SKU: AP.49426S
ISBN 9781470650940. UPC: 038081571850. English.
The composer, Mark Wood, writes: Come Fly with Me comes from my personal visualization of flying while improvising music. In writing a work which combines classical and American rock styles, I have created a vehicle for musicians to spread their wings and truly learn the beautiful art of composing their own music on the spot in the improvisation section. (4:00).
SKU: AP.49426
ISBN 9781470650933. UPC: 038081571843. English.
SKU: KJ.SO373F
UPC: 8402704687.
Want a one-of-a-kind novelty? This is the piece! Flying Fiddlesticks includes...fiddlesticks! It's fun, it's safe, it helps students to play with steady pulse. It's about building teamwork throughout the orchestra. A Learning Bank is included in the score and parts, and features instructions and photos regarding safe handling and performing with fiddlesticks (i.e. disposable chopsticks). Duration: 2:15.
SKU: KJ.SO373C
UPC: 8402704688.
SKU: HL.50600289
9.0x11.5 inches.
Romance Op. 97 from the film â??The Gadflyâ? by Dmitri Shostakovich. Study Score.
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SKU: AP.49464
ISBN 9781470650223. UPC: 038081571003. English.
Written to help students develop their spiccato bow stroke, this energetic piece is a joyful celebration from the very first measure. The left hand challenges are minimal, allowing the players to focus on controlling their bow on and off the string. A contrasting call-and-response B section in minor mode briefly slows the pace down before the party resumes again. Over time, the overall tempo can be increased as the students become more and more proficient with this all important bow technique. Correlated to Sound Innovations, Book 2, Level 2. (2:30).
SKU: AP.49464S
ISBN 9781470650230. UPC: 038081571010. English.
SKU: AP.35968S
UPC: 038081417233. English.
Let your string bass section swing in this easy-to-play blues piece as they build skills and enjoy the motivation of being in the spotlight. Basses carry the melody much of the time, while also accompanying the melody as it weaves through other sections. All parts stay in first position, while the bass shifts briefly to third position. Educational objectives include playing accidentals, contrasting between staccato and legato, and learning to play in a swing style. (2:52).
SKU: HL.49019158
ISBN 9790220133206. 8.25x11.75x0.222 inches.
Written in 2010 for the Royal Liverpool Philharmonic, Wigglesworth's nine-minute work explores the idea of perpetuum mobile (continuous movement) in seven connected, miniature inventions. A regular pulse forms the work's core, with elaborations of the central musical idea shifting constantly around it in jagged rhythms and sumptuous orchestration. The composer writes, The seven sections can very briefly be described thus: 1) an active, miniature 'theme and variations'; 2) the juxtaposition of various fragmentary two-part inventions; 3) a tremolo string ostinato with woodwind interjections, building towards the first climax; 4) an ostinato passing between horns and muted trumpets together with a dialogue for high woodwind and low strings; 5) a very slow canon for string harmonics and pizzicato double basses; 6) a fast, one-part invention beginning with solo piccolo, and gradually leading to the second climax; 7) chorale.This is a lively orchestral miniature which gives the impression of a kaleidoscope, with short musical ideas cutting across each other in quick succession.
SKU: AP.24936S
UPC: 038081275895. English.
Imagine the stately bird, the blue heron, in the marshes along Lake Erie. When standing on one leg in the water, the bird is visible to the careful observer, yet their large wingspan makes them majestic flyers. This piece calls for a moderate tempo. After the short introduction, the next 16 measures are played piano, mezzo forte and forte. This is followed by two versions with variations. All players get to play the melody and bowings and dynamics make the music more interesting for the audience and performers as the piece comes to a loud ending.
SKU: BR.PB-5342-07
Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses i. Symphony; Classical. Study Score. 88 pages. Duration 35'. Breitkopf and Haertel #PB 5342-07. Published by Breitkopf and Haertel (BR.PB-5342-07).
ISBN 9790004210970. 6.5 x 9 inches.
For the present Urtext edition of Beethoven's Symphony No. 2, the editor also consulted certain sources and authentic new variants for the first time; among them are the nonet arrangement made by Beethoven's pupil Ferdinand Ries in 1807, thus with authentic variants. Thanks to his vast knowledge, the editor has uncovered a number of errors and contradictions in the sources. The basic differences with respect to other editions chiefly concern the articulation and dynamics in movements 1, 2 and 4. They can easily be found in the Critical Commentary of the conducting score.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006).
SKU: CA.2300400
ISBN 9790007240783. English/German. Text: Newman, John Henry.
This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar's moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at God briefly, then faces the purgatory confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the angels, and the three impressive solo parts.All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally.*,A milestone of late Romantic choral music, and a standard work in Great Britain*,First modern score with a full Critical Report and complete performance material- English and german singing texts
SKU: HL.50510086
ISBN 9790080400715. UPC: 073999621211. 5.5x8.0x0.091 inches. Hungarian, English, German. Bela Bartok.
'Dances of Transylvania is the orchestral version of 'Sonatina' (1915). In Sonatina, Bartok had arranged Romanian instrumental (chiefly bagpipe) music. The three movements of the work, 'Bagpipers', 'Bear Dance' and 'Finale' comprise five melodies. Bartok explained that each of the two melodies of the first movement had been played by two pipers, the second by a peasant violinist using the lower strings of the instrument to reproduce the sounds of a bear, and the two melodies of the 'Finale' again by two violinists. In the orchestral version Bartok was out to reproduce the original sonority created by the peasants.' (HCD 32505 Bartok New Series Vol. 5, Virag Buky).
SKU: CA.2300403
ISBN 9790007240790. English/German. Text: Newman, John Henry.
SKU: BT.EMBZ40071
English-German-Hungarian.
'Dances of Transylvania is the orchestral version of 'Sonatina' (1915). In Sonatina, Bartók had arranged Romanian instrumental (chiefly bagpipe) music. The three movements of the work, 'Bagpipers', 'Bear Dance' and 'Finale' comprise five melodies. Bartók explained that each of the two melodies of the first movement had been played by two pipers, the second by a peasant violinist using the lower strings of the instrument to reproduce the sounds of a bear, and the two melodies of the 'Finale' again by two violinists. In the orchestral version Bartók was out to reproduce the original sonority created by the peasants.' (HCD 32505 Bartók New Series Vol. 5, Virág Büky).
SKU: GH.GE-11567
ISBN 979-0-070-11567-4. A3 inches.
SKU: AP.47475S
UPC: 038081547602. English.
Vivid imagery, colorful orchestrations, and a variety of styles all combine to make this one-of-a-kind selection a journey that your students and audience will never forget! In the form of a five-part rondo with changing tempos, this piece will let creativity fly!
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