SKU: FJ.ST6285S

English.

Take your ensemble to the next musical level with this inspirational work based on a powerful quote by Russian-American novelist Ayn Rand. Scored for strings and piano, the long, lyrical lines remind us that we should never give up our dreams - they do exist, and they are possible. An emotional and stunning masterpiece.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

SKU: FJ.ST6503

UPC: 241444414672. English.

Feature every section of your orchestra in this swashbuckling piece! Three distinct pirate themes are given to the violins, violas, and cellos/basses to allow all players a chance to shine. All seafaring melodies stay in first position with minimal low-two finger patterns and lots of doubling for a big, full sound. Each section takes an adventurous turn into new tonalities before joining forces at the end for a triumphant finale!

About FJH Beginning Strings

Appropriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5

SKU: CF.FAS38

ISBN 9780825861130. UPC: 798408061135. 8.5 X 11 inches. Key: D major.

One of the most beloved of all Christmas carols is presented in an easy, yet beautiful arrangement by Roy Phillippe. Every sections is given a chance to play the melody in the very playable setting. The optional piano part adds interest and colorful lines to this already very special piece.
I am of the opinion that a piece of music is not judged by how difficult it is to play, but by how good it sounds. While my arrangement of Silent Night is written for beginning string players, I have tried to keep it interesting for all players. It should be played warmly with expression to create a full sound.The piece begins with an introduction based on the three-note Silent Night motive. The main melody is introduced in m. 5 by the first Violins, and is harmonized by the second Violins and Violas. The Cellos reiterate the motive in mm. 6,8,10 and 11. Beginning at m.12 the motive alternates between the Violin II and the Cellos. The melody is played tutti until the key change at m.29, at which point when the Cellos and Basses take the melody with light accompaniment in the Violins and Violas. The final statement of the melody is played by the first violins beginning in m. 37. The Silent Night motive from the beginning alternates between Violin II and the Cellos to the end.