The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano

Arrangeur: Wilhelm Ohmen. Par CHOPIN FREDERIC. Drawn from the 21 Nocturnes composed by Chopin, this selection represents the better-known and more accessible pieces. With fingerings, tempo suggestions and articulation tips from the editor, this collection is ideal for teaching and for enjoying at home. / Niveau : 3-5 / Recueil / Piano

The Faber Music Piano Anthology is a beautiful collection of core repertoire from the great composers, presented in progressive order. This luxury hardback edition features high-quality premium paper, page finder ribbon and 'The Concerto' linocut cover image by Cyril Edward Power. Selected by pianist and teacher Melanie Spanswick, this anthology is ideal for pianists of every level./ Recueil / Piano

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed to increase the composer’s popularity and boost his finances. Besides concerts and meetings promoting Dobrzynski’s music, the ‘marketing campaign’ also included the publication of his new salon miniatures in particular cities. This Nocturne appeared in print in Berlin as Op. 52, together with a short mazurka constituting a transcription of the earlier song ‘Gdzie lubi’ (‘A fickle maid’). The form of this piece is based on an A-B-A1 scheme typical of the genre, with a quite elaborate epilogue. In section A, the composer based the melody on a one-bar motif in mazurka rhythm, which he combined with a bass led in widely spread chords, often used in nocturnes. He thus obtained a specifically idyllic mood. The sonorities, the type of melody and texture and, above all, the ornaments that appear as the work progresses bring to mind the early work of Fryderyk Chopin. The chordal section B, of lively expression, in the key of F sharp minor and a uniform triple rhythm, triggers associations with the middle section of Chopin’s Nocturne in A flat major, Op. 32 No. 2. After a short bridge, the reprise comprises a reiteration of the opening part of section A, which then passes into the epilogue, in which the composer splices motifs from both contrasting sections. It is difficult to date the second Nocturne published here and to establish the circumstances surrounding its composition. It was published posthumously (in 1868, in Warsaw), in the Album Pamiatkowe IG.F. Dobrzynskiego (‘Souvenir album of I. F. Dobrzynski’), which also contained two mazurkas, two songs and an excerpt from his incidental music for the play Konrad Wallenrod arranged for four hands. These compositions were not previously published and probably come from private collections. The Nocturne carries a dedication to Miss Wanda Miecznikowska. Determining the principal key of this work is rather problematic, since it falls into two tonally and expressively contrasting sections, divided by a lengthy caesura. An agitated, emotional episode in F minor (in A-B-A1 form, section B in A flat major), ending with a distinct conclusion, is followed, rather unexpectedly, by completely new material in the key of F major; adhering to a slower tempo and of very restrained expression, it serves as a sort of post scriptum, a lengthy and calming musical commentary to the foregoing segment. One may even gain the impression that this Nocturne is essentially a diptych consisting of two separate ‘songs without words’. Judging by its style, which is close to the lyric writing of Franz Schubert, Felix Mendelssohn-Bartholdy or John Field, with elements of the style brillant, this work could have been written earlier than the Nocturne in A major. One may also discern here a certain melodic-rhythmic similarity to the above-mentioned Nocturne in A flat major by Chopin. Both these Dobrzynski mazurkas could make interesting additions to the repertoire of both professional pianists and more advanced amateurs interested in nineteenth-century salon music. They may also enrich the programmes of concerts and broadcasts, particularly those devoted to Polish music, and also be included on the curricula of secondary schools of music. The present edition was based on the first editions. The proposed fingering in both works and the pedalling in the Nocturne in A major are entirely the work of the editors; other editorial performance markings are given in brackets. / Répertoire / Piano

Recueil Piano. Par POULENC FRANCIS. Nocturnes is a set of 8 pieces for piano by Francis Poulenc. Composed between 1929 and 1938 for intermediate players, this set was composed as a cycle and represents night scenes of different events. They can be differentiated from most of the other nocturnes as they are not romantic tone-poems. Nocturnes 's eight pieces are: - 1st Nocturne (C Major) - 2nd Nocturne & Young girl's ball / Bal de jeunes filles (A Major) - 3rd Nocturne & Maines' bells / Les Cloches de Maines (F Major) - 4th Nocturne & Ghost's Ball / Bal fantome (C minor) - 5th Nocturne& Moths / Phalenes (B minor) - 6th Nocturne (G major) - 7th Nocturne (Cb major) - 8th Nocturne (For Coda) Francis Poulenc is French compositor and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some Orchestra works. / Répertoire d'Examen / Répertoire / Piano

