The massive U2 hit I Still Haven't Found What I'm Looking For is arranged here for SATB choir and Piano accompaniment, and has a rock gospel feel - perfect for choirs. / Chant Et Piano

The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.

In the vocal part there are several variants, and this makes them accessible for different types of voice.

The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.

The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /

20 Romances Instrument : medium (low) voice and piano Nombre de Pages : 104 Content : My Guardian, My Angel, My Friend - A Tear Hangs There op. 6/4 - None But The Lonely Heart op. 6/6 - Rest You Now, O My Heart op. 25/1 - No Answer Now op 28/5 - Don Juan's Serenade op. 38/1 - At The Ball op. 38/3 - O, Could You But for One Short Hour op. 38/4 - The Love of One Dead op. 38/5 - Pimpinella op. 38/6 - O Sleep, Unhappy Friend op. 47/4 - I Greet You All, You Woods and Forests op. 47/5 - On Golden Meadows Now op. 57/2 - Bravery op. 60/11 - The Stars Looked Tenderly upon Us op. 60/12 - I Opened My Window op. 63/2 - The Lights Were Being Dimmed op. 63/5 - Night op. 73/2 - Now the Sun's Departed op. 73/4 - Ah! Once Again All Alone op. 73/6 - Appendix

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah arranged in D for solo voice and Piano.

Complete Songs for Voice and Piano Volume I-Le r?le de Beethoven en tant que cr?ateur d??uvres orchestrales monumentales d??uvres majeures de musique de chambre et de sonates en solo de premier plan est tellement important qu?on en oublie souvent la richesse de ses lieder. Pourtant ces derniers constituent un r?pertoire extr?mement agr?able dans lequel amour et humour c?toient des contenus philosophiques ou religieux. Outre G?the Claudius Herder Lessing Gellert et Rousseau sont les auteurs des textes mis en musique. Il en ?merge ainsi un panorama de la fin du 18e et du d?but du 19e si?cle avec sa combinaison tout ? fait particuli?re de proximit? avec la nature d?esprit des Lumi?res et de sentiment religieux. L??ditionurtext en deux volumes des ?ditions Henle repose sur l??dition compl?te des ?uvres de Beethoven et comprend ?galement ces lieder red?couverts bien apr?s la mort du compositeur et ainsi longtemps m?connus. Une pr?face d?taill?e sur l?histoire et l??tat des sources des lieder de Beethoven compl?te cette ?dition.

195 Lyrics And Chords. Par BEATLES THE. 195 lyrics and chords, Tutti i testi con gli accordi per chitarra delle canzoni dei Beatles/ Recueil / Chant et Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's 'Aida') * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My Eng / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Description Anthology Of Italian Song Of The 17th And 18th Centuries Book I Selected and edited with biographical notes by Alessandro Parisotti. Songlist Affanni Del Pensier [Handel, George Frideric] Ah! Mio Cor [Handel, George Frideric] Che Fiero Costume [Legrenzi, Giovanni] Chi Vuol Comprar [Jommelli,Niccola] Chi Vuol La Zingarella [Paisiello, Giovanni] Comme Raggio Di Sol [Caldara, Antonio] Consolati E Spera [Scarlatti, Domenico] Deh Piu A Me Non V'ascondete [Bononcini, Giovanni] Il Mio Ben Quando Verr[Paisiello, Giovanni] Intorno All'idol Mio [Cesti, Marco Antonio] Nel Cor Piu Non Mi Sento (L'Amor Contrastato) [Paisiello, Giovanni] O Cessate Di Piagarmi [Scarlatti, Alessandro] O Del Mio Dolce Ardor (Paride Ed Elena) [Gluck, Christoph Willibald] O Notte, O Dea [Piccinni, Niccolo] Ogni Pena Piu Spietat [Pergolesi, Giovanni]) Ombra Cara, Amorosa [Traetta, Tommaso] Piacer D'amor [Martini, Giovanni] Pur Dicesti, O Bocca Bella [Lotti, Antonio] Quella Fiamma Che M'accende [Marcello, Benedetto] Se Florindo E Fedele [Scarlatti, Alessandro] Se Tu Della Mia Mort [Scarlatti, Alessandro] Se Tu M'ami, Se Sospiri [Pergolesi, Giovanni] Sebben, Crudele [Caldara, Antonio] Selve Amiche [Caldara, Antonio] Son Tutta Duolo [Scarlatti, Alessandro] Spesso Vibra Per Suo [Scarlatti, Alessandro] Stizzoso, Mio Stizzoso [Pergolesi, Giovanni] Un Certo Non So Che [Vivaldi, Antonio] Vittoria, Mio Core! [Carissimi, Giacomo]

The 2013 album by this popular Canadian crooner features the lead single It's a Beautiful Day plus a baker's dozen of additional original songs and covers. Our folio features vocal/piano arrangements of all the tunes from the album including: After All - Close Your Eyes - Have I Told You Lately That I Love You - Nevertheless (I'm in Love with You) - Something Stupid - To Love Somebody - Who's Lovin' You - Young at Heart - and more.

Ed. Critica F. Della Seta - Riduzione per canto e pianoforte ? softcover 2 volumi-I Puritani is the last work of Vincenzo Bellini: composed in nine months from April 1834 to January 1835 (a gestation unusually long for that time) was performed for the first time in Paris Théâtre Italien 24 January 1835. During this period the dramatic structure suffered radical transformations: initially structured in two acts the work was divided into three acts just before the premiere but on the eve of the first performance and immediately after that theexcessive length of the title imposed the cut of three pieces and other minor sections. Simultaneously with the release for Paris Bellini prepared a version designed for a planned exhibition for Naples at Teatro S. Carlo whose protagonist had to beMaria Malibran and in which the part of Riccardo had to be supported by a tenor. The exhibition did not take place as the score came late in Naples: the Neapolitan version was rediscovered and performed only in the eighties of the twentieth century.The new Critical Edition is based on the autograph on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work three of which contain autographinterventions (these sources are now kept at the Biblioteca Comunale in Palermo at the Museo Civico Belliniano in Catania at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This Edition presents for the first time all the music composed by Bellini it restores the sections deleted before or after the first performance in Paris and returns the modified sections of the Naples version; it consists of three-score volumes- introduced by a detailed reconstruction of the historical context - and of a ?Apparati? volume with a description of the Sources and the Critical Commentary to the musical text.