Book II-The general plan of this method aims at a systematic rotation of playing fundamentals using new material in each case. Consequently eight or ten exercises are considered as a complete lesson including exercises for tone development articulation mechanism phrasing ensemble playing etc. I believe that this principle is sounder pedagogically than that of presenting many exercises of the same type in succession the superficial attractiveness of the latter notwithstanding. Every exercise or melody has been introduced for a purpose and in most cases that purpose has been stated. In any event however the teacher should take care that the student knows why the exercisewas written. A small amount of practice will definite purpose is better than a great amount of 'wandering' on the instrument. The instrument range in this book is moderate. The few exercises that exceed the playing limit of a particular student may be omitted as the material for each new problem is adequate. The pupil-teacher duets can be played by two students as the range of the teacher's part is not prohibitive. Posture Holding the instrument breathing production of tone technical development the language of music and care of the instrument are topics treated in this book.

Cette série exclusive présente de la musique qu'instrumentistes de bande voudront jouer avec un CD exceptionnel play-long d'une bande de concert réelle. Le joueur devra toujours la ligne de la mélodie, ajoutant des heures de plaisir et de jouissance en jouant au plomb sur ces marches passionnants. Publié pour les flûte, clarinette, saxophone alto, trompette et trombone - tous les livres sont compatibles où différents instruments peuvent être joués ensemble pour l'ajout d'amusement. La collection comprend dix des marches de tous les temps pour les deux plus populaires dans le style américain et anglais ! Son honneur Henry Fillmore, le Washington Post John Philip Sousa, le cirque Bee Henry Fillmore, britannique huitième Zo Elliott, Lassus Trombone Henry Fillmore, le Fillmore de Henry Footlifter, Semper Fidelis John Philip Sousa, le disparu armée Kenneth J. Alford, Shoutine Liza Trombone Henry Fillmore, le Thunderer John Philip Sousa / Trompette

Great performers have proven that the trumpet can be successfully used for playing not only classic music but also symphonic or chamber music from the classical romantic or modern period just as well as any other musicalinstrument. No longer is contemporary repertoire considered unfit for the trumpet. Every sincere instrumentalist needs a regular study program. A daily practice of technical exercises and etudes is necessary for improving andmaintaining the desired results. Regularly playing works of music should be the aim of every musician amateur as well as professional. The best keys have been carefully chosen for trumpet and therefore many songs are not in thekeys in which they were originally written. Also a number of other adaptations have been introduced to make the music more suitable for performance on the trumpet in B flat. The structureof the music has not been altered. Composers include: Mozart Beethoven Haydn Praetorius Corrette Mozart Händel Bach Hook Lully Boismortier Schumann Rameau Saint-Saëns Purcell and Martini. The piano accompaniment isavailable as a free download.

Thierry Caens' Short Studies In The Keys for Trumpet. I am very happy that Hamelle is publishing the collection I have been planning to produce for several years. This collection includes works written or arranged for myself as well as a representative selection of my own compositions (original works or arrangements). It should be of interest to all kinds of groupings from the most standard (Trumpet and Piano Trumpet and Organ Trumpet and Orchestra Wind Quintet Trombone Quartet) to the most unusual (Cornet and Brass Quintet large Brass Ensembles Trumpet and Trombone with Organ) and it of course also includes teaching material(studies exercises competition pieces). My concern has been to present useful new pieces but above all to awaken and develop the musical sense of brass instrumentalists. – Thierry Caens  

Four movements for trumpet and organ after Marc Chagall-Windows.Four movements for Trumpet and Organ after Marc Chagall.Fine art has always been a prominent source of inspiration for Petr Eben (1929-2007). Chagall's stained-glass windows for the synagogue in Jerusalem gave an impulse for the four movements for Trumpet and Organ commissioned by the city gallery in the West Bohemian town of Cheb. The author commented on his choice of instruments: 'The solemnity of the large panes of stained glass made me imagine the sound of the Organ and the intensity and brilliance of the sheaves of bright colours called for the shrill tone of the Trumpet.'Eben combines the two instruments in anoriginal manner: both parts retain a great deal of independence progressing in their own rhythmic patterns intersecting in places. The modal composition typical of Eben's method is confronted here with atonality enabling the final unison of the two instruments to sound with a monumental effect.Since its origin in 1976 Windows has been one of the most frequently performed pieces by the composer. The individual movements of the cycle are named after colours: The Blue Window The Green Window The Red Window and The Golden Window. The Organ part was revised by Milan Slechta the Trumpet part by Ladislav Kozderka.