The 20 nocturnes reproduced here include Opp. 9, 15, 27, 32, 37, 48, 55, 62, 72, and the posthumous Nocturne in C-sharp Minor. The 11 polonaises include Opp. 26, 40, 44, 53, 61,71, and the posthumous Polonaise in G-sharp Minor. Reprinted from an authoritative early edition. Mikuli Contenu : Nocturne in B-flat Minor, Op. 9, No. 1 Nocturne in E-flat Major, Op. 9, No. 2 Nocturne in B Major, Op. 9, No. 3 Nocturne in F Major, Op. 15, No. 1 Nocturne in F-sharp Major, Op. 15, No. 2 Nocturne in G minor, Op. 15, No. 3 Nocturne in C-sharp Minor, Op. 27, No. 1 Nocturne in D-flat Major, Op. 27, No. 2 Nocturne in B Major, Op. 32, No. 1 Nocturne in A-flat Major, Op. 32, No. 2 Nocturne in G Minor, Op. 37, No. 1 Nocturne in G Major, Op.37, No. 2 Nocturne in C Minor, Op. 48, No. 1 Nocturne in F-sharp Minor, Op. 48, No.2 Nocturne in F Minor, Op. 55, No. 1 Nocturne in E-flat Major, Op. 55, No. 2 Nocturne in B Major, Op. 62, No. 1 Nocturne in E Major, Op. 62, No. 2 Nocturne in E Minor, Op. 72, No. 1 Nocturne in C-sharp Minor, Op. posthumous The Eleven Polonaises Polonaise in C-sharp Minor, Op. 26, No. 1 Polonaise in E-flat Minor, Op. 26, No. 2 Polonaise in A Major, Op. 40, No. 1 (Militaire) Polonaise in C Minor, Op. 40, No. 2 Polonaise in F-sharp Minor, Op. 44 Polonaise in A-flat Major, Op. 53 (Heroic) Polonaise-Fantaisie in A-flat Major, Op. 61 Polonaise in D Minor, Op. 71, No. 1 Polonaise in B-flat Major, Op. 71, No. 2 Polonaise in F Minor, Op 71, No. 3 Polonaise in G-sharp Minor, Op. posthumous

Par FIELD JOHN. Nocturne No. 5 includes the printed score, a written masterclass from international concert pianist Daniel Grimwood, in which he considers how to approach this classic from the Irish composer who invented the nocturne, a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music, covering much of the essential repertoire from Bach through Mozart, Schubert, Mendelssohn, Chopin and Debussy,right up to John Cage.Each volume focuses on one piece, with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor, Roy Howat, Daniel Grimwood, Clare Hammond and Adam Tendler./ Répertoire / Piano

Great Piano Solos: The Orange Book is a diverse collection of pop hits, well-known show-tunes, jazz and blues classics, film themes, great standards and classical pieces arranged for soloPiano.
Thisbumper collection offers an eclectic selection of 44 pieces and great standards for the intermediate level pianist.
This songbook includes fabulous pieces such as Every Breath You Take, Somewhere OnlyWe Know, StraightNo Chaser and Skyfall all presented clearly for Piano solo.
1. A Man And A Woman (Un Homme Et Une Femme) (From Un Homme Et Une Femme )
2. All Blues
3. Après Un Rêve (Fauré)
4. Ave Verum Corpus, K618 (Mozart)
5. Best Song Ever
6. Blue Moon
7. Bolero (Ravel)
8. Can't Take Me Eyes Off You (From Jersey Boys )
9. Cantaloupe Island
10. Chinatown (From Chinatown )
11. Circle Of Life (From The Lion King )
12. Clocks
13. Every Breath You Take
14. Fireflies
15. Good Morning (From Singin' In The Rain )
16. Halo
17. Hero
18. How D'Ya Like Your Eggs In The Morning?
19. Hushabye Mountain (From Chitty Chitty Bang Bang )
20. I Believe It To My Soul
21. Li'L Darlin'
22. Love story
23. March From The Nutcracker (Tchaikovsky)
24. My Cherie Amour
25. Nocturne From String Quartet No.2 (Borodin)
26. One Day More (From Les Misérables )
27. Price Tag
28. Ratatouille (Main Theme) (From Ratatouille )
29. Right Place, Right Time
30. Run
31. Sarabande In D Minor (Handel)
32. Skyfall (From Skyfall )
33. Somewhere only we know
34. Spring (3Rd Movement) (From The Four Seasons ) (Vivaldi)
35. Straight No Chaser
36. Thank God For The Rain/Betsy's Theme (From Taxi Driver' )
37. The Great Escape (Main Title) (From The Great Escape )
38. The Pink Panther Theme (From The Pink Panther )
39. The Sidewinder
40. The Trolley Song (From Meet Me In St Louis )
41. To The Evening Star (From Tannhäuser ) (Wagner)
42. Troika (From Lieutenant Kijé Suite ) (Prokofiev)
43. Voulez-Vous (From Mamma Mia! )
/ Partitions variété - pop - rock / Variété internationale / Piano / MUSIC SALES

