SKU: BR.DLV-3471
Nearly all of the orchestral arrangements were made years after the original compositions. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra with equal mastery.
ISBN 9790004801512. 9 x 12 inches. Swedish / German.
Sibelius made most of the orchestral versions of his songs for the soprano Ida Ekman (1875-1942), the incomparable Sibelius singer the composer called her in a dedication written in a score. Ida Ekman gave the first performance of the orchestral version of Soluppgang on March 30, 1914, in Turku. Idas husband Karl conducted the orchestra of the Turku Musical Society.Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery, sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet), sometimes radiant, colorful impressions (in Soluppgang), or light-colored, transparent textures (in Varen flyktar hastigt), and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it.Nearly all of the orchestral arrangements were made years after the original compositions. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra with equal mastery.
SKU: HL.364392
UPC: 840126958850. 9.0x12.0x0.075 inches. Edwin M. Willmington/William H. Doane.
Keep Me Near the Cross is a new musical setting of a familiar Fanny Crosby text. Written in a flowing melodic style, the new music ties together some of the textual phrases in a meaningful manner. There is one option for the soloist to invite a congregation to join with the familiar refrain of the original tune.
SKU: NR.74506
W. H. Halverson & Henrik Ibsen Text: W. Henzen.
Peer Gynt, Ibsen, Henrik, text, Henzen, W., text, Halverson, W. H., text.
SKU: ST.LS9
ISBN 9790220204920.
CONTENTS Come ashore, merry mates (F - F) Deceitful fancy (duet) (D - D and G - C) Dialogue: Foe of mankind (duet) (D - F and G - B) Fortune and glory (E - G) Go happy man (C - G) How like a golden dream (D - E) In darkness let me dwell (duet) (E - G and A - D) My joy is dead (duet) (C - E and G - B) Oft thou hast (duet) (G - G and C - D) O grief (D - F) O poor distracted world (E - G) O sweet flower (duet) (E - G and G - D) O th' unsure hope (duet) (G - G and A - C) Send home my long-stray'd eyes (D - F) So parted you (D - E) 'Tis now dead night (D - G) When pale famine (D - F) While dancing rests (D - G).
SKU: ST.LS14
ISBN 9790220212567.
CONTENTS Alas fair face (F sharp - E) Ay me, she frowns (F - G) Beauty sat bathing (D - F) Can she disdain? (E - E) Climb O heart (D - F) Come, come all you (D - E) Diaphenia, like the daffdowndilly (D - D) Down a down thus Phyllis sung (D - D) I sigh as sure to wear the fruit (E - E) Look mistress mine (F sharp - F) Music dear solace to my thoughts (D- F) My choice is made (D - F) Now let her change (E - F) Now peep, Bo Peep (E - F) Pavan for the lute and bass viol Rest sweet nymphs (G - F) Sound woeful plaints (D - D) Thanks gentle moon (D - E) Underneath a cypress shade (F - F) Whither so fast? (E - E) With fragrant flow'rs (D - E flat) You that pine in long desire (E - E).
SKU: BR.DLV-5256
ISBN 9790004801895. 10 x 12.5 inches.
Heissa, hopsa, bei Regen und Wind - from Shakespeare's 'Twelfth Night' Unklar bleibt warum Sibelius etwa zeitgleich eine weitere Fassung des Werks nur mit deutschem Text fur Singstimme und Streichorchester anfertigte. Soweit bekannt wurde diese Fassung vor ihrer erstmaligen Veroffentlichung im Jahr 2003 in der Gesamtausgabe ,,Jean Sibelius Werke (JSW) noch nicht aufgefuhrt. It remains uncertain why Sibelius wrote another version of the work with German text only for voice and string orchestra around the same time. As far as is known this latter version has never been performed before its first publication in the volume of the complete edition Jean Sibelius Works in 2003. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano. Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it. In most cases Sibelius used a comparatively small orchestra: Varen flyktar hastigt has only two flute and four horns added to the strings. Mit dem Erscheinen der Erstausgabe 1986 eroberte sich das Werk rasch seinen Platz neben den anderen Streichorchesterwerken des finnischen Komponisten. Das vorliegende Impromptu entstand Anfang 1894, als Jean Sibelius die kurz zuvor komponierten Klavier-Impromptus op. 5 Nr. 5 und Nr. 6 zusammenfugte und fur Streichorchester instrumentierte. Die beiden im Gestus vollig unterschiedlichen Charakterstudien finden dabei zu einem einheitlichen Ganzen da Sibelius das Hauptthema aus dem sturmischen.