Great performers have proven that the trumpet can be successfully used for playing not only classic music but also symphonic or chamber music from the classical romantic or modern period just as well as any other musicalinstrument. No longer is contemporary repertoire considered unfit for the trumpet. Every sincere instrumentalist needs a regular study program. A daily practice of technical exercises and etudes is necessary forimproving and maintaining the desired results. Regularly playing works of music should be the aim of every musician amateur as well as professional. The best keys have been carefully chosen for trumpet and therefore many songsare not in the keys in which they were originally written. Also a number of other adaptations have been introduced to make the music more suitable for performance on the trumpet in B-flat. Composersinclude: Bach Brahms Chopin Chedeville Von Weber Vivaldi Geminiani Mozart Corelli Bigaglia Purcell Clarke Schubert Händel Lavigne Grieg Haydn Dvorák Saint-Saëns and Fauré. The piano accompaniment is available asa free download.

The Boosey Brass Method- Trumpet/Cornet Book 1 is a fantastic way to start playing your Trumpet and has been designed to be used in lessons and all the playing in-between! Each level contains a wide variety of solo and ensemble music for you to add to your playing repertoire and also to build confidence by playing with others. The Boosey Brass Method will help you learn to play your instrument and learn to make music! The flexible ensemble arrangements are suitable for any number of players in mixed instrument groups which is also important for classes with a mix of ability age and experience. Everything is fully and plainly explained allowing fordetailed class interaction or private study. There are breathing and rhythm exercises musical activities such as quizzes and clapping games all to help improvising and composing. This method is set into carefully considered portions; stages which allowed for structured progress without being too formal and rigid. With all the activities each stage is fun and suitably challenging to yield the best results from students. There are invaluable Audio CDs containing performances demonstrations backing tracks and listening activities. These give perfect examples of how things should sound as well as helping to inspire and motivate students on to bigger and better things! This versatile volume has been specifically written for Trumpet or Cornet in B-flat and everything is covered here from holding your instrument and first notes to playing a tune solo together in an ensemble and beyond!

Rüdiger Baldauf is one of Germany‘s best-known Trumpet players not least by playing with the Heavytones Stefan Raab’s show band for his daily TV Total show. His first solo album 'Own Style' was released in 2010 to international critical acclaim. Now here’s the long-awaited Play-along! Here’s his own quote:“After my CD was released I felt the strong wish to conceive a Play-along version of my album aimed at Trumpet players especially. To help classical Trumpet players or those who have no previous experience playing Jazz get started improvising I recorded and notated an exemplary chorus for each song.Thesolo parts notated here are meant to inspire your own improvisations. You’ll find the same songs on my CD ‘Own Style’ partly in different versions using other sounds like a Harmon Damper a Flugelhorn or electronic effects. All solos have been re-recorded for this collection without any effects or dampers so you’ll hear just the pure Trumpet tone for better comparison with your own sound. I wish every Trumpet player a lot of fun with these songs and I hope this collection helps you find your ‘Own Style’.”

Russian trumpeter Timofei Dokchitzer (1921-2005) studied at the Moscow State Conservatoire and soon became one of the most outstanding trumpeters in the world. His excellence on the instrument led him to compile his Trumpet Method which has aided the studies of many aspiring trumpeters. Dokchitzer's performing career saw him play both classical and modern concertos. His distinctive style is thought to have been influenced by his love of opera. Trumpet Method seeks to address preparatory exercises incorporating a range of musical features Vocalises which aid the progress of legato intervals and Sequenceswhich enable practice of technique. For all aspiring trumpeters Dokchitzer's Trumpet Method is an essential aid to technical progress.

New Edition-Trumpet Basics is a landmark method for individual and group learning by one of the leading figures in trumpet education John Miller. It starts at absolute beginner level and progresses to about Grade 2 level. There are 22 stages and each section includes a wonderful variety of concert pieces from the great composers traditional tunes and fun original exercises finger gyms and warm ups to help establish a sound technique factfiles and quizzes to teach notation and general musicianship helpful clear fingering charts and rhythm boxes and great illustration. This particular book has been written for B-flat Trumpet or Cornet.

If you\'ve been playing trumpet for a little while you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs from pop hits and movie themes to classical melodies and folk songs many of which originally featured trumpet!Songs include Amazing Grace ? Best Song Ever ? Carnival of Venice ? Feels So Good ? Happy ? Java ? The Medallion Calls ? Raiders March ? Rise ? Spanish Flea ? Tijuana Taxi ? Trumpet Voluntary and more.

A Beginner's Comprehensive Approach to the Trumpet and Musical Literacy-The first trumpet method to introduce jazz! The goal of this method book is to infuse all the elements of a good trumpet foundation at the initial stage so nothing is left to chance. Exercises in developing progress have been introduced at strategic intervals to ensure success so the beginning student will feel a sense of accomplishment. Of course all music is based on a key signature and therefore the practice of all basic scales are addressed throughout. Many duets are introduced and many familiar songs are also presented. Foreword by Charles Conrad.