for Piano Solo. Par . What would composer such as Bach, Beethoven, Chopin, Debussy, or Rachmaninoff have done if they had arranged ?Dust in the Wind? for solo piano? Would Bach have penned a prelude or minuet? Would Chopin have crafted a nocturne or mazurka? What about Mozart, Tchaikovsky, or Bartok? Here are 16 songs arranged for solo piano, arranged as if they were covered by these composer giants. The focus is on classic accompaniment styles, devices, figurations and forms, the compositional hallmarks of centuries of great music. Includes: Ain't No Sunshine ? Blackbird ? Don't Stop Believin' ? Dust in the Wind ? God Only Knows ? Kiss from a Rose ? Time in a Bottle ? What's Love Got to Do with It ? You Can't Hurry Love ? and more. / Date parution : 2021-11-03/ Recueil / Piano

60 Works From Bach To Debussy. Unique and comprehensive, this fantastic collection features a tremendous variety of slow movements for keyboard players. Highlights of these evocative selections come from masterpieces including sonatas of Haydn and Mozart, Chopin preludes and classics such as the opening movement of Beethoven's 'Moonlight' Sonata, Bach's Sinfonia in F Minor and Debussy's Clair De Lune./ Recueil / Piano

Single Edition From Hn 404. Par DEBUSSY CLAUDE. This piece is straightforward in its construction but highly advanced in its harmonies, and links up with the widely popular, 19th-century tradition of the ' night piece” or ' nocturne” for piano. Its themes and modulations are highly reminiscent of Gabriel Fauré, but in its chromatic voice-leading and unusual treatment of metre - such as in the 7/4 central section - Debussy makes a statement all of his own. Nothing is known about the history of its composition. Debussy' s 1892 contract with his publisher states merely that the composer had originally called it ' Interlude”, but then decided upon the far more suitable title of ' Nocturne”. One of Debussy' s most popular early piano works, it is now available in a Henle Urtext edition./ Répertoire / Piano

This volume contains 18 transcriptions from one of the world's greatest and most revered jazz pianists, Oscar Peterson.Piano Artist Transcriptions: The Very Best Of Oscar Peterson includes the pieces: A Child Is Born, The Continental, The Girl from Ipanema, Gravy Waltz, I'm Old Fashioned, It Ain't Necessarily So, Little Girl Blue, Love Is Here to Stay, Moanin', My One and Only Love, Noreen's Nocturne, On the Trail, Over the Rainbow, Place St. Henri, Rockin' Chair, 'Round Midnight, Stella by Starlight and Sweet Georgia Brown. / Piano

Compilation. The Piano Treasury of Easy Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's favourite inventions, preludes, fugues, minuets, sonata movements, nocturnes, waltzes, mazurkas, intermezzos, romantic short pieces, impressionistic works, and light classics, as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Niveau : Elémentaire / Rép Classique / Recueil / Piano

A sumptuous selection of the very best Keyboard music of the early Romantic era by composers ranging from Schubert to Chopin and beyond, all presented in one superb volume for the solo Piano.<br>The music of the Romantic era is characterised by progressive innovations in both tonal and formal expression, both in the compositions of the salons and concert halls, and of the church. The works of Chopin, Liszt and Schubert have become absolutely essential repertoire for any serious Piano student, forever pushing the boundaries of diatonic harmony, timing and texture into evermore complex worlds of emotion.<br>Every piece in this anthology is rich in heritage, and familiar to the ears of music lovers the world over. Take this opportunity to transform your repertoire - the music has been expertly adapted to appeal to the intermediate soloist whilst retaining all the beauty and character of the original works. There's simply no better way to discover the music of the masters. / Classique / Partition /