SKU: BR.EB-8873
ISBN 9790004184639. 9 x 12 inches. German / English.
,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8872
ISBN 9790004184622. 9 x 12 inches. German / English.
Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8871
Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.
ISBN 9790004184615. 9 x 12 inches. German / English.
SKU: BR.EB-8933
The new book for children's vocal-training - recommended by Diana Damrau
For further information and news about the Singfrosch please visit www.kleiner-singfrosch.de
ISBN 9790004186008. 8.5 x 11.5 inches. German.
Discovering the voice for the very youngest children The little Singing Frog was conceived and brought to life by the soprano Stefanie Fersch from years of experience teaching many young singing talents. Around her theme character the author devises stories with concealed vocal-training exercises and songs of her own composition. In the process she is able in an appealing way to train holistically the singing voices of children aged 4 to 8 with first body and breathing exercises. Available are an illustrated storybook with CD, a supporting teacher's manual complete with methodological suggestions and piano part, together with the separate piano part. Ideal for teaching voice in kindergarten, music school and primary school, in choruses and other groups, even for pedagogues with no background in teaching children Ideal gift for a child-friendly introduction to singingThe new book for children's vocal-training - recommended by Diana Damrau. For further information and news about the Singfrosch please visit www.kleiner-singfrosch.de.
SKU: FG.55011-895-9
ISBN 9790550118959.
The Urtext edition (2023) of Jean Sibeliusâ Five Christmas Songs op. 1 for voice and piano is based on the critical edition presented in the volume VIII/2 Works for Solo Voice Vol. 2 of Jean Sibelius Works (JSW) edited by Jukka Tiilikainen. The lyrics are included in Swedish, Finnish and English.Sakari Ylivuori's introduction illuminates the history of the beloved songs: May 1, 1913 was cold and wet. Jean Sibelius (1865â1957) spent the day at home at Ainola composing two Christmas songs: settings of poems for children by Zachris Topelius. The two songs born on that chilly spring day were Nu stÃ¥r jul vid snöig port (Now stands Yule at the snowy gate) and Nu sÃ¥ kommer julen (Now is Christmas coming). He then put them together with three Christmas carols he had earlier composed and gave the set the imposing Opus number 1. He had previously considered giving the distinction to various other works, but from 1915 onwards the Five Christmas Songs had the honour of heading his catalogue. [...]ContentsNu stÃ¥r jul vid snöig port ⢠Joulu saapuu portin luo ⢠Now stands Yule at the snowy gate [F major]Nu sÃ¥ kommer julen ⢠Tervehtii jo meitä joulu armahin ⢠Now is Christmas coming [e minor]Det mörknar ute ⢠Jo joutuu ilta ⢠Oâer hill and dale [F major]Julvisa ⢠En etsi valtaa, loistoa ⢠Christmas song [G major]On hanget korkeat, nietokset ⢠Visst drivor höga som skyn vi ha ⢠The shining snows are driving high [F major].
SKU: BR.EB-8090
ISBN 9790004174746. 9 x 12 inches.
World premiere Dusseldorf, 1982 CD Eva Csapo (voice) Friedhelm Dohl (piano) Dreyer-Gaido CD 21023World premiere Dusseldorf, 1982.
SKU: HL.50511984
ISBN 9790080143773. Bach (23 x 30,2 cm) inches. Hungarian, English. Bela Bartok.
1. Tiszán innen, Tiszán túl, ... 2. Erdok, völgyek, szuk ligetek, ... 3. Olvad a hó, csárdás kisangyalom, ... 4. Ha bemegyek a csárdába, kimulatom magam, ... 5. Fehér László lovat lopott ... 6.Megittam a piros bort ... 7. Ez a kislány gyöngyöt fuz, ... 8. Sej, mikor engem katonának visznek... 9. Még azt mondják, sej haj, ... 10. Kis kece lányom fehérbe vagyon, ...
SKU: BT.MUSM570366897
English.
Jeremy Dale Roberts ' Beautiful Lie The Dead . Three songs for Voice and Piano. 1. DIRGE (from 'Death's Jestbook') (Text: Thomas Lovell Beddoes) 2. THE MOURNER (W. H. Davies) 3. BEAUTIFUL LIE THE DEAD (Steven Phillips) Composed 1954, published by UYMP 2015. First performed by Pauline Brockless. Duration: 7'. Two copies supplied per order.