SKU: M7.DUX-948
ISBN 9783868493337. German English.
The tuba in traditional jazz, New Orleans jazz, Dixieland and swing The complete tutor for self-study and tuition For tuba players with a basic knowledge who would like to learn how to play using jazz chord symbols Includes chord and scale exercises for two beat and walking bass Includes play-alongs in different tempos Suitable for all tubas and sousaphones Bilingual edition: German and English.
SKU: XC.WB2216
ISBN 9781644021279. 9 x 12 inches.
Adaptable Quartets for Christmas contains 22 newly arranged quartets written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of four instruments, the possible combinations are endless! Play these quartets as traditional four instrument chamber works, or expand your instrumentation to include the entire ensemble. Tyler and Matthew use their experience as music educators to craft quartets that are fun to play, and musically stimulating.
SKU: XC.WB2108
ISBN 9781644020777. UPC: 812598038507. 9 x 12 inches.
Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating.
SKU: M7.AHW-412
English.
In the jazz tradition the Tuba was the bass in the rhythm section up until the mid-twenties. It was then the upright bass replaced the Tuba in many ensembles as the jazz music moved north and continued to develop. After this period the Tuba's roll, as bass in the rhythm section, was at a standstill and did not develop through Swing and Bebop. It wasn't until Cool Jazz of the 1950's when the Tuba was used by Miles Davis and Gil Evans in 'Birth of the Cool' as an ensemble horn. The Tuba, like swimming, is something you can't do any longer than you can hold your breath. In order to maintain a steady beat while playing in the rhythm section I have developed a system of breathing called Pant Breathing. Using this method, the player can maintain a steady beat within the rhythm section, without losing time while taking deep breaths.
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