The complete edition of Bunk's organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition, prepared by the composer's grandson, is the result of a thorough study of the sources based on the latest findings of musical scholarship. Each volume includes a detailed foreword, a Critical Commentary, and many facsimiles and illustrations.Inserted in the volume is a CD which shows a facsimile reproduction of the first edition of Gerard Bunk's Liebe zur Orgel. This reference book by the late Romantic composer, which was highly regarded by none less than Albert Schweitzer and which affords valuable insights into the art of organ building and organ playing in Germany during the first half of the 20th century, has hence been made available again to interested organists and church musicians.- First complete Urtext edition of Bunk's organ works- Edited by the composer's grandson- Detailed foreword and Critical Commentary for each volume (Ger/Eng)- Many facsimiles and illustrationsContents'Wilhelmus van Nassouwe en Choral? 'Nun danket alle Gott?'Kleine Fantasie über C.H.D.B.? for organ or pianoChorale prelude 'Wachet auf, ruft uns die Stimme? (trio for 2 manuals and pedals)37 short chorale improvisations for liturgical use / Orgue

The 'organ plus one? series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation, including some composed by Martin Luther.Enclosed in each edition are solo parts for C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. For use in church services, the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal. / Orgue

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue

Comme un élève de Reger, Josef Haas a exercé une grande influence sur le développement de la musique d'église au XXe siècle. Ces pièces d'orgue ont été écrits en 1907 et sont publiées ici dans une nouvelle édition pour marquer le 125e anniversaire de la naissance du compositeur. Alors que l'influence de Max Reger est évidente, ces compositions sont pleines d'idées musicales lovely : les petits morceaux seront tout aussi efficaces qu'elles soient joués individuellement dans le cadre d'un service religieux ou exécutées comme un cycle dans un décor de concert. Le prélude expansif, la charmante idylle, la Romance sincère, le Capriccio witty, les lignes claires de l'Intermezzo, le Moment Musical avec sa basse staccato, la Canzone et enfin la Toccata puissant tous révèlent un organiste romantique, dont de nombreux amateurs de l'instrument devraient jouir de redécouvrir. / Orgue

Par ROGG LIONEL. Certains orgues disposent d'une commande permettant de prolonger les notes jouées sur un clavier sans qu'il soit nécessaire de garder les touches enfoncées, imitant en cela la pédale forte du piano. La pièce que voici peut être exécutée sans difficulté sur un orgue disposant de ce perfectionnement, mais elle est aussi jouable, moyennant quelques ajustements, sur un instrument courant. / Niveau : Moyen à Avancé / Contemporain / Répertoire / Orgue

Par ROGG LIONEL. / Niveau : Moyen / Contemporain / Date parution : 2004-04-01/ Répertoire / Orgue

Ce sont les éditions Fentone Music qui ont publié le document MORE CLARINET VIRTUOSI / Weston - Livre***. Il est à classer parmi la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Livre

[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten, Canzonen usw von 1637] / Classique / Editeur : Pierre Pidoux / Partition / Cartonné / Plats de carton /

Par BRAND HELMUT MICHAEL / BREDENBACH INGO / HAGNER MA. Zum EG [1–154]. Vom aphoristisch kurzen bis zum größer angelegten Choralvorspiel, von der einfachen Intonation bis zur mittelschweren Komposition reicht die Palette der Choralbearbeitungen dieser Sammlung. Sie erscheint zehn Jahre nach der Einführung des Evangelischen Gesangbuches und ergänzt die bereits vorhandenen Intonationen und Choralvorspiele. Da zudem die Zeit, in der Choräle aus der Rubrik „Das Kirchenjahr“ gesungen werden, nahezu die Hälfte eines jeden Jahres umfasst, besteht ein Bedarf an weiteren abwechslungsreichen Stücken. Einige der Kompositionen dieser Sammlung gingen aus Improvisationen im Gottesdienst hervor, viele lehnen sich stilistisch an vergangene Musikepochenan, andere verweisen – mehr oder weniger versteckt – augenzwinkernd auf berühmte Kompositionen, sind also auch „musikalische Suchbilder“, die zum Entdecken einladen./ Répertoire / Orgue

Cycle Apres Pentecote-In Assumptione B.M.V.-Orgue. Par TOURNEMIRE CHARLES. 1. Introï t; 2. Offertoire; 3. Elevation; 4. Communion; 5. Paraphras-Carillon/ Répertoire / Orgue

La partition Chacone a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition