SKU: BR.SON-606
ISBN 9790004802564. 9 x 12 inches.
Jean Sibelius overall composed more than 100 solo songs for voice and piano. Volume 4 mostly contains first editions. These songs were generally unknown. Only a few of them have been available for performers in manuscript copies and have also appeared on concert programs. The volume contains also the first printed Sibelius' work Serenad and in contrast to the other two volumes with solo-songs it contains arrangements for voice and piano for the first time. Sibelius arranged three types of works for voice and piano: songs from incidental music, works for voice and piano, and one choral work. The arrangements were not made for the purpose of producing rehearsal scores, but rather as genuine concert pieces to be used in recitals. Rarely are such arrangements simply reductions of the orchestral score, as rehearsal scores tend to be. Instead, Sibelius gave the piano parts of his arrangements the same dedication and seriousness as he gave his solo songs. The independance of his arrangements is especially pointed to the very virtuoso piano part of the ballad Koskenlaskijan morsiamet Op. 33.
SKU: AY.FRD37
ISBN 9790302114659.
John La Montaine's Twelve Relationships for Piano Solo consists of twelve short canons: Bold and Plain, Teasing, Plaintive, Bittersweet, Wayward, Saucy, Entreating, Piquant, Brooding, Spirited and Jubilant. It was originally composed in 1965. A canon is the strictest form of composition, in which two or more parts take up in succession exactly the same musical subject. Each of the canons in Twelve Relationships is at a different interval. That is, the second entrance of the subject begins on a different note in each canon, and that note is always different from the first entrance. Twelve different intervals are utilized in the twelve canons. Each of these canons is strict in its succession of intervals from the first note to the last. The first canon is at the octave and therefore in one and the same key. All of the others at different intervals, since they are strict, are simultaneously in two different keys. There is no other known set of canons so composed. The title Twelve Relationships may be understood in two senses. One refers to the form, the intervallic relationships mentioned above. The other refers to the content, that is, to the psychological relationships that are implied by the titles of the individual canons and which form the musical substance of the pieces. Jocelyn Mackey (Pan Pipes, music critic): Twelve Relationships contains twelve two-part canons with titles like, Plaintive, Sprightly, Saucy, Brooding. The first, Bold and Plain, is composed with imitation at the fifth, while a different interval is used in each of the other eleven. Just as the Well-Tempered Clavier contains preludes in each possible key, each possible interval of imitation is used in this set of canons. Amazing contrapuntal skill..
SKU: HL.50488243
ISBN 9790080502501. Bach (23 x 30,2 cm) inches. Hungarian. Bela Zsoldos.
'...I recommend the arrangements of popular songs in this volume to every child who is learning to play the piano or has some kind of keyboard instrument at home, and is able to read music. The top two parts in each set of three staves in the score are played on the piano, while the top and bottom parts can be played on any synthesizer...' (Bela Zsoldos).
SKU: B7.B111
8.5x11 inches.
TRIBUTE TO KEROUAC, version for solo piano by David Alpher was inspired by the work, life, and times of Jack Kerouac, King of the Beat Generation. Cast in 7 movements, this significant composition is hugely influenced by jazz. In the preface to the score the composer writes: Kerouac demonstrated the epic contradiction of America: on the one hand its wild energy, joy of life, and expansiveness; on the other, its tendency to self-destruct. Tribute to Kerouac is my musical response to, and commemoration of, this important American writer who liked to describe himself as a 'jazz.poet.'The ensemble version of this work (for clarinet, tenor sax, piano & string bass) is recorded on Ongaku Records #024-112.
SKU: SU.92070380
Instrumentation: solo piano; picc,22,eh,22; 4331; timp; 3 perc; stgs Duration: 27' Full Score & Parts: available on rental Reflections on a Souvenir (for solo piano): available for sale (#92070230) Composed: 2007 Published by Subito Music Corporation Based on Souvenir de Porto Rico by Louis Moreau Gottschalk.
SKU: B7.B151
CAFE for solo piano by Marc Douyon is based on the Haitian folk tune Manmam voyem peze cafe. The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part of the colorful musical tapestry as well. Cafe is divided into two main parts, the Prelude and the Dance. This work begins with lyrical melodic fragments over a light chordal accompaniment. A recitative follows with a theme, which is also lyrical in nature. But, soon after, that same theme from the recitative takes on a happier character in a waltz accompanied by a walking bass. There, syncopated rhythm, sequences, chromatic harmony, and refrain-like passages take the dance to new heights until the end.
SKU: BR.PB-15110-07
In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Study Score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15110-07. Published by Breitkopf and Haertel (BR.PB-15110-07).
