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Harmonica
VIOLIN - FIDDLE
Piano solo
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Baroque to Modern: Intermediate Level: Piano: Instrumental Album
Piano solo
Schirmer
28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music...
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28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music from the 1700s through the 1900s, with composer biographies and practice and performance tips. Organized by difficulty level, the music is presented in newly researched editions. Each volume is in progressive order. ANTHEIL: Little Shimmy C.P.E. BACH: Solfeggietto in C minor, H. 220 J. S. BACH: Prelude in D minor, BWV 926 · Prelude in C minor, BWV 999 BARBER: Petite Berceuse · To My Steinway from Three Sketches for Piano BEACH: Gavotte in D minor from Children's Album, Op. 36, No. 2 BEETHOVEN: German Dance in C Major, WoO 8, No. 7 BONIS: Frère Jacques from Scènes enfantines, Op. 92, No. 6 BURGMÜLLER: Restlessness (Inquiétude) from 25 Easy and Progressive Studies, Op. 100, No. 18 CHOPIN: Prelude in A Major, Op. 28, No. 7 CRESTON: Rustic Dance from Five Little Dances, Op. 24, No. 1 HANDEL: Prelude in G Major from Suites de pièces, Volume 2, HWV 442, No. 9 HELLER: Study in A minor (The Avalanche) from 25 Melodious Etudes, Op. 45, No. 2 KABALEVSKY: Lyric Piece from 30 Pieces for Children, Op. 27, No. 16 · The Chase from 30 Pieces for Children, Op. 27, No. 21 · Rondo-Toccata from Four Rondos, Op. 60, No. 4 KHACHATURIAN: Ivan Sings from Adventures of Ivan MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 MOZART: Funeral March for Signor Maestro Contrapunto, K. 453a · Adagio for Glass Harmonica, K. 356 (617a) MUCZYNSKI: Fable No. 9 from Fables, Op. 21, No. 9 PROKOFIEV: Morning from Music for Children, Op. 65, No. 1 · Promenade from Music for Children, Op. 65, No. 2 RAVEL: Prélude D. SCARLATTI: Sonata in D minor, L. 423 (K. 32, P. 14) SCHUMANN: Of Strange Lands and People (Von fremden Ländern und Menschen) from Scenes from Childhood (Kinderszenen), Op. 15, No. 1 SHOSTAKOVICH: Birthday from Children's Notebook for Piano, Op. 69, No. 7
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Intermediate Classical Era Favorites: Piano: Instrumental Album
Piano solo
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Intermediate
Hal Leonard
The Classical Piano Sheet Music Series includes compilations of intermediate-lev...
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The Classical Piano Sheet Music Series includes compilations of intermediate-level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. This volume includes: LUDWIG VAN BEETHOVEN:Contradance in C Major, WoO 14, No. 1 · Ecossaise in G Major, WoO 23 · German Dance in G Major, WoO 8, No. 6 ·German Dance in C Major, WoO 8, No. 7 · German Dance in B-flat Major, WoO 13, No. 2 · Minuet in G Major, WoO 10, No. 2 ·Sonatina inG Major, Anh. 5, No. 1 MUZIO CLEMENTI: Sonatina in C Major 36, No. 1 · Sonatina in C Major, Op. 36, No. 3 ANTON DIABELLI: Sonatina in G Major, Op. 151, No. 1 · Sonatina in C Major, Op. 168, No. 3 JAN LADISLAV DUSSEK:Sonatina in G Major, Op. 20, No. 1 FRANZ JOSEPH HAYDN: Allegro from Sonata in C Major, Hob. XVI/1 · Arietta from Variations in E-flat Major, Hob. XVII/3 FRIEDRICH KUHLAU: Sonatina in C Major, Op. 55, No. 1 · Sonatina in C Major,Op. 55, No. 3 WOLFGANG AMADEUS MOZART: Adagio for Glass Harmonica, K. 356 (617a) · Allegro from Sonata in C Major, K. 545 (Sonata facile) · Andantino in E-flat Major, K. 236 (588b) · Contradance in G Major, K. 15e · Funeral Marchfor Signor Maestro Contrapunto, K. 45a · German Dance in C Major, K. 605, No. 3 · Piece for Clavier in F Major, K. 33B · Rondo in C Major, K. 334 (320b)
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Mozart W.a. - Piano Pieces
Piano solo
G. Henle
revised editionCompositeur : Mozart, Wolfgang AmadeusInstrumentation : Piano sol...
