SKU: CA.3104212
ISBN 9790007205850. Language: German/English.
Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.
SKU: CA.3104209
ISBN 9790007205836. Language: German/English.
Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200.
SKU: CA.3104214
ISBN 9790007205874. Language: German/English.
SKU: CA.3104213
ISBN 9790007205867. Language: German/English.
SKU: CA.3104219
ISBN 9790007140175. Language: German/English.
SKU: CA.3104211
ISBN 9790007205843. Language: German/English.
SKU: CA.3104207
ISBN 9790007142711. Text language: German/English.
Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score available separately - see item CA.3104200.
SKU: CA.3104200
ISBN 9790007134617. Language: German/English.
Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement.
SKU: BA.BA05448
ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de.
In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre actsâ€, which comes very close to the spirit of Goethe's presentation.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.4066050
ISBN 9790007294533. Key: E flat major. Latin.
Schubertâ??s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Vocal scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.
SKU: BA.BA05566
ISBN 9790006497331. 33 x 25.5 cm inches. Language: German. Preface: Mario Aschauer. Text: Johann Mayrhofer.
SKU: BA.BA06844
ISBN 9790006483266. 34.3 x 27 cm inches. Text Language: Czech, German, English. Translation: Kurt Honolka / Bernard Keeffe. Text: Martin (Pseudonym fur Maximilian Kunert) Kurt.
Kantate fur Mannerchor und Orchester (tschechisch/deutsch/englisch) mit Supplement: Erste Fassung 1911, (tschechisch).
SKU: TM.03666SC
Transposed: Hn 3&4, Tbn 1&2. Orig. Cl 1&2 in Bb, Hn 1&2 in F, Tpt 1&2 in Bb. Newly typeset score - August 2008. Includes recit: C'est toi, toi qu'enfin je revois. Voice in score only.
SKU: TM.03666SET
SKU: TM.03349SET
Includes Ecco l'orrido campo. Recitative and Aria. Score pages 236-251. See #14058 for Prelude to Act II. Key of F.
SKU: TM.03349SC
SKU: TM.06655SET
Transposed: Hn 1-4, Tpt 1&2, Tbn 1&2. Cl originally in Bb.
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