SKU: GH.LUN-570-0895
SKU: BR.EB-8042
World premiere Dusseldorf, September 26, 1978
ISBN 9790004174418. 9 x 12 inches.
Diese weitausgesponnene, vielteilige Fantasie folgt den Spuren eines der eigenwilligsten Spatrenaissancemeister, der durch ungewohnliche chromatische Fortschreitungen und kuhne Harmonik den Stil und den Ausdruck jener Zeit zu Ende gepragt hat. Die sieben Stationen in dieser Komposition sind charakteristische Zitate aus Madrigalen Don Carlo Gesualos, des Principe de Venosa (um 1560 - 1613). Aus den vertonbaren Buchstaben seines Namens (g-e-es-a-d) entsteht eine pragnante Intervallfolge, die als Leitmotiv in. variierter Gestalt haufig wiederkehrt. Das letzte Zitat ist identisch mit dem ersten; so schliesst sich die Folge der Stationen zu einem Ring. Der Text des Kernzitats lautet: Moro lasso al mio duolo (Ich sterbe, ach an meiner Qual), Die sieben Stationen gliedern als formale und inhaltliche Schwer- und Ruhepunkte den Verlauf des gesamten Stucks; der Beginn eines jeden neuen Zitats wird durch eine vorangehende Pause oder eine Klangfermate verdeutlicht. Dagegen bilden die sechs Intermezzi (die eigentlichen Meditationen) in ihrem verschiedenartigen Bewegungsablauf wirksame Kontrastflachen, die sich entweder aus den ruhigen Stationen unmerklich entwickeln (z. B.: A, B und E) oder in schroffem Gegensatz zu dem vorhergehenden oder nachfolgenden Abschnitt stehen. Eine Introduzione (Entwicklung des Leitmotivs) und eine Reduzione umrahmen das Werk. Anstelle eines Ausklangs im Pianissimo kann der Interpret eine jah auffahrende Schlusswendung im Fortissimo wahlen. Alte und neue Ausdrucksmittel sollen in dieser Meditation als These und Antithese gegenubergestellt und zur Synthese gefuhrt werden. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography : Abels , Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31. Voigt , Michael: Man steht in einer Tradition, die man fortsetzt: Zum Orgelwerk von Jurg Baur, in: Forum Kirchenmusik 61 (2010), Heft 3, p. 35.World premiere: Dusseldorf, September 26, 1978.
SKU: GH.LUN-570-0894
SKU: GH.LUN-570-0857
SKU: GH.CG-1726
SKU: M7.DOHR-11366
ISBN 9790202023662.
Text und Melodie des 1653 erschienenen Liedes von Paul Gerhardt und Johann Crüger haben mich zu dieser Partita für Orgel inspiriert. Sie verwendet vier der insgesamt zehn Strophen, die musikalisch durch bewusste Verwendung unterschiedlicher Stilistiken und Akkorderweiterungen neu gedeutet bzw. reharmonisiert wurden, gefolgt von einem fröhlichen Finale. Der cantus firmus wird nach alter Tradition jeweils einer zugrunde liegenden Stimme zugeordnet und variiert, die im Advent den Zuhörern das Erkennen der Melodie und das Verständnis der Komposition erleichtern soll. (Holger Hantke).
SKU: JK.01927
UPC: 093285019270.
The Temple Organist is a series of hymn arrangements designed to support the sacred reverence found in temples of the Church of Jesus Christ of Latter-day Saints. The songs selected for the two volumes have been taken directly from approved lists of hymns appropriate for temples. The arrangements in this volume, like volume 1, are arranged to include the harmonizations from the 1985 hymnal, with a variation that follows in most cases. True to the style of Orgain Chains, they include interludes to connect each hymn so they can be played consecutively (including modulations that bridge different keys beautifully). You will enjoy serving temple patrons as you play these simple, contemplative hymn settings.Contents Include:Oh, May My Soul Commune with TheeNearer, My God, to TheeO My FatherI Need Thee Every HourJesus, Lover of My SoulMore Holiness Give MeGuide Me to TheeDid You Think to Pray?Sweet Hour of PrayerHow Gentle God's CommandsWhere Can I Turn for Peace?Be Thou HumbleDearest Children, God Is Near YouBe Still, My SoulLead, Kindly LightSweet Is the Peace the Gospel BringsO Love That Glorifies the SonGod Loved Us, So He Sent His SonHow Great the Wisdom and the LoveWith Humble HeartJesus, Once of Humble BirthIn Humility, Our SaviorThere Is a Green Hill Far AwayI Stand All AmazedSweet Is the WorkCome, Follow MeLove One AnotherDear to the Heart of the ShepherdLord, I Would Follow TheeComposer: VariousArranger: Brent JorgensenDifficulty: Easy.
SKU: HL.48182909
UPC: 888680862145. 0.298 inches.
Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony and melodies, Meditations on the Mystery of the Holy Trinity is no exception to the composer's popular, distinctive style. Composed in 1969, Meditations on the Mystery of the Holy Trinity is an example of Messiaen's use of Serialism. The composer first used what he called his musical alphabet in Meditations on the Mystery of the Holy Trinity, where the alphabet includes motifs for the concepts, 'to have', 'to be' and 'God'. Furthermore, 'sentences' depict the writings of St. Thomas Aquinas. Messiaen's musical alphabet, which he also described as communicable language is explained as a preface to the composition Meditations on the Mystery of the Holy Trinity. Divided into nine sections ('meditations'), a typical performance lasts about 74 minutes. Messiaen's Meditations on the Mystery of the Holy Trinity is essential to all advanced, virtuoso and contemporary organists seeking to expand and vary their repertoire..
SKU: CA.5453005
ISBN 9790007130121. Language: Latin.
The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score available separately - see item CA.5453000.
SKU: CA.5453013
ISBN 9790007226176. Language: Latin.
The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.
SKU: CA.1036409
ISBN 9790007190378. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and parts available separately - see item CA.1036400.
SKU: CA.5453011
ISBN 9790007226152. Language: Latin.
SKU: CA.5453009
ISBN 9790007226145. Language: Latin.
The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and parts available separately - see item CA.5453000.
SKU: CA.4019809
ISBN 9790007217952. Language: German.
The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg (1843-1900). With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg (1899), and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way. Score and parts available separately - see item CA.4019800.
SKU: CA.5453003
ISBN 9790007094348. Language: Latin.
SKU: CA.1000109
ISBN 9790007015626. Language: German.
Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score and parts available separately - see item CA.1000100.
SKU: CA.5453012
ISBN 9790007226169. Language: Latin.
SKU: CA.5453019
ISBN 9790007145378. Language: Latin.
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