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revised editionCompositeur : Mozart, Wolfgang AmadeusInstrumentation : Piano soloEditeur Musicologique : Scheideler, UllrichCouverture ReliéeContenu : Adagio for Glass Harmonica C major K. 356 (617a)Adagio b minor K. 540Andante for a Musical Clock F major K. 616Andantino E flat major K. 236 (588b)6 German Dances K. 509Fantasies c, d K. 396 (385f), 397 (385g)Fugue for an organ g minor K. 401 (375e)Fuges G, D K. Anh. A 61/62 (154a)Gigue G major K. 574Piano Piece F major K. 33 BKontretanz D Das Donnerwetter K. 534Kontretänze K. deest (269b)London sketchbook K. 15a-qqFuneral March c minor K. 453aMarch C major K. 408/1 (383e)Minuet D major K. 355 (576b)Minuets C, D C major K. 61g II, 94 (73h)8 Minuets K. 315a (315g)12 Minuets K. 103 (61d)Modulierendes Präludium K. deestMozarts pieces from the Nannerl Notenbuch K. 1a–f, 2–5, 9a (5a),6–8Prelude (Fantasy) and Fugue C major K. 394 (383a)Präludium C major K. 284a (395/300g)Rondos D, a K. 485, 511Sonata movements g, B flat B flat major K. 312 (590d), 400 (372a)Suite C major K. 399 (385i)Appendix: 2 Piano pieces B flat, E flat K. Anh. 20 a (626b/25)Ballettmusic from Ascanio in Alba K. 111Sonata [allegro and allegretto] F major K. Anh. 135 (547a)Fragment from the Nannerl Music Book K. 9b (5b)Fragments from the London Sketchbook K. 15 nn, rr, ssFragment (Sarabande) from the Suite K. 399 (385i)
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Intermediate Mozart Favorites
Piano solo
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Intermediate
Hal Leonard
The Classical Piano Sheet Music Series. The Classical Piano Sheet Music Series i...
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The Classical Piano Sheet Music Series. The Classical Piano Sheet Music Series includes compilations of intermediate level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. This edition features: Adagio in C Major for Glass Harmonica, K. 356 (617a) · Air in A-flat Major, K. Anh. 109b, No. 8 (15ff) · Allegro in B-flat Major, K.3 · Allegro in F Major, K. 1c · Allegro in F Major, K. Anh. 109, No. 1 (15a) · Andante in C Major, K. 1a · Andante in E-flat Major, K. 15mm · Andantino in E-flat Major, K. 236 (588b) · Contradance in D Major, K. 534 The Thunderstorm · Contradance in G Major, K. 15e · Contradance in G Major, K. 269b · Eight Variations on a March from Les mariages samnites, K. 352 · Funeral March for Signor Maestro Contrapunto, K. 453a · Gavotte in F Major from Les petits riens, Anh. 10 (299b) · German Dance in C Major, K. 605, No. 3 · Larghetto in F Major, K. deest · Minuet in B-flat Major, K. 15pp · Minuet in C Major, K. 6 (I) · Minuet in D Major, K. 7 · Minuet in Major, K. 94 (73h) · Minuet in E-flat Major, K. 15qq · Minuet in F Major, K. 1d · Minuet in F Major, K. 2 · Minuet in F Major, K. 5 · Minuet in F Major, K. 6 (II) · Minuet in G Major, K. 15c · Minuet in G Major, K. 15y · Minuet in G Major, K. 1e/1f · Piece for Clavier in F Major, K. 33B · Rondo in C Major, K. 334 (320b) · Rondo in F Major, K. 15hh · Six Variations on Mio caro Adone, K. 180 · Sonata in C Major K. 545 Sonata facile · Twelve Variations on Ah, vous dirai-je Maman, K. 265 Twinkle, Twinkle, Little Star
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Palmer Manus And Lethco - Adult All In One Course 1 + Cd - Piano
Piano solo
[Sheet music + CD]
Alfred Publishing
Alfred's Basic Adult All-in-One Course is designed for use with an instructor fo...
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Alfred's Basic Adult All-in-One Course is designed for use with an instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, technic and additional repertoire in a convenient, all-in-one format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson's concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. The CD has accompaniments to support the student's playing of the exercises and songs found in the Level 1 book. Titles: Alouette * Alpine Melody * Amazing Grace * Au Claire de la Lune * Aunt Rhody * Auld Lang Syne * Aura Lee * The Bandleader * Beautiful Brown Eyes * Blow the Man Down! * Blues for Wynton Marsalis * Brother John * Caf Vienna * The Can-Can * Chasing the Blues Away * Chiapanecas * Cockles and Mussels * The Cuckoo * Day is Done * Dueling Harmonics * The Entertainer * A Friend Like You * Go Down, Moses * Good King Wenceslas * Good Morning to You! * Good People * Got Those Blues * Greensleeves * Happy Birthday to You! * Harmonica Rock * Harp Song * Here's a Happy Song! * He's Got the Whole World in His Hands * I'm Gonna Lay My Burden Down * Jericho * Jingle Bells * Joy to the World! * Kum-ba-yah! * Largo (Dvorak) * Lavender's Blue * Lightly Row * Little Brown Jug * Liza Jane * London Bridge * Lone Star Waltz * Love Somebody * Lullaby * The Marine's Hymn * Mary Ann * Merrily We Roll Along * Mexican Hat Dance * Michael, Row the Boat Ashore * Money Can't Buy Everything * My Fifth * Ode to Joy * On Top of Old Smoky * O Sole Mio * Raisins and Almonds * Rock Along * Rockets * Rockin' Intervals * Rock It Away! * Scarborough Fair * Shoo, Fly, Shoo! * Skip to My Lou! * Standing in the Need of Prayer * The Stranger * Tisket, a Tasket * Waltzing Chords * Waltz Time * What Can I Share * When the Saints Go Marching In * Why Am I Blue?
