SKU: FL.FX072538
A nice blue shark in calm waters for exams or auditions of young instrumentalists... - Pascal PROUST ; A perfect Piece for exams or auditions - for students playing Trombone for 2 years onwards ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: HL.48181909
UPC: 888680788285. 9.25x12.25x0.102 inches.
After hearing Castèréde's Sonatine for Trombone and Piano, the realization that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, Castèréde's Sonatine is one for you. Having won prizes in piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatine for Trombone and Piano is full of musically appealing features. Elements include exquisite use of ornamentation, exploiting trombone technique to its full potential, and clever uses of shared melody between the trombone and piano. From the lively and harmonically rich first movement to the luscious melodies of the second, this Sonatine provides an enjoyable listen and fun piece to learn for all trombonists.
SKU: PR.114414450
ISBN 9781598064087. UPC: 680160597635. 9x12 inches.
Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’__________________________________________Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivin’ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.
SKU: CY.CC3170
ISBN 9790530111406. 8.5 x 11 in inches.
The set of 24 Preludes for Piano, Op. 34 was composed in the winter of 1932-33. They represent all of the major and minor keys, inviting comparisons with similar collections by Bach and Chopin. Each movement has its own individual mood and there are sharp contrasts within each movement and between movements in style, rhythm and harmony. James Markey has brilliantly arranged eleven of these movements for Tenor Trombone and Piano for virtuoso level performers. The entire work is about 17 minutes in length. We are grateful to the Shostakovich estate and G. Schirmer for authorizing Mr. Markey's arrangement. Mr. Markey and pianist Virginia Perry can be heard performing this arrangement of the Preludes on his CD entitled Offroad released in 2003, which happens to be sold by Cherry Classics Music on this site and also available on iTunes and other music retailers.
