Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo

Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Kraus, Eberhard (Arr. ) - KV 34/ Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo

Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Since the autograph of the offertory 'Scande coeli limina' KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altötting were a significant contribution to the preservation of this work. Robert Münster discovered the parts, the new source upon which the present critical edition is based./ Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo

Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Kraus, Eberhard (Arr. ) - KV 34/ Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo

Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Since the autograph of the offertory 'Scande coeli limina' KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altötting were a significant contribution to the preservation of this work. Robert Münster discovered the parts, the new source upon which the present critical edition is based./ Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo