Piano - Level 2

SKU: LM.23846

Composed by Henriette Puig-Roget. Method, studies. Score. Editions Henry Lemoine #23846. Published by Editions Henry Lemoine (LM.23846).

ISBN 9790230938464.

A...comme Apprendre - B...comme Berger - C...comme Carillon - D...comme Danser - E...comme Ecouter - F...comme Frere et soeur - G...comme Galoper - H...comme Horizons - I...comme Imiter - J...comme Jardiner - K...comme Kilometres - L...comme Loisirs - M...comme Marionnettes - N... comme Naviguer - O...comme Obstine - P...comme Prier - Q...comme Quatre par quatre - R... comme Rever - S...Saute-mouton - T...comme Trois et deux font cinq - U...comme Uniforme - V...comme Valser - W...comme Western - X...comme Xylophone - Y...comme Y es-tu, loup ? - Z...comme Zig-Zag.

Edition with Fingering. Composed by Frederic Chopin (1810-1849). Edited by Ewald Zimmermann. Henle Music Folios. Classical. Softcover. 4 pages. G. Henle #HN1315. Published by G. Henle (HL.51481315).

Piano

SKU: BO.B.0873

Composed by Enrique Morera. Various. Folkloric Music. Published by Editorial de Musica Boileau (BO.B.0873).

Piano Solo - Medium

SKU: BU.EBR-A050

Composed by Camille Saint-Saens. Arranged by Jean-Francois Pailler. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A050. Published by Editions Bourges (BU.EBR-A050).

ISBN 9790560151182. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



Le Cygne de Saint-Saëns est un célèbre duo pour piano et violoncelle. Il fait partie d'une suite musicale pour orchestre et piano intitulée Carnaval des Animaux, grande fantaisie zoologique. Cette oeuvre est composée de quatorze mouvements écrits lors d'un voyage en Autriche en février 1886. Saint-Saëns, de son vivant, ne souhaite pas que l'oeuvre soit portée à la connaissance du public, à l'exception du Cygne. Cette pièce est illustrée par la ballerine Anna Pavlowa. Son interprétation du cygne popularise la pièce sous le nom de « la mort du cygne ». Saint-Saëns dépeint dans le Carnaval des animaux des portraits d'animaux, l'éléphant, le coucou, les kangourous et les pianistes eux-mêmes font parties de ce défilé zoologique. Ce sont des parodies musicales où l'auteur raille les compositeurs et les interprètes. Il les décrit avec un humour mordant, parfois justifié.
Selon une révélation du compositeur, le Cygne est une « noble bêtise ». Cette pièce arrangée pour un seul piano présente une mélodie chantante, langoureuse et pathétique basée sur une vaporeuse harmonie. Arabesques d'une mouvante volupté traduisent les flots tranquilles où nage gracieusement un cygne qui s'éveille jusqu'à son assoupissement.

Piano

SKU: BT.ESZ-01494800

Composed by Sandor Veress. Score Only. Edizioni Suvini Zerboni #ESZ 01494800. Published by Edizioni Suvini Zerboni (BT.ESZ-01494800).

With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art” music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants.

Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta” occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.

Piano

SKU: HL.49006913

Band IV: Hohere Elementarstufe B. Composed by Otto Thumers. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 42 pages. Schott Music #ED 704. Published by Schott Music (HL.49006913).

ISBN 9790001031837. UPC: 841886029279.

Piano - intermediate to advanced

SKU: HL.49046022

Composed by Alexis Weissenberg. Edited by Lev Vinocour. This edition: Saddle stitching. Sheet music. Piano Solo. Classical. Softcover. 104 pages. Schott Music #ED22923. Published by Schott Music (HL.49046022).

ISBN 9790001167970. UPC: 841886033832. 9x12 inches.

This book presents pianists and ambitious amateur musicians with unfamiliar, surprisingly flamboyant and often witty compositions. These piano works are by one of the greatest pianists of the twentieth Century, one of the most recent all-roundmusical grand masters: Alexis Weissenberg, who was born in Sofia on 26 July 1929 and died in Lugano on 8 January 2012.

This first edition includes all Weissenberg's surviving completed piano works, apart from those written for two pianos and for pianoduet, stage works and the Romance for piano and violin. Fingerings and pedal markings by Alexis Weissenberg are printed in italics (fingerings and allocation of notes between hands, too) or in large type (pedal markings); recommendations added by the editor are shown in roman font (fingerings and allocation of notes between hands) or in smaller type (pedal markings).

Solo Piano

SKU: AP.36-50760013

Composed by Amy Marcy Beach. Solo. Master Piano Series. Book. LudwigMasters Publications #36-50760013. Published by LudwigMasters Publications (AP.36-50760013).

ISBN 9781633611801. UPC: 660355131431. English.

Amy Beach (1867-1944) wrote Les Rêves de Colombine (Columbine's Dreams), a Suite Française for piano, in 1907 and premiered them herself at a recital on April 17, 1907, at Boston's Hotel Tuileries. Movements: 1. La Fée de la Fontaine (The Fairy In The Fountain), 2. Le Prince Gracieux (The Gracious Prince), 3. Valse Amoureuse (Waltz of Love), 4. Sous les Étoiles (Under The Stars), and 5. Danse d'Arlequin (Harlequin's Dance).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.