Hal Leonard Student Piano Library-A piano method to please students teachers and parents! The Hal Leonard Student Piano Library is clear concise and carefully graded. Perfect for private and group tuition.My Practice Record contains 32 weeks oflesson assignments staff paper and a music dictionary. About this series: When music excites our interest and imagination we eagerly put our hearts into learning it. The music in the Hal Leonard Student PianoLibrary encourages practise progress confidence and success. The series offers: a variety of styles and moods; natural rhythmic flow singable melodies and lyrics; teacher accompaniments; improvisation; instrumentalaccompaniments through CD or MIDI files; realistic pacing which is challenging without being overwhelming; clear and concise presentation of concepts which allows room for a teacher's individual approach; uncluttered page layout;basic theory and technique covered. There are five stages to the Hal Leonard Student Piano Library each of which is associated with a Piano Lessons Book (and accompanying CD) a Piano Solos Book (and accompanying CD) a Piano Practice Games Book a Piano Theory Workbook and a set of Music Flash Cards. Practice Record and Teacher's Planner are also available.

Nos. 1-15 (Set of 5 CDs)-The first fifteen Beethoven sonatas on five CDs recorded by pianist Robert Taub. His noteworthy recordings have been praised by critics for their freshness and emotional involvement. This publication is a companion to Beethoven Piano Sonatas - Volume 1 (Nos. 1-15) edited by Robert Taub (HL00296632).Dr. Taub has performed all over the world presenting an acclaimed series of the complete Beethoven Sonatas in both New York and London. He played and discussed Beethoven Sonatas on the PBS television program Big Ideas.

The SUZUKI METHOD of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human behavior. Students are taught using the mother-tongue approach. Suzuki Piano School materials include: Piano Books (Vol. 1-7) * Cassettes (performed by Meiko Miyazawa, Vol. 1-4) * William Aide Performs Suzuki Piano School (Cassettes & Compact Discs, Vol. 1-7) * Haruko Kataoka Performs Suzuki Piano School (Cassettes & Compact Discs, Vol. 1-3) * Valery Lloyd-Watts Performs Suzuki Piano School (Cassettes and Compact Discs Vol. 1-7). Suzuki Method Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Suzuki Viola School materials include: Viola Parts (Vol. 1-7) * Piano Accompaniments (Vol. 1-7) * Cassettes (Vol. 1-7 performed by Bill Preucil). Suzuki Method® Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

Musicland was established in 1984 by Caroline and Alan Lumsden in order to publish educational music for young children. The Musicland Theory, Recorder and Violin series was launched following positive trials of the material in their own music school in /

Gustavo Beytelmann has taken some of the most beautiful tango music ever written and created his own arrangements for solo piano. His collection shows how varied the genre is, from the ragtime-like lilt of El esquinazo to the romantic waltz La loca de amor by Pablo José Vázquez and the energetic El entrerriano by Rosendo Menizabal, as well as a new arrangement of Carlos Gardel's immortal El dia que me quieras. Beytelmann shows too how technically varied these works can be. Each of the pieces features specific performance techniques such as accents, tempo changes, balance and attack and he advises Spend some time concentrating on these elements and you will find the works even more enjoyable. These immensely rewarding pieces are equally suited to the concert stage as to the piano lesson. Gustavo Beytelmann has made a significant contribution to the evolution of the Tango, through his numerous recordings, performances and through his teaching. Born in Argentina, he began his professional career writing music for the cinema, working as pianist and arranger for the record industry and performing with various jazz ensembles. After moving to Paris, Astor Piazzolla invited him to participate in his European tour. He has continued to perform and compose across Europe and the Americas. From 1993 onwards he intensified his work as a composer. www.gustavobeytelmann.com Arolas Eduardo: Comme il faut Gardel Carlos: Cuesta abajo Gardel Carlos: El dia que me quieras Mendizábal Rosendo: El entrerriano Villoldo Angel: El esquinazo Arolas Eduardo: El marne Villoldo Angel: El portenito Vázquez Pablo José: La loca de amor Greco Vicente: Ojos negros Santa Cruz Domingo: Union civica Title: Solo Tango Solo Piano Scored for: for piano Arranger: Beytelmann Gustavo Degree of difficulty: 3-4 ISBN: 978-3-7024-6788-3 ISMN: 979-0-008-08139-2 Order number: UE34679

Beginning Piano Solo Play-Along Volume 6-The Beginning Piano Solo Play-Along series is designed for pianists ready to play their first solo. Each volume comes with a CD of orchestrated arrangements. The music in Beginning Piano Solo Play-Along Volume 6: Disney Hits matches the recorded orchestrations on the CD and is carefully arranged for beginning pianists. There are two tracks: a full performance track for listening and practice plus a separate backing track which lets you be the soloist! The CD is playable on any CD player and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch.This volume features 8 Disney songs: Alice in Wonderland? Beauty and the Beast ? Bibbidi-Bobbidi-Boo (The Magic Song) ? Chim Chim Cher-ee ? Circle of Life ? It's a Small World ? Written in the Stars ? You've Got a Friend in Me.

In this his first volume of sheet music Peter Broderick collects 20 works for solo piano alongside exclusive new recordings. Taken from his piano-led records such as Docile Float How TheyAre Partners and Grunewald some are original solo works while others have been stripped back and arranged for solo piano for the first time. The collection also includes the composer’s performanceand repertoire notes. Unique recordings exclusively available through digital download 20 beautiful piano scores bound in a two-colour-printed volume Personal notes written by the composer Composers Note: Ever since I started releasing records of piano music back in 2007 it seems that every few months I get an email from a stranger asking me if I have sheet music for my piano songs.Sometimes people even write to me assuming that the sheet music already exists asking in regards to a particular song “Where can I find the sheet music?” My response to all these requests has been always been thesame… “Unfortunately the music is only written in my head and in my fingers but I do hope that maybe one day I’ll be able to write some of it out and publish a book of sheet music.” And finally ten yearslater that day is here! I am very proud to announce that Piano Works Vol. 1 my first book of piano sheet music will be available in mid-June. Thanks to my dear friends at Erased Tapes and Music Sales for helpingthis come to fruition. - Peter Broderick  

Beginning Piano Solo Play-Along Volume 10-This volume of the exciting Beginning Piano Solo Play-Along series features 10 beloved classics with a song for each princess and authentic Disney accompaniments. The Beginning Piano Solo Play-Along series is designed for pianists ready to play their first solo. Each volume comes with a CD of orchestrated arrangements. The music in this book matches these recorded orchestrations and is carefully arranged for beginning pianists. There are two tracks: a full performance track for listening and practice plus a separate backing track that lets you be the soloist! The CD is playable on any CD player and is also enhanced so Mac

Beginning Piano Solo Play-Along Volume 4-The Beginning Piano Solo Play-Along series is designed for pianists ready to play their first solo. Each volume comes with a CD of orchestrated arrangements. The music in this book matches these recorded orchestrations and is carefully arranged for beginning pianists. There are two tracks: a full performance track for listening and practice plus a separate backing track which lets you be the soloist! The CD is playable on any CD player and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch. This volume includes 8 songs to make holiday spirits bright.

Beginning Piano Solo Play-Along Volume 8-The Beginning Piano Solo Play-Along series is designed for pianists ready to play their first solo. Each volume comes with a CD of orchestrated arrangements. The music in this book matches these recorded orchestrations and is carefully arranged for beginning pianists. There are two tracks: a full performance track for listening and practice plus a separate backing track which lets you be the soloist! The CD is playable on any CD player and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch.

Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the