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INTERMEDIATE CLASSICAL ERA FAVORITES - PIANO
Piano solo
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Intermediate
Hal Leonard
La collection Classical Piano Sheet Music Series est une compilation des morceau...
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La collection Classical Piano Sheet Music Series est une compilation des morceaux de niveau intermediaire, avec une reliure a spirale facile a utiliser qui permet de poser la partition a plat et de tourner les pages en douceur. Decouvrez maintenant la version de l'ere baroque, classique et romantique arrangee pour les pianistes de niveau intermediaire.
Adagio For Glass Harmonica, K. 356 (617a)
Allegro, K. 545
Andantino In E Flat
Arietta
Contradance In G Major, K. 15e
Contredance In C Major, WoO 14, No. 1
Eccossaise In G Major, WoO 23
Funeral March For Maestro Counterpoint, K. 453a
German Dance In B-Flat Major, WoO 13, No. 2
German Dance In C Major, WoO 8, No. 7
German Dance In C Major, K. 605, No. 3
German Dance In G Major, WoO 8, No. 6
Minuet In G Major, WoO 10, No. 2
Minuet, K. 334
Piece For Clavier In F Major, K. 33B
Sonata In C Major, Hob. XVI: 1
Sonatina In C Major, Op. 55, No. 3
Sonatina In C Major, Op. 168, No. 3
Sonatina In C Major, Op. 36, No. 3
Sonatina In C Major, Op. 55, No. 1
Sonatina In C Major, Op. 36, No. 1
Sonatina In G Major, Op. 151, No. 1
Sonatina In G Major, Op. 20, No. 1
Sonatina In G Major, Anh. 5, No. 1
/ Partitions classique / Piano - instruments à clavier / Piano / HAL LEONARD
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Frederic Dautigny: Les Arpeges Au Piano: Piano: Instrumental Album
Français
Piano solo
[Sheet music + CD]
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Intermediate
Play Music Publishing
This informative book will help you to discover learn and play arpeggios on the...
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This informative book will help you to discover learn and play arpeggios on the Piano. Found in many styles of music (blues rock jazz classicalâ?¦) in improvisation and accompaniment and for both the left and right hand arpeggios are technically and harmonically essential for the pianist. Every very student should master them. This book presents the main arpeggios major minor major 7th minor 7th and 7th. For each of these you will learn how they are composed along with fingerings taught through three technical exercises and seven musical examples (accompaniment or solo). The included CD allows you to practice with backing tracks. For each musical example you canaccess five different recordings on the CD (MP3) so you can learn and play at your own tempo level and capacity. In total this set includes more than 5 hours of music. This informative book will help you to discover learn and play arpeggios on the Piano. Found in many styles of music (blues rock jazz classicalâ?¦) in improvisation and accompaniment and for both the left and right hand arpeggios are technically and harmonically essential for the pianist. Every very student should master them.This book presents the main arpeggios major minor major 7th minor 7th and 7th. For each of these you will learn how they are composed along with fingerings taught through three technical exercises and seven musical examples (accompaniment or solo).The included CD allows you to practice with backing tracks. For eachmusical example you can access five different recordings on the CD (MP3) so you can learn and play at your own tempo level and capacity. In total this set includes more than 5 hours of music.
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Arpeggios On The Piano: Piano: Instrumental Tutor
Piano solo
[Sheet music + CD]
Play Music Publishing
The objective of this coursebook is to guide you in practicing arpeggios on the ...
