SKU: SU.80101519
The five pieces in this collection were all originally written for churches/organs on Nantucket Island, Massachusetts. Nantucket and its landscape have been one of the most prominent themes across my entire musical output. Each of the two sets of sketches can be used on its own as a diptych for concert or service (prelude/postlude.) The first set is extremely easy; the second set moderately easy. Any of the four pieces may be played individually. If all four are used together it is suggested that they be kept in the given order. Old North Musings is a separate, slightly longer work. Contents: Two Nantucket Sketches (Idyll & Danza rustica); Two Nantucket Sketches (Set 2: Prelude & Shanty), and Old North Musings.Organ Duration: 18’ Composed: 2018/21 Published by: Zimbel Press.
SKU: SU.80101103
This collection contains five appealing, accessible, and useful postludes for organ. The five pieces are Rondo Benvenuto, Gaudeamus in Musica, Joyful Hymn, Trumpet Tune, and Paean. Each would make an excellent service postlude. 24 pages Published by: Zimbel Press.
SKU: HL.14037181
ISBN 9780853605676. 8.25x11.75x0.085 inches.
Written for organ solo.
SKU: SU.80101434
Five Festive Organ Pieces, Set 2 (2018/19) is a collection (not a suite) of works of a festive character, suitable for use as service voluntaries or in recitals. The five works are: Musica da processione, Fanfarria brillante, Acclamatio, Introitus in D, and Exultate.Also available: Five Festive Organ Pieces, Set 1 (#80101391). Instrumentation: Organ Duration: 18' Composed: 2019 Published by: Zimbel Press.
SKU: SU.80101391
Five Festive Organ Pieces (2015/17) is a collection (not a suite) of works of a festive character, suitable for use as service voluntaries or in recitals. The five works are: Celebration Fanfare; Entrata festiva; Intrada (after a Sorbian Melody); Invocazione brillante; and Rondo estatico Also available: Five Festive Organ Pieces, Set 2 (#80101434). Organ Duration: 16' Composed: 2015/17 Published by: Zimbel Press.
SKU: LO.70-2432S
ISBN 9780787778149.
The ten pieces in this collection from Bernard Wayne Sanders divide into two halves: Five Occasional Voluntaries and Five Pieces for Festive Occasions. The former are shorter and for manuals only, whereas the latter are a bit more expansive and involve pedal. Several are inspired by scripture passages, and all are useful as service or recital selections—either individually or grouped into suites.
SKU: HL.49017024
ISBN 9790001147668. UPC: 841886008694. 9.0x12.0x0.15 inches.
In Islam, Azan/Adhan is the name for the muezzin's call to the five daily prayers. Each of the five pieces refers to a verse of the Koran and stands for one of the prayers.
SKU: HL.14005761
9.0x12.0x0.131 inches.
Short Pieces for Organ dating from 1928.
SKU: GI.G-5709
This collection of organ preludes takes familiar tunes and adds rhythmic variation with moving lines under the melody. e arranger features the tune in di erent registers, adding variety for the listener. While the title suggests the use of these pieces as preludes, they could also be used throughout the liturgy. Easy to medium settings (with pedal). david’s lamentation - land of rest - new britain - promised land - wondrous love.
SKU: CA.1820300
ISBN 9790007143428.
The second volume continues with 43 compositions for the time of Holy Lent and Easter. For this time of year the new hymnal Gotteslob contains a great number of new songs. Therefore more than 20 pieces are commissioned renditions for this edition - for many songs they are even the first chorale arrangements overall. The collection presents some previously unknown pieces between baroque and present times. The pieces are quite easy to learn and take between two and five minutes playing time and are particularly suitable for the recessional and for the communion.
SKU: CF.CAS160F
ISBN 9781491165454. UPC: 680160924363. Key: C major.
The story of Samuel Coleridge-Taylor is of a rising star composer, one with a significant gift for melody and a simple lyricism, who embraced the previously unexplored song and dance forms from his father’s native west Africa and incorporated them into his own very European art music. Coleridge-Taylor began playing the violin at age five and by age fifteen wasadmitted to London’s Royal College of Music, where he studied both violin and composition and composed his first works. The simply-titled Melody is taken from Three Short Pieces for Organ - a set of pieces originally published in Novello’s Album for the Organ, No. 3 (1898). While certainly typical of the late 19th century, many of Coleridge-Taylor's creations display inspiration by African musical elements much like spirituals inspired Dvořák’s “New World†Symphony.
SKU: ST.H449
ISBN 9790220221286.
A well-known teacher and compiler of Stainer & Bell's Opera Gala series, John Norris has created Wedding Gala with an ear to giving church organists a mix of favourites and exciting discoveries to brighten the routine of music for the service of holy matrimony. No album would be complete without the traditional wedding music of Mendelssohn and Wagner, and it can be found here in this collection alongside other classics of the wedding repertoire by Jeremiah Clarke, Bach and Handel. But there's also a thoroughly contemporary leavening, with arrangements of Sydney Carter's One More Step and Lord of the Dance, both firm favourites, plus Musorgsky's Pictures at an Exhibition and Charpentier's Prelude, adding a note of splendour. But the real bonus is for lovers of English music, with Elgar's Chanson de Matin and 'The Call' from the Five Mystical Songs by Ralph Vaughan Williams, seldom found in comparable collections. And there's also a rare new discovery: the ravishing Chosen Tune by Herbert Howells, transcribed from his Three Pieces for violin and piano, Op. 28, and available as an organ piece for the first time. Each piece is comprehensively registered by the arranger, and the collection as a whole will be welcomed by all organists of intermediate standard as a source of new material not only for liturgical use but also for recitals.
SKU: HL.49045845
UPC: 841886033801.
New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire. With works by Jose Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezon, Pedro de Araujo, Antonio de Cabezon and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmary and Alfred Muller-Kranich. The new Spanish organ of the Hochschule fur Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquin Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule fur Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'. Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration. The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire.
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