Piano Trio Op.120 for Piano Violin & CelloGabriel Fauré?s Piano Trio his penultimate work was composed in 1922-23 and published in June 1923. The three-movement work clearly shows Fauré?s ability to combine a transparent texture with charming and elegant themes.Until now the composition has always presented musicians with considerable problems as the score offers conflicting readings when compared with the separate string parts. Without reliable information on the different readings important basic information for an appropriate interpretation of the work has been lacking. Bärenreiter?s first ever critical edition of this masterpiecefinally unites the parts with the score. All variants appear in the critical commentary to the corresponding complete edition volume of ?the Complete Works of Gabriel Fauré?.- First scholarly-critical edition of this work- High-quality Urtext edition based on ?the Complete Works of Gabriel Fauré?- Foreword (Eng/Fr/Ger)

Popular classical and light music-Recapture the lost elegance of a bygone age with this wonderful collection of popular classics. Many of these charming pieces were firm favourites of bands and orchestras that once graced hotel lounges amd luxury liners the world over. In these new highly imaginative arrangements for Piano trio they will once again delight performers and audiences alike.

Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano