Par SILVERMAN JERRY. This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike to take a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement, making them appropriate study material for any student of music theory and harmony. Chorales are also the root of traditional hymnody, especially from the Lutheran tradition. The chorales were originally text and melody sung a cappella, and were for congregational singing. Chorales were set in four parts for choir use, and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings. / Niveau : Débutant à Intermédiaire / Classic - Songbooks / Recueil / Chant et Piano

Instrumentation: High/Medium/Low-voice—Pf (includes Optional Violin Format: Sheet Music Details: Three versions in one edition: high voice (G major); medium voice (F major); low voice (D Major) Contents: Gounod wrote the first version of this famoussong in 1852 and it was published in Decemberof that year by Mayaud as 'Premier prélude deJ.S. Bach'. The words were by Lamartine – 'Vers sur un album' from his Recueillments poétiques of 1839. Exactly when these words were supplanted by those of the 'Ave Maria' is not clear, but it seems to have happened within the first few years of the song's life. After a century and a half the piece isstill sung, played and loved the world over, and this is surely its own guarantee of musical value, as it is of its composer's more general gift as a songwriter. In the view of Maurice Ravel, that sharp critic of everything shoddy or meretricious, 'the true founder of the mélodie in France was Charles Gounod.' (Roger Nichols)

Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. ' / Chant Et Piano / Partition

Une sélection complète de la musique d'art saisonniers pour voix et piano, allant des mélodies aux airs d'oratorios. oeuvres de Bach, Haendel, Loewe, Schubert, Berlioz, Banck, Mendelssohn Bartholdy, Schumann, Gounod, Franck, Cornelius, Saint-Saëns, Tchaikov / Voix Et Piano

Bach's Magnificat In D was originally composed in 1723 for the Christmas Vespers in Leipzig, with Christmas specific texts that would be later removed to make the work suitable for year-round performance. The work can be divided into twelve parts grouped into three movements, beginning with an aria and ending with a fugal chorus. This edition is edited by Neil Jenkins for SATB with a Piano accompaniment. In the original key of D. / Chant Et Piano

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition ARIE SCELTE DALLE CANTATE. VOL.1: 12 ARIE PER SOPRANO qui a été écrite pourVoix Et Piano. Les éditions Ricordi qui ont éditées cette oeuvre l'ont répertoriée sour la référence ER00228100. / Voix Et Piano / Partition

Passio secundum Johannem. Urtext of the New Bach Edition (Vocal Score and Chorus Parts English/German) Edition : Piano Reduction/Vocal Score Editor : Mendel, Arthur Binding : paperbound Instrumentation : Soprano solo, Alto solo, 2 Tenor solo, 2 Bass solo, Mixed Choir-SATB, Orchestra