ISBN 9790004212677. 6.5 x 9 inches.
The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).
SKU: MA.EMR-13878
SKU: MA.EMR-13989
SKU: MA.EMR-13990
SKU: M7.APUE-516070
ISBN 9781875516070.
This teacher's book has the piano accompaniments and flute duet parts for the other books in The Young Flute Player series. Most of the piano accompaniments are easy to play, even for flute teachers with limited piano skills. If you have no piano skills, don't panic! ALL the piano parts are available as free backing tracks on The Young Flute Player YouTube channel. The speed of backing tracks can be adjusted to suit the student and there are also recordings of the duets, plus flute and piano performances. To keep the student method books (Books 1 and 2) uncluttered and easy to read for young players, the teacher's flute duet parts are also found in Book 3.
SKU: CA.3440209
ISBN 9790007212629. Key: E flat major. Language: all languages.
Works for keyboard with and without accompaniment make up the core of Johann Christoph Friedrich Bach's oeuvre. The Concerto in E flat major belongs to Bach's last creative period during which he once again concerned himself intensely with orchestral music in the form of symphonies, keyboard concertos and concertos for keyboard with another solo instrument. Score and parts available separately - see item CA.3440200.
SKU: BR.EB-6774
ISBN 9790004169735. 9 x 12 inches.
The pieces contained in this volume prepare the student for the playing in three and four parts that is required for the perfomance of the three-part inventions and the French suites. They are most appropriately incorporated into the teaching material after the two-part inventions have been studied. New technical problems, such as the passing under and over of fingers without using the thumb and the rapid substitution of fingers on one key, must here be solved. In order to make the fonn clear, the notation has been simplified as much as possible; the indications of fingering remain quite complicated enough, even though they cannot by far show all the possibilities. lt is necessary to adapt the fingerings to the mobility and span of the particular player's hands, whilst retaining the chosen phrasings to the best of his ability. Isolated notes which require a span exceeding the octave have been placed in brackets; the performance of the ornaments is shown in footnotes. As in the first volume, the missing dynamic and tempo indications must be supplied by the performer himself in accordance with the character of each piece. Especial attention must be paid in polyphonic music to the problem of phrasing and articulation. The editor's suggestions can be replaced by other solutions that make musical sense; these should then be written into the parts. An intensive preoccupation with polyphone structures can even at an early age increase the understanding and love of the musical work of art. Heinz Walter, Salzburg, Summer 1977.
SKU: CA.3440219
ISBN 9790007144463. Key: E flat major. Language: all languages.
SKU: SU.00220525
This CD Sheet Musicâ?¢ collection brings together over 140 works for solo piano, piano duo, and piano four-hands by both familiar and lesser-known French composers active in the 19th and early 20th centuries. Works include: Alkan (Saltarelle, Symphony, from 12 Ã?tudes; Concerto, from 12 Ã?tudes, Le Festin d'Ã?sope, Theme and Variations); Bizet (Variations Chromatiques de Concert, Jeux d'Enfants Parts 1and2); Chabrier (Pièces Pittoresques, Bourrée Fantasque, 3 Valses Romantique); Chaminade (Air de Ballet, Scarf Dance, Scène de Ballet); D'Indy (Poème de Montagne, Sonata in E); Dukas (Variations, Interlude et Finale,sur un thème de Rameau) Franck (Danse Lente, Prélude, Aria et Final, Short Pieces (originally for Harmonium), Variations Symphoniques); Ibert (Histoires I-X, Matin sur l'Eau); Koechlin (Paysages et Marines I-XII); Massenet (10 Pièces de Genres, Toccata); Milhaud (Saudades Dos Brasil); Poulenc (3 Movements Perpétuels, Cinque Impromptus); Ravel (Gaspard de la Nuit, Miroirs, Ma Mère l'Oye (arr for solo piano), Sonatine, Le Tombeau de Couperin, Valses nobles et sentimentals); Roussel (Des Heures Passant..., Rustiques, Sonatine); Saint-Saëns (Danse Macabre, Romance without Words, 3 Mazurkas, Ã?tudes Books IandII, Variations sur un Thème de Beethoven); Satie (3 Gymnopédies, 3 Gnossiennes, Embryons Desséchés, Descriptions Automatiques, Embroyons Desséchés, Sports et Divertissements, Morceaux en forme de Poire); Schmitt (Musiques Intimes, Books IandII); Vierne (Suite Bourguignonne), and more Also includes composer biographies and relevant articles from the 1911 edition of Groveâ??s Dictionary of Music and Musicians 2300 pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: BT.EMBZ20084
English-Hungarian.
Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a classical piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from Imitation and Inversion, Ostinato, and Free Variations, concerning compositional technique, to mood pieces and pieces with programmatic ideas such as Notturno, Boating, From the Diary of a Fly, or the famous Six Dances in Bulgarian Rhythm. Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók CompleteEdition published in 2020(Z. 15040), the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a preface and comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specific performing problems of Mikrokosmos.
SKU: HL.50603819
ISBN 9781705148723. UPC: 196288023814. 9.0x12.0x0.236 inches.
The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, and it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people.This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.
SKU: AP.6-284425
ISBN 9780486284422. English.
Features 2 widely performed concertos in authoritative 2-piano playing editions.
SKU: HL.51481594
UPC: 196288215837. 9.0x12.0x0.046 inches.
One of Scriabin's best-known piano pieces is also one of his very first compositions. He wrote it when he was only fifteen years old; when it appeared in print in 1893, the twenty-one-year-old was still so unknown that he did not receive any remuneration from the publisher. The rapturous etude was soon to enjoy unprecedented success. Marked “Andante”, it is not a virtuoso piece – but nevertheless it is a challenge to master the full-handed chords in legato and to clearly work out the upper and middle parts at the same time. In the Henle Urtext edition, Boris Giltburg's fingerings support this task in an exemplary manner. As an etude of medium difficulty, this earworm offers a wonderful introduction to the piano world of Scriabin!
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SKU: TM.00019SET
Cello solo is in 3rd movement - in regular cello part. Pf Sol/pf; 2 copies required to play solo with piano accompaniment. Clothbound Score.
SKU: PE.HX102PNO
ISBN 9781530882854.
A collection of six charts for small jazz groups at grade 2 - 2.5. All charts are scored in three-part writing, with flexible instrumentation provided by all three parts in each wind book. Solo sections are provided with changes, and also a mini-clinic for each tune with a break down of the spelled-out chord progression and suggested scales to use throughout each solo. Twelve transcribed solos match the recordings note-for-note, and twelve suggested solos give younger players a starting point with themes taken from the recorded solos. 49 downloadable play-along tracks provide every instrument a chance to sit in with the recorded band. Contents Include: Porto Alegre; Time Will Tell; Leap Day; Bohemian Groove; Avalon; Steam Punk Funk.
SKU: HL.49016943
ISBN 9790001149518. 9.0x12.0x0.065 inches.
Noodivihik deals with time on a macro and a micro level. The macro time level is divided into two parts: fast and slow. The first part ('citric acid') works with two basic rhythmic patterns and their irritation through the addition or subtraction of note values. The interweaving of the two sectors, in which these basic patterns appear separately, results in a structure of the time in the middle (that is, within 'critic acid').The second part ('leave your baggage unattended') combines the aforementioned two levels through the superimposition of natural and prepared tones on the piano. This all occurs within a three-layered, endless pattern. (Thomas Larcher).
SKU: HL.49016786
ISBN 9790001144131. 9.25x12.0x0.225 inches.
Finnish composer Mustonen (b. 1967) wrote his Triple Concerto for three highly virtuosic solo violins and a colorfully orchestrated string orchestra. Arranged here for 3 violins and piano reduction.
SKU: IS.PN7495EM
ISBN 9790365074952.
Louis Anthony deLise is an American composer, pianist, and percussionist. The compositions in A Gift of Moments are typical of deLise’s composing style that often features the juxtaposition of disparate musical elements like serial technique, frequently changing meters, the urgency and drive of rock and roll, and the lush harmonies of 1960’s West Coast Jazz. Dr. deLise was Adjunct Lecturer of Theory and Composition at the Boyer College of Music and Dance (in Philadelphia, Pennsylvania). He is the author of The Professional Songwriter, a textbook on songwriting. The title, A Gift of Moments, comes from something a friend wrote about her deceased husband. She described their too-short time together as, a gift of moments. (Time with someone you love is always too short, isn’t it?) Since February 2020, (since I’ve been locked down at home with my patient and loving wife, Theresa), like the rest of us, I’ve been reminded each day of just how delicate life is. My friend’s comment about her lost love has gradually revealed itself as a worthy title for the collection of music I was creating during this time of lockdown. All of the pieces in this collection are in some way about love: of a mate, of family, our way of life, and those beliefs we consider particular to us. The compositions are varied in style as they encompass musical gestures reflective of the many disparate musical traditions alive in my soul. With this unapologetically sensitive, perhaps even nostalgic, music of mine I intend to blur the arbitrary boundaries of genre classification, like classical or pop; ambient or orchestral. Special thanks to Vivian Barton Dozor, a wonderfully talented cellist who provided insight into bowing and phrasing for the cello parts.
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