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The objective of this coursebook is to guide you in practicing arpeggios on the piano in a playful non tiresome manner. Arpeggios are everywhere â?? in every musical style (in Blues Jazz as well as in classical music) in accompanying as well as in improvising in the right-hand as well as in the left-hand part. To the pianist they are technically and harmonically indispensable. Therefore as a beginning pianist you have no choice there is no way around them! This coursebook gives you the opportunity to learn or revise all the most important arpeggios: the major arpeggio the minor arpeggio the major seventh arpeggio (maj7) the minor seventh arpeggio (m7) and thedominant seventh arpeggio (7). For each you are given its composition and fingerings as well as three technical exercises (to learn how to handle it) and seven musical applications (accompaniments and solos) which are to be played along to backing tracks. For every musical application you have five different recordings at your disposal which appear on the mp3 CD in the following order: the piano alone â?? first at actual playing speed then at a slower speed; the same piano part played along to its backing track; and finally the backing track alone â?? first at actual playing speed then at a slower speed too. You thus have the possibility to work at your own rhythm and pace in accordance with your level and ability. Taken all together the tutorial provides more than 5 h of musical practice. The objective of this coursebook is to guide you in practicing arpeggios on the piano in a playful non tiresome manner. Arpeggios are everywhere ? in every musical style (in Blues Jazz as well as in classical music) in accompanying as well as in improvising in the right-hand as well as in the left-hand part.To the pianist they are technically and harmonically indispensable. Therefore as a beginning pianist you have no choice there is no way around them! This coursebook gives you the opportunity to learn or revise all the most important arpeggios: the major arpeggio the minor arpeggio the major seventh arpeggio (maj7) the minor seventh arpeggio (m7) and thedominant seventh arpeggio (7). For each you are given its composition and fingerings as well as three technical exercises (to learn how to handle it) and seven musical applications (accompaniments and solos) which are to be played along to backing tracks.For every musical application you have five different recordings at your disposal which appear on the mp3 CD in the following order: the piano alone ? first at actual playing speed then at a slower speed; the same piano part played along to its backing track; and finally the backing track alone ? first at actual playing speed then at a slower speed too. You thus have the possibility to work at your own rhythm and pace in accordance with your level and ability. Taken all together the tutorial provides more than 5 h of musical prac
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Pesson, Gérard : Vexierbilder II
Français
Piano solo
[Sheet music]
Lemoine, Henry
Le premier cahier des Vexierbilder (1991) (Vexierbild se traduirait par attrape...
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Le premier cahier des Vexierbilder (1991) (Vexierbild se traduirait par attrape , rébus ) exploitait l'idée d'image trompeuse, de référent décalé, se concentrant autour d'un matériau délibérément appauvri. Dans ces trois nouvelles pièces, la musique cherche à se construire autour d'un geste, d'une figuration systématique, d'une forme coupant court à tout développement.
Dans une veine années de pèlerinage , Rome était la matière des images cryptées des trois premiers Vexierbilder. C'est l'art du poète américain Wallace Stevens qui est au centre de ceux-ci, et plus particulièrement son premier recueil Harmonium (paru en 1923), où il tente de trouver, avec des moyens resserrés, le caractère transcendant inhérent à la musique (Claire Malroux). En somme : remplacer le grand orgue de la poésie, devenu inadapté, par un instrument moins noble en apparence, dont le souffle et la portée naîtraient d'une activité têtue, concentrée mais presque dérisoire.
Pratiquant les rappels sacrés, parfois ironiques, Wallace Stevens (1879-1955), par un jeu de degrés étourdissant de raffinement, a porté au plus haut l'art de faire du neuf avec la mémoire.
Speech of clouds
Deux notes - une simple tierce do-la dans le médium - sont sollicitées par une navette de deux mains qui n'en seraient qu'une, sans chant ni harmonie, et sonnent comme un carillon brouillé. Dans la seconde partie de la pièce, après un court récitatif sorti de silence, ces trajectoires virtuoses, ces fusées d'artificier pour solo de concert , régressent, involuent vers une formule égrenée simplement par les cinq doigts, en ombre, ppppp possibile, comme une trame usée, ou un envers montrant la pauvreté de ses noeuds - et de ses ficelles - sur laquelle, au même endroit du clavier, vient se poser un contre-chant, comme si ces deux mains du médium n'appartenaient plus alors au même corps - invention rebrodée ton sur ton où une voix contrepointe l'autre par soustraction.
...An uncertain green,
Piano-polished, held the tranced machine
Of ocean, as a prelude holds of holds.
... Un vert incertain
D'un poli de piano, tenait la machine enchantée
De l'océan comme un prélude tient sans fin.
Negation
Pièce lente qui revient à cet arte povera cherché dans le premier recueil des Vexierbilder. L'objet harmonique est ici donné dans une grande nudité, comme une anti-figure dont le caractère obvi se retournerait en ambiguïté interrogative, et à partir duquel plusieurs ostinati se construisent, s'épuisent sans développement, écho au poème éponyme de Stevens : Hé ! Le Créateur aussi est aveugle / Qui cherche à bâtir son harmonieux ensemble, / Rejetant les parties intermédiaires, / Les horreurs, les faussetés et les maux, / Maître incapable de toute puissance, / Trop vague idéaliste, submergé / Par un souffle qui persiste.
Rondo
Une courte séquence construit la pièce en refrains, comme le titre l'indique, empruntant au contre-chant de la première pièce. Certaines strophes font entendre un précipité des ostinati de la seconde pièce, mais rejetés dans les extrêmes du clavier. Est-ce alors le grave qui vient orner, fouetter l'aigu à contre-emploi? Ces agrégats doivent sonner comme des sacs de grains lâchés par terre. C'est comme un tribut déposé au pied de la rhétorique, un geste d'embrassement qui voudrait naïvement fermer le ban du pianisme. D'autres strophes, plus fugitives, font entendre des sortes de chants d'oiseaux dont la mécanique se serait bloquée. Après un dernier retour du refrain, ourlé de résonances, la pièce se termine par une clausule dansante, livide, itérative, pendant aux Jeux d'os squelettiques qui achevaient les premiers Vexierbilder :
Mow the grass in tue cemetery, darkies,
Study the symbols and the requiescats,
But leave a bed beneath the myrtles.
The skeleton had a daughter and that, a son.
And that one was never a man of heart.
The making of his son was one more duty.
When the music of the boy fell like a foutain,
He praised Johann Sebastian, as he should.
Tondez l'herbe du cimetière, négros,
Examinez les symboles et les requiescats,
Mais laissez un lit sous les myrthes,
Ce squelette avait une fille, et cet autre, un fils.
Celui-là ne fut jamais un homme de coeur
Engendrer son fils ne fut qu'un devoir de plus.
Quand la musique de ce garçon retomba comme un jet d'eau,
Il loua Jean-Sébastien, comme il se devait. / Partition /
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Cyril Scott: A Complete Little Russian Suite: Piano: Instrumental Work
Piano solo
[Sheet music]
Novello & Co Ltd.
Cyril Scott was an English composer writer and poet. He was essentially a lat...
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Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Between 1903 and 1920 Scott wrote copiously for the Piano. Most of these pieces were harmonically adventurous for their time and easy to play; they circulated widely in manycountries of the world.A Little Russian Suite for Piano was composed during this period. This complete edition includes all three movements (Russian Air  Siberian Waltz Dance) which can either be played separately or together as a suite.Performance time of the whole suite is approximately 6 minutes.
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America The Beautiful - Star-Spangled Banner
Piano solo
Alfred Publishing
Here are America's two greatest, and most sung and performed, patriotic anthems....
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Here are America's two greatest, and most sung and performed, patriotic anthems. Both songs are included in their entirety as separate arrangements, and each selection is presented twice, once in a higher key and once in a lower key. America the Beautiful has versions in B-flat and in C Major. The Star Spangled Banner is presented in both A-flat and B-flat Major. All the verses are included, with a separate vocal line above the piano part, as well as chord letters above the melody line. Additionally there is excellent historical information for each song included. The piano arrangement is basic, yet full, harmonically, with octave reaches. These are perfect for inclusion in patriotic functions. / Piano
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John W. Schaum: Note Speller Book 2 (Revised): Piano: Instrumental Tutor
Piano solo
Alfred Publishing
Harmony lessons in two volumes. The lessons are in workbook form eliminating th...
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Harmony lessons in two volumes. The lessons are in workbook form eliminating the need for an extra pad of music paper. Space is provided for all written assignments in the book itself. There is a test at the end of each book to check on the retention of the subject matter. Also at the end of the book harmony as an accompaniment rather than as traditional four-part harmony has been employed. Finally transposition has been treated melodically and harmonically.
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Andy Laverne: Learn To Play Jazz Piano Standards: Piano: Instrumental Tutor
Piano solo
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Intermediate
Hal Leonard
A challenging and rewarding learning experience for all proficient Jazz pianists...
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A challenging and rewarding learning experience for all proficient Jazz pianists who want to broaden their vocabulary and improvise more creatively based around six stunning standards.Andy LaVerne illuminates the chord changes voicings embellishments and improvisational ideas that make the standards come to life. You'll begin by learning the basic changes before moving into more complex renditions demonstrated at half-speed so that you won't miss a note. Each song is harmonically dissected opening up huge potentials in reharmonisation and substitution as well as providing a solid guide for your own improvised melodies.
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Franz Liszt: Valse Oubliée No. 1: Piano: Instrumental Work
Piano solo
[Sheet music]
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Advanced
G. Henle
In summer 1881 Franz Liszt composed a work that he called ?Valse Oubliée? (Forg...
