SKU: KN.36920
UPC: 822795369205.
Violas take center stage in this lovely piece, which emphasizes expressive legato playing in the key of G minor. Violas have the melody throughout! Duration 3:10.
SKU: HL.48188488
UPC: 888680866952. 8.5x11.75x0.543 inches.
“Composed in 1978 by Henri Dutilleux, Timbres, Space, Movement is a work for Orchestra, also named ?The starry night? after a painting by Van Gogh. It was commisioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Münch. This great orchestral work lasts approximately 20 minutes and depicts the content of the painting. It is written for a full orchestra without Violins or Violas. A sketch of the placement of the instruments is given in the book as its disposition differs from a full orchestra: The Cellos placed in a half-circle in front of the conductor. The Cellos represents the space with twirling solos and more stagnant sections while the lack of Violins and Violas is for the quiet and motionless part of the painting. The solo of the Winds and Drums characterizes the clouds and the light of the moon and the stars. It is divided in two parts: 1. Nébuleuse (Nebula) and 2.Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the Cello concerto 'Tout un monde lointain' (A whole distant word).â€.
SKU: BA.BA07304
ISBN 9790006486984. 29.5 x 20.8 cm inches.
Print on demand (POD).
SKU: HL.48011549
UPC: 073999158526.
Session Time is an album of solos that expand to create opportunities for exciting group music-making. Each piece can be played as a solo or as a group piece. The optional ensemble parts extend the harmonic and musical structure of each piece, enabling each performer to play an important part in the group.
SKU: AP.44795
UPC: 038081521176. English.
With a bright and cheerful opening and a lyrical middle section, this piece celebrates the early years of the United States and the sacrifices that secured our freedom. Composed by Michael Hopkins, this piece will provide a patriotic flavor for any concert. With no shifting except in the basses, this piece includes many opportunities for right-hand development and work on dynamics. Some hi third fingers are required in viola and violin, and the cello part requires an extension. The ending is a return of the opening, but with a descending chromatic line in the cello and bass parts.
SKU: AP.44795S
UPC: 038081521183. English.
SKU: HL.49027838
ISBN 9790001021883. 9.0x12.0x0.138 inches.
2 violins, viola, bass and orchestra.
SKU: HL.49002021
ISBN 9790001021869. 9.0x12.0x0.098 inches.
SKU: AP.48075
UPC: 038081557083. English.
Teach shifting with this beautiful melody by Bob Phillips. Shifting Sands is also perfectly suited for the concert stage. The moderate, lyric tempo provides students in the early stages of practicing shifts the time they need to make the shifts successfully. Musically, this piece is very accessible so students can focus on the shifts. Violins will practice 3rd position on the D, A, and E strings. Violas will practice 3rd position on the D and A strings. Cellos will practice 3rd and 4th positions on the D and A strings. Basses will practice 3rd, 4th, and 5th positions on the D and G strings. Shifts for all instruments are introduced by moving the first finger in a sliding (portamento) motion from 1st position up to 3rd position and back again, then progresses to shifting. Correlated to Sound Innovations for String Orchestra, Book 2, Level 3. (3:10) This title is available in MakeMusic Cloud.
SKU: AP.48075S
UPC: 038081557090. English.
Teach shifting with this beautiful melody by Bob Phillips. Shifting Sands is also perfectly suited for the concert stage. The moderate, lyric tempo provides students in the early stages of practicing shifts the time they need to make the shifts successfully. Musically, this piece is very accessible so students can focus on the shifts. Violins will practice 3rd position on the D, A, and E strings. Violas will practice 3rd position on the D and A strings. Cellos will practice 3rd and 4th positions on the D and A strings. Basses will practice 3rd, 4th, and 5th positions on the D and G strings. Shifts for all instruments are introduced by moving the first finger in a sliding (portamento) motion from 1st position up to 3rd position and back again, then progresses to shifting. Correlated to Sound Innovations for String Orchestra, Book 2, Level 3. (3:10) This title available in MakeMusic Cloud.
SKU: AP.20189UK
English.
This collection of seven pieces is suitable for young string players in the early stages of orchestral playing. The rhythms and notes used in all the parts are still quite basic, the third violin/viola being the easiest, but the overall effect is very satisfying for performer and listener. The Violin 3 and Viola parts are the same and the Double Bass part is optional. The optional Piano parts can be used in rehearsals or if any of the string parts are missing.
SKU: AP.20191UK
SKU: BP.BP2200B
Printed product. Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include: The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.
SKU: AP.4323
UPC: 038081026213. English.
Art Sheinberg has discovered a gem from the late English Baroque keyboard literature and expertly scored it to sound as if it were originally for strings. The violin ll and viola parts are often doubled, as are the cello and bass parts; there are essentially three parts throughout. This gives a full and balanced sound which accommodates uneven instrumentation. Violin l parts are in third position much of the time, and alternate fingerings given for the other parts will keep other advanced players busy. The piece is in D major throughout, with the exception of brief excursions into A and B minor. Full of rhythmic drive and sparkling counterpoint, the piece is a sure winner with students and an excellent vehicle to teach detached style and ensemble independence. This title is available in MakeMusic Cloud.
SKU: BP.BP2196B
Full score and parts for solo flute, solo oboe, B-flat clarinet I, II, bassoon I, II, horn in F I, II, trombone I, II, bass trombone, tuba, suspended and crash cymbals, harp, violin I, II, viola, cello and contrabass.
SKU: BP.BP2197B
SKU: BP.BP2195B
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