Konzert a-moll BWV 1041 und E-dur BWV 1042-Study score format 22.5 x 16.5cmToday the three Violin concertos BWV 1041 3 are among Johann Sebastian Bach’s best known and most popular instrumental works and enjoy a permanent place in the concert repertoire.This Urtext edition is based in the New Bach Edition. The revised Violin and Piano reduction includes an Urtext solo part and a solo part with bowing fingering and comments on performance by Andrew Manze.Full score and performance material Violin and Piano reduction and study score of BWV1041-1042 (TP269) available for sale.

for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart Edition.Full score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.

Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche

Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140)Cantata for the 27th sunday after TrinityThe Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the New Bach EditionStudy scoreformat 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale

His acquaintance with the violinist Sarasate inspired Saint-Saëns to compose virtuoso works in a Spanish style. The finest examples of these works include his Introduction et Rondo capriccioso and Havanaise. / Conducteur De Poche

Tryst, for chamber orchestra, was composed in 1989 and has since established itself both in the concert hall and as a ballet score. The composer explains the genesis of the work in the form of a love poem by William Soutar written in broad Scots, called The Tryst, which he set to a very simple melody. This melody has persistently appeared, in various guises, in many works composed since - the congregational St Anne's Mass, a tiny fragment for violin and piano (After the Tryst), in the music theatre piece Búsqueda, and in the choral Miserere. Not only did it crop up again in Tryst, but it has provided both the title and the emotional core of the music. 'Its melodic characteristics, matching the original words, seem to imply many very strong associations - commitment, sanctity, intimacy, faith, love, but it is also saturated with a sadness as if all these things are about to expire.?Suitable for advanced standard performers. / Conducteur De Poche