SKU: HL.1115739

ISBN 9781705180006. UPC: 196288105909.

The new collection, by Borislava Taneva, totalling 50 works for solo piano, cover a great range of piano playing techniques and introduces the pianist to a variety of ideas and educational goals. Coming in 2 volumes.

SKU: HL.360513

ISBN 9781789361681. UPC: 840126990881. 9.0x12.0x0.191 inches.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. For Rockschool's piano series, Rockschool has commissioned arrangements of titles reflecting popular music's rich heritage in all its forms. Each piece has been tailored to fit the relevant grade level and support progression while learning your instrument. The music has been arranged and performed by top session musicians and was recorded at Abbey Road Studios. Songs include: Don't Know Why (Norah Jones) • Paradise (Coldplay) • Skyfall (Adele) • Somewhere Only We Know (Keane) • Unfaithful (Rihanna) • A Whole New World (from Aladdin). Plus: • Band and artist fact files with recommended listening • In-depth walkthroughs of every track • Easy-access downloadable audio of backing tracks and full recordings of all performance pieces • Example tests and exercises.

SKU: HL.360514

ISBN 9781789361698. UPC: 840126990829. 9.0x12.0x0.269 inches.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. For Rockschool's piano series, Rockschool has commissioned arrangements of titles reflecting popular music's rich heritage in all its forms. Each piece has been tailored to fit the relevant grade level and support progression while learning your instrument. The music has been arranged and performed by top session musicians and was recorded at Abbey Road Studios. Songs include: All of Me (John Legend) • Goodbye Yellow Brick Road (Elton John) • I See Fire (Ed Sheeran) • Let It Go (from Frozen)• Livin' on a Prayer (Bon Jovi) • Respect (Aretha Franklin). Plus: • Band and artist fact files with recommended listening • In-depth walkthroughs of every track • Easy-access downloadable audio of backing tracks and full recordings of all performance pieces • Example tests and exercises.

SKU: HL.360511

ISBN 9781789361667. UPC: 840126990508. 9.0x12.0x0.182 inches.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. For Rockschool's piano series, Rockschool has commissioned arrangements of titles reflecting popular music's rich heritage in all its forms. Each piece has been tailored to fit the relevant grade level and support progression while learning your instrument. The music has been arranged and performed by top session musicians and was recorded at Abbey Road Studios. Songs include: Can You Feel the Love Tonight (from The Lion King) • Hallelujah (Jeff Buckley) • I'm Not the Only One (Sam Smith) • Let It Be (The Beatles) • Tattooed Heart (Ariana Grande) • Wildest Dreams (Taylor Swift). Plus: • Band and artist fact files with recommended listening • In-depth walkthroughs of every track • Easy-access downloadable audio of backing tracks and full recordings of all performance pieces • Example tests and exercises.

SKU: B7.B495

8.5x11 inches.

La Sonata modello The Template Sonata for solo piano by Howard J. Buss is dedicated to pianist James Helton. The music traverses a wide rage of moods and sonic atmospheres. The composer designed a template of meter changes derived from the numerical series in mathematics codified by the medieval Italian mathematician, Leonardo Fibonacci. In this adaptation of the Fibonacci sequence each number represents a quarter note and is expressed in the succession of meters 4/4, 3/4, 5/4, 4/4, 4/4, 5/4, 3/4, 5/4, 4/4, 4/4, 4/4, 4/4, and 5/4. This series of measures is repeated throughout the work. While each 13-bar segment implies that the music fits into a particular metrical scheme, the composer exerts independence in a variety of ways, such as with phrasing that sometimes ignores the underlying structure. Buss states: This metrical template was at times useful, but often seemed arbitrary and counter to the thrust and development of the musical material. My challenge was to find a way to work with the template while using its rigidity to spark creative solutions. Although the music evolves within the template, my ultimate goal was that the listener be unaware of the structural underpinnings and simply enjoy the beauty of the music..