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In summer 1881 Franz Liszt composed a work that he called ?Valse Oubliée? (Forgotten waltz) in a letter to his publisher. The work is reminiscent of the appealing Piano waltzes that the composer usedto write when he was younger although there is a certain distance to the usual waltz style. Liszt by no means renounces virtuosity and elegance but rather infuses these characteristics with nostalgia and irony byembedding typical melodic and rhythmic elements of salon waltzes in innovative harmonically alienating progressions. In the years that followed he wrote three further ?Valses Oubliées? yet number 1 published here in a single edition has remained the best-loved of these ?Forgotten waltzes? by far.
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Gretchen Heller: The Pied Piper: Piano: Instrumental Album
Piano solo
[Sheet music]
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Intermediate
FJH
An intermediate duet for one piano four hands this exciting piece is played in...
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An intermediate duet for one piano four hands this exciting piece is played in the key of D minor using 6/8 and 2/4 time. The primo and secondo take turns with the melody and includes a surprise ending that’s harmonically in a somewhat blues-style.
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Mozart Au XXIe Siecle (GARLEJ DOMINIQUE / BRUNO)
Français
Piano solo
[Sheet music + CD]
Hit Diffusion
Par GARLEJ DOMINIQUE / BRUNO. Redécouvrez Mozart au détour de dix-neuf pièces...
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Par GARLEJ DOMINIQUE / BRUNO. Redécouvrez Mozart au détour de dix-neuf pièces - des plus célèbres comme 'La Marche Turque' aux moins connues (l''Adagio pour harmonicas de verres', par exemple), et ce au cours d'un voyage biographique et musical. Un regard d'aujourd'hui sur un compositeur et un répertoire majeurs. Livre CD Existe aussi dans le collection : Bach et Chopin (parution prévue pour septembre 2007) / Répertoire / Recueil / Piano
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Olivier Messiaen: Petites Esquisses d'Oiseaux: Piano: Instrumental Work
Piano solo
Leduc, Alphonse
Being a fascinatingly unique composer Olivier Messiaen pushed the conventions o...
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Being a fascinatingly unique composer Olivier Messiaen pushed the conventions of composing to its very limits. The composer's music remains ever-popular and his Petites Esquisses D'Oiseaux depict Messiaen's passion for ornithology. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11 where he won many prizes. As a passionate ornithologist as well as organist and composer many of Messiaen's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct often using modes of limitedtransposition. Small Sketches of Birds composed in 1985 comprises six movements; 1) The Robin 2) The Blackbirds 3) The Robin 4) The Song Thrush 5) The Robin and 6) The Field Lark. The composer's enthusiasm for ornithology and composing combined makes for a sensational unique addition to the Piano repertoire.
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Brian Elias: Variations: Piano: Instrumental Album
Piano solo
[Sheet music]
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Advanced
Chester
These variations are based on the concept of Beethoven's 32 variations in C Mino...
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These variations are based on the concept of Beethoven's 32 variations in C Minor. In Beethoven's work all the variations are eight bars long without any changes in tempi or time signature. Each variation is complete in itself but the variations are carefully grouped and juxtaposed to have a cummalitive effect. His individual variations are always very clearly connected with the original theme both melodically and harmonically. Rather than occupyinghimself solely with decoration of the original melody Beethoven's concern was with piano figuration and technique.In following the principles Beethoven created in this work Elias has attempted to concern himself with the samepreoccupations; by using clealy audible motifs that permit him to concentrate on writing for the instrument and by using short sharply defined phrases (always of eight bars) to build up a larger structure.
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Hans-Günter Heumann: Piano stars Vol.1: Piano
Français
Piano solo
[Sheet music]
Lemoine, Henry
TRADITIONNEL : Down by the Riverside - BACH : Prélude en fa majeur BWV 927 - BA...
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TRADITIONNEL : Down by the Riverside - BACH : Prélude en fa majeur BWV 927 - BAROUH / LAI : Un Homme et une femme - BEETHOVEN : Pathétique (thème de la Sonate n°8 Op.13) - BORODINE : Danse Polovtsienne - BREL : Ne me quitte pas - CABREL : Je l'aime à mourir - CARMEN : All by Myself - EBB / KANDER : New York New York - FRANCK : Les Plaintes d'une poupée - FREED / BROWN : Singin' in the Rain - GAINSBOURG : Elisa - GRIEG : La Chanson de Solveig - HAENDEL : L'Harmonieux forgeron - HANDY : St. Louis Blues - HEUMANN : Piano Dreams - Walking Blues Shoes - JARRE : Chanson de Lara (Docteur Jivago) - JENNINGS / HORNER : My heart will go on (Titanic) - LENNON : Imagine - MANCINI : The PinkPanther Theme (La Panthère Rose) - MASSENET : Aragonaise - MOZART : Cavatine de Figaro - PACHELBEL : Canon - PLANTE / AZNAVOUR : La Bohème - VIVALDI : Le Printemps
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Rudi Michler: Akkorde am Klavier - 1. Band: Piano: Instrumental Album
Piano solo
Play Music Publishing
Dieses Lehrbuch hegt den Anspruch Ihnen die Akkorde auf praktische Weise zu ver...
