SKU: CY.CC2890
David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length:1. Swift 2. Longing3. Exit MusicSwift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax.Both the solo and accompaniment parts are written for advanced performers.The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by Pianist Larry Wallach.Here is what Mr. Ewazen has said about Situation Update:I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Updateâ€. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle withenergy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force andrightly deserves to take its place as a significant addition to the Trombone repertoire..
SKU: SU.32040180
Golden for Trombone and Piano is a virtuoso piece for the trombone with a wide range of expression, from Trouble and Worry (Mvt. I), to the wonder of Golden Lilies & Birds thru Hope and Peace (Mvt. II), to, despite life’s trials, Dancing with Joy (Mvt. III). Special and unique sounds include the trombone and piano echoing bird songs and the trombone playing ethereal tones into the open piano strings, they say it is breathtaking. Mvt. I Trouble & Worry Mvt. II Golden Lilies & Birds Mvt. III May I have This Dance? Difficulty Level: 5 (Advanced/Professional) See composer website for audio recording. Trombone & Piano Duration: 16'30 Composed: 2020 Published by: Amy Riebs Mills Music, LLC.
SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: SU.32040021
Trombone & Piano Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Piano 5 (Advanced) See also Red Dragonfly, Concerto for Trombone and Band for the version with band accompaniment. See composer website for audio sample.
SKU: HL.48181909
UPC: 888680788285. 9.25x12.25x0.102 inches.
After hearing Castèréde's Sonatine for Trombone and Piano, the realization that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, Castèréde's Sonatine is one for you. Having won prizes in piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatine for Trombone and Piano is full of musically appealing features. Elements include exquisite use of ornamentation, exploiting trombone technique to its full potential, and clever uses of shared melody between the trombone and piano. From the lively and harmonically rich first movement to the luscious melodies of the second, this Sonatine provides an enjoyable listen and fun piece to learn for all trombonists.
SKU: HL.48182927
UPC: 888680862763. 9.0x12.0x0.054 inches.
“French composer and music teacher, Bernard Crocé-Spinelli (1871-1932) entered the Paris Conservatoire at thirteen years old. He won many prizes at the institution, with his first published and successful composition coming when he was just 21 years old. Competition Solo for Trombone and Piano has also remained a popular piece in the repertoire. Crocé-Spinelli led a successful career as a composer and music teacher. His positions saw him compose many solos for competition and auditions, including Competition Solo for Trombone and Piano. Included in the syllabus at the Paris Conservatoire, this work addresses advanced features, including complex rhythms, semiquaver flourishes, and chromaticims, among other features. For all advanced, aspiring trombonists, Crocé-Spinelli's Competition Solo is an excellent addition to the repertoire.”.
SKU: HL.48184146
UPC: 888680831653. 9.0x12.0x0.028 inches.
Christian Dachez: Poursuite (Trombone & Piano).
SKU: MA.EMR-50901
1. Adventure Journey / 2. Fantasy World / 3. Horror Room / 4. Romantic Story / 5. Sci-fi Vision.
SKU: CY.CC2953
ISBN 9790530057728.
Ralph Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Trombone and Piano. Tailleferre was the only female member of the famous French Les Six.1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases. 2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.Together they are total about 5 minutes in length and are appropriate for advanced performers.
SKU: MA.EMR-57335
Bb Major.
SKU: BT.AMP-304-400
ISBN 9789043138116. 9x12 inches. English-German-French-Dutch.
Part of the Anglo Music Play-along Series, Philip Sparke??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparke??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui s??adresse aux jeunes musiciens, maîtrisant un peu plus d??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties d??accompagnement de piano et une version d??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique. Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con l??ausilio di un??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito l??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano l??estensione superiore a un??ottava dicimentarsi nei ??primi concerti? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con l??incisione completa e una con il solo accompagnamento.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version