total darkness with thefierce sparkling outer corona - the gradual 'rebirth' of the light toward the full gl.ory and warmth of the Sun.Besides the obvious astronomical narrative of the SOLAR-TRILOGY there's a metaphysical angle too underlying each of the three compositions: GONG in spite of its apparent energy may be the most pessimistic of them all epitomizing the death and ultimate annihilation of the prime source of Life itself. ZENITH is a hommage to human aspiration and spiritual endurance and CORONA ends with Hope and Glory after a journey from depression throughtotal despair. Super-structurally the zenith of ZENITH makes the zenith of the entire trilogy i.e. when the E- flat of the unisone horns in ZENITH is heard we are exactly halfway through the collected work.Poul Ruders
84.99 GBP - Sold by Musicroom UK
Similar items
Details
Details
Stephen Albert: Riverrun: Orchestra: Score
Orchestra
Schirmer
Score-'RiverRun' was Steven Albert's third work inspired by the writing of James...
(+)
Score-'RiverRun' was Steven Albert's third work inspired by the writing of James Joyce. The opening movement ‘Rain Music’ is meant to convey the origins of a river. After the sharply accented chords of the movement's introduction themusic becomes quieter suggesting an atmosphere of expectancy. The lightly scored second movement ‘Leafy Speafing’ has a languid cadenza-like opening on alto flute followed by a more tightly focused thematic idea from thesolo viola. The two instruments then engage in a quiet dialogue against the softly changing chords.The third movement ‘Beside the Rivering Waters’ is a fragmented march and scherzo. It opens with a children'ssong. The march for the pit band follows and we are engulfed in a boozy wake. The scherzo brings a return of the current then the march returns abruptly followed by the children's tune - which is in turn transformedinto a raucous pub song. Throughout the fourth movement ‘RiversEnd’ musical ideas from the preceding movements are recalled. Night is falling and the river is moving quietly into darkness. As it approaches the open sea itsmomentum builds and it soon becomes a torrent spilling into the ocean. The work ends quietly.
49.99 GBP - Sold by Musicroom UK
Similar items
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version