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Dieses Lehrbuch hegt den Anspruch Ihnen die Akkorde auf praktische Weise zu verdeutlichen. Dieser erste Band der den Hauptakkorden – den drei- und viertönigen Dur- Moll- und Sept- (maj7 7 m7 und dim7) Akkorden – gewidmet ist birgt zahlreiche pädagogisch wertvolle und dennoch melodische Beispiele die Sie geradewegs durch die Harmonik die Akkordschemata das Begleiten und das Komponieren führen. Mit dem Einüben der hier vorgeschlagenen Beispiele wird Ihnen die Möglichkeit geboten sich der Harmonik allmählich zu nähern und Schritt für Schritt die elastisch-flexible Welt der Akkorde zu erkunden. Auf diese Weise werden Siedas Thema auf sehr viel einfühlsamere Weise angehen und rausfinden können wie sich aus einzelnen Bestandteilen ein gelungenes geheimnisum-wobenes Musikstück zusammenfügen lässt. Auf dem beiliegenden Datenträger (den mp3-Audios und mp4-Videos) finden Sie Video-Demos von allen am Klavier gespielten Beispielen; Sie finden aber auch zahlreiche Audio-Aufnahmen die Ihnen ermöglichen sich zu den eigens dafür vorgesehenen Playalongs prima auszutoben.
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TIM RICHARDS - BEGINNING JAZZ PIANO VOL.2
Piano solo
[Sheet music + Audio access]
Schott
Beginning Jazz Piano s'adresse aux joueurs ayant peu de connaissances préalable...
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Beginning Jazz Piano s'adresse aux joueurs ayant peu de connaissances préalables et qui aiment explorer la musique liée au jazz. Avec de nombreux morceaux harmonieux - ses propres compositions, des mélodies du jazz classique et de nouvelles mélodies de chansons de jazz connues - Tim Richards initie les joueurs au blues, au funk et à la musique latine, en expliquant les techniques les plus importantes pour la main droite et la main gauche. L'éducateur expérimenté et auteur des méthodes Blues Piano et Jazz Piano, acclamés par la critique, suit également les exigences du catalogue d'examens de l'ABRSM, entre autres, ce qui fait de cette méthode une ressource indispensable pour étudier et pratiquer. Le volume 1 (ED 23374) explique de manière simple comment jouer spontanément et librement au-dessus des harmonies. En commençant par des accords parfaits à la main gauche, des gammes pentatiques et des arpèges ainsi que la gamme de blues sont expliqués ici et essayée avec des pièces concrètes. Truffé de rythmes typiques et de grooves de basse allant du swing au latin, le volume 2 (ED 23379) aiguise ensuite l'appétit pour le piano comme instrument d'accompagnement et montre également comment arranger une mélodie dans un contexte de jazz. Les deux volumes sont de même niveau de difficulté et peuvent être utilisés consécutivement ou en parallèle. Les fichiers audio comprennent des versions complètes et des pistes play-along, avec Tim Richards au piano, une ligne de basse supplémentaire et une batterie. La fonction interactive Replay est particulièrement recommandée, non seulement pour les autodidactes : En coopération avec MusicGurus , fournisseur de cours en ligne de haute qualité, des partitions interactives de tous les morceaux sont accessibles en ligne gratuitement, ce qui facilite la pratique et garantit un succès rapide d'apprentissage. / Méthodes et pédagogie / Piano et instrument à clavier / Piano / SCHOTT
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Beginning Jazz Piano (RICHARDS TIM)
Piano solo
[Sheet music + Audio access]
Schott
An introduction to swing, blues, latin and funk Part 1: Everything You Need To G...
