Par DUNCAN CRAIG. Il s'agit d'une collection de douze pièces sacrées du répertoire classique, arrangé pour alto solo avec accompagnement au piano. Record favoris comme le Canon de Pachelbel, Jesu, Joy of Man désirant et Ave Maria sont inclus. La partie d'Alto est un niveau intermédiaire, avec une utilisation occasionnelle de la troisième position. Cette collection offre une source précieuse de solos qui peut être utilisé dans une variété de circonstances de performance. / Niveau : Intermédiaire / Sacred - Solos / Recueil / Alto

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Alto

This collection contains 12 sacred pieces from the classical repertory arranged for solo Viola with Piano accompaniment. All-time favourites like the Pachelbel Canon Jesu Joy of Man's Desiring and AveMaria are included. The Viola part is intermediate level with occasional use of third position. This collection offers a valuable source of solos that can be used in a variety of performance circumstances. This bookincludes access to an online PDF of the Piano accompaniment.

Instrumental Solos-This instrumental series contains themes from Blizzard Entertainment's fantasy multiplayer role-playing video games and includes 4 pages of art from the World of Warcraft universe. The compatible arrangements are carefully edited for the Level 2-3 player and include an accompaniment CD which features a demo track and play-along track. Titles: Lionâ??s Pride * The Shaping of the World * Pig and Whistle * Slaughtered Lamb * Invincible * A Call to Arms * Gates of the Black Temple * Salty Sailor * Wrath of the Lich King * Garden of Life.

Ce livre fait partie d'Alfred de Harry Potter Solos série instrumentale arrangée pour violon, alto, et violoncelle. Tous les arrangements d'instruments à cordes sont entièrement compatibles et peuvent être réalisées avec succès comme des ensembles ou des solos. Chaque livre comprend les accompagnements au piano, une partie de chaîne amovible, et un accompagnement entièrement orchestrée MP3 CD, qui propose chaque chanson comme une piste de démonstration des performances en direct suivie d'une piste play-along. / Alto

Three vamp parts are layered on each other in this innovative improvisation collection allowing soloists to join in as they please.Some vamps are simple others more challenging. Improvising becomes accessible with soloing guidelines and tips. 35 different styles are covered including jazz classical hip-hop rock country-western Asian African Celtic Latin Gregorian and more.Each page has sugested notes for soloing so your solo will always fit with the other players. These volumes are available for four instruments ? Violin Viola and Cello/String Bass ? so string players can improvise together.

Par PUSCOIU COSTEL. Great performers have proven that the viola can be successfully used for playing not only classic music, but also symphonic or chamber music from the classical, romantic or modern 36 period just as well as any other musical instrument. No longer is the contemporary repertoire considered unfit for the viola. This collection contains music which has been adapted and arranged especially for the viola. Ideal for the beginning player, it focuses on simple, well known melodies which are both easy and enjoyable. The arranger has carefully chosen the best keys for viola and therefore many songs are not in the keys in which they were originally written. A number of other adaptations have also been introduced to make the music more suitable for performance on the viola. The structure of the music has not been altered. The selections in the beginning of this book use more the treble clef than alto clef, making them easier for beginners and violinists transferring to viola. The piano accompaniment is available as a free download. / Niveau : Débutant / Classic - Solos / Recueil / Alto

The composer’s note on this copy of the autograph score has the following directions: ‘Out of the Night was written to be played in order to ‘greet the dawn’ outside St Catherine’s Monastery Sinai’ and it is recommended that the work be played outside or in a church or building with some resonance. The sound is Middle Eastern modal invoking the Orthodox Church with the Greek pronunciation of the single word ‘Alleluia’.Tavener was widely known as a composer of religious music and while this work does not fit any liturgical use it communicates the sacredness of a new day. Contemporary British composer John Tavener was that rare creature a composer of serious music andserious religious music who also achieved commercial success. He burst into the popular consciousness with the performance of his Song for Athene at the funeral of Princess Diana but had been a highly respected and frequently performed composer since the premiere of his dramatic cantata The Whale in 1968.

Media Type : Book Level : Beginning Musical Genre : Children Number of pages : 88 This book is designed as a workbook to teach theory specifically relevant to the viola at a level that is attainable and challenging, yet fun for young children. It is intended to build confidence and solidify the relationship between theory and playing. Children will enjoy the drawing and coloring activities in the book, while developing the fundamentals of viola theory at the same time. The book can be used to teach beginners the basics of theory or even to refresh musicians who might need a small review of viola theory. No matter who uses this book, it will give a strong foundation to viola theory and through this understanding will foster a greater love of playing. Concepts covered in this book include: learning the parts of the viola, learning about line and space notes, learning musical symbols and how to draw music.

Media Type : Book Level : Beginning-Intermediate Musical Genre : Children Number of pages : 134 Book 2 in the Melanie Smith viola theory series introduces students to new music and theory concepts which are fundamental in developing a deeper understanding of the viola. Book 2 will begin by covering the theory involving the ranges of notes for the viola and then moves into specific theory concepts such as note and rest values and time signatures. The final section of Book 2 focuses on musical terms and includes a comprehensive review of all instructional concepts covered in the book.

Par MOZART WOLFGANG AMADEUS. Le 'Köchel' indique toujours l'autographe d'air de Mozart tant apprécié, mais a étiqueté 'manquantes' depuis 1964. La 'Neue Mozart Ausgabe-' n'était donc plus en mesure de prendre en considération. Maintenant, cependant, le manuscrit a réapparu et a été utilisé comme une source authentique pour cette nouvelle édition (1997). préface 'Eine Aria in die Oper, der von Balbier Seviglien. Für MADAME Hoffer. 2 Violini, viole, 2 Clarinetti, 2 Fagotti, 2 Corni e Bassi. Schon lacht Frühling der Holde.' Cette entrée dans le catalogue de Wolfgang Amadeus Mozart travail manuscrite se trouve sous la date du 17 Septembre 1789. Toutefois, étant donné que la performance prévue d'un accord allemand de Barbier de Paisiello a été apparemment abandonné, Mozart semble avoir mis de côté la pièce sans l'achever. Josepha Hofer (née Weber), le plus jeune soeur Constanze Mozart, était d'avoir chanté cet air, destiné à Rosina. En tant que membre de la Freihaustheater Schikaneder, elle a chanté la Reine de la Nuit à la première représentation de la Flûte enchantée. En plus de la partie vocale, le score fragmentaires ne contient que la ligne de basse ainsi que des répliques instrumentales pour une orchestration avenir. La version de l'éditeur orchestralement complété, délivré par le même éditeur, est basé sur le manuscrit autographe conservé à la Österreichische Nationalbibliothek à Vienne. Cette autographe a été redécouvert qu'en 1988. Nous avons poursuivi nos efforts pour fournir un son mozartien dans la réalisation instrumentale de la partition tout en préparant cet arrangement pour soprano, clarinette et piano. Depuis la première clarinette tisse à plusieurs reprises autour de la partie de soprano dans thr version orchestrale, il semblait parfaitement naturel producc l'arrangement actuel. En outre, il apportera inévitablement à l'esprit de Franz Schubert Der Hirt auf dem Felsen (même clé, section du milieu en sol mineur). Nous tenons à remercier la Österreichische Nationalbibliothek à Vienne pour mettre des copies de la source à notre disposition. Franz Beyer Munich, printemps 1997/ Répertoire / Alto