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An introduction to swing, blues, latin and funk Part 1: Everything You Need To Get Started. Par RICHARDS TIM. Beginning Jazz Piano s'adresse aux joueurs ayant peu de connaissances préalables et qui aiment explorer la musique liée au jazz. Avec de nombreux morceaux harmonieux - ses propres compositions, des mélodies du jazz classique et de nouvelles mélodies de chansons de jazz connues - Tim Richards initie les joueurs au blues, au funk et à la musique latine, en expliquant les techniques les plus importantes pour la main droite et la main gauche. L'éducateur expérimenté et auteur des méthodes Blues Piano et Jazz Piano, acclamés par la critique, suit également les exigences du catalogue d'examens de l'ABRSM, entre autres, ce qui fait de cette méthode une ressource indispensable pour étudier et pratiquer. Le volume 1 (ED 23374) explique de manière simple comment jouer spontanément et librement au-dessus des harmonies. En commençant par des accords parfaits à la main gauche, des gammes pentatiques et des arpèges ainsi que la gamme de blues sont expliqués ici et essayée avec des pièces concrètes. Truffé de rythmes typiques et de grooves de basse allant du swing au latin, le volume 2 (ED 23379) aiguise ensuite l'appétit pour le piano comme instrument d'accompagnement et montre également comment arranger une mélodie dans un contexte de jazz. Les deux volumes sont de même niveau de difficulté et peuvent être utilisés consécutivement ou en parallèle. Les fichiers audio comprennent des versions complètes et des pistes play-along, avec Tim Richards au piano, une ligne de basse supplémentaire et une batterie. La fonction interactive 'Replay' est particulièrement recommandée, non seulement pour les autodidactes : En coopération avec 'MusicGurus', fournisseur de cours en ligne de haute qualité, des partitions interactives de tous les morceaux sont accessibles en ligne gratuitement, ce qui facilite la pratique et garantit un succès rapide d'apprentissage. / Niveau : facile à moyen / Méthode / Piano
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Johnson Janet - Spanish / English Piano Method Level 1 - Keyboard
Piano solo
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Beginner
Mel Bay
Media Type : Book Level : Beginning Musical Genre : All Styles Number of pages :...
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Media Type : Book Level : Beginning Musical Genre : All Styles Number of pages : 48 Piano students of Latin American heritage often do not relate to the folk tunes that most methods use because the majority of those melodies do not flow with the rhythm of the Spanish language. This method is based on melodies original to the Mexican culture. These children's songs flow more naturally with the language, and in accord with the Kodály method of music education, give a better foundation for teaching basic musical elements in a Spanish language culture. Coupled with constant work on sight-reading, this new method is a valuable tool for native Spanish speakers in learning to play the piano, and will serve as a helpful and interesting supplement to English speaking students. Muchas veces los alumnos de piano de herencia latina no se identifican con la música folklórica utilizado en los métodos de piano porque la mayorÃa de las melodÃas no fluyen con el ritmo del español. Este método está basado en melodÃas originales de la cultura mexicana. Estos cantos de niños fluyen con más naturalidad con el idioma, y de acuerdo al método Kodály de la educación musical, dan un mejor fundamento para la enseñanza de elementos musicales básicos en una cultura de habla hispana. Junto con un trabajo constante de la lectura a primera vista, este nuevo método es un instrumento valioso para que aquellos cuya lengua materna es el español aprendan a tocar el piano con más facilidad, y servirá como un suplemento benéfico e interesante a los estudiantes de habla inglesa.
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Janet Johnson: Spanish/English Piano Method Level 1: Piano: Instrumental Tutor
Piano solo
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Beginner
Mel Bay
Piano students of Latin American heritage often do not relate to the folk tunes ...
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Piano students of Latin American heritage often do not relate to the folk tunes that most methods use because the majority of those melodies do not flow with the rhythm of the Spanish language. This method is based on melodiesoriginal to the Mexican culture. These children's songs flow more naturally with the language and in accord with the Kodály method of music education give a better foundation for teaching basic musical elements in aSpanish language culture. Coupled with constant work on sight-reading this new method is a valuable tool for native Spanish speakers in learning to play the piano and will serve as a helpful and interesting supplement to Englishspeaking students. Muchas veces los alumnos de piano de herencia latina no se identifican con la música folklórica utilizado en los métodos de piano porque la mayorÃa de las melodÃas no fluyencon el ritmo del español. Este método está basado en melodÃas originales de la cultura mexicana. Estos cantos de niños fluyen con más naturalidad con el idioma y de acuerdo almétodo Kodály de la educación musical dan un mejor fundamento para la enseñanza de elementos musicales básicos en una cultura de habla hispana. Junto con un trabajo constante de la lectura aprimera vista este nuevo método es un instrumento valioso para que aquellos cuya lengua materna es el español aprendan a tocar el piano con más facilidad y servirá como un suplemento benéfico einteresante a los estudiantes de habla inglesa.
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Gillespie Luke - Voicings For Jazz Keyboard - Clavier
Piano solo
Jamey Aebersold Jazz
Covers all styles of comping, from basic amd fundamental approaches to modern! A...
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Covers all styles of comping, from basic amd fundamental approaches to modern! A complete collection of II/V7/I voicings for jazz keyboard, starting with simple diatonic voicings and progressing into more harmonically rich and diverse voicings with intricate passing tones and complex harmonies. No longer will you be stuck using the same kinds of voicings over and over, even in different styles. Now you can have a variety of II/V7/I voisings available at your fingertips for every musical situation. Langue : en anglais
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