Score Viola, Violin, Piano, Clarinet, Cello, Flute and Percussion - Grade 5

SKU: HL.14030959

For Violin, Viola and Chamber Ensemble Score. Composed by Bent Sorensen. Music Sales America. Classical. Score. Composed 2002. 54 pages. Edition Wilhelm Hansen #WH30143. Published by Edition Wilhelm Hansen (HL.14030959).

ISBN 9788759857427. English.

Funeral Procession for Violin, Viola and Chamber Ensemble was composed in 1989 as a commission from the Sonanza Ensemble. The music is, apart from a few swarming bursts, slow and silent. Dynamic is almost stripped away, and the musicians play as faintly as possible - almost inaudibly.

Chamber Music Clarinet, Contrabass, Percussion, Piano, Violin, tenor Saxophone

SKU: PR.114413040

For violin, Bb Clarinet, Bb Tenor Saxophone, Double Bass, Piano, and Percussion. Composed by Chen Yi. Saddle. Premiered at Kerrytown Concert House in Ann Arbor, MI. Contemporary. Set of Score and Parts. With Standard notation. Composed 2006. 16+3+2+2+2+3+2 pages. Duration 5 minutes. Theodore Presser Company #114-41304. Published by Theodore Presser Company (PR.114413040).

UPC: 680160571628. 8.5 x 11 inches.

Commissioned by the Opus 21 ensemble, this mixed sextet is a musical realization of Chinese clay figurines of the Eastern Han (25-220 A.D.). Shapes of the enraptured storyteller, the vivid acrobat, and the moving dancers are in highly exaggerated forms and postures, in large and sweeping movements — the innocent and bold images symbolize the strength, motion, and speed, as the beauty of the crude and primitive power of humanity in its conquest of the material world.
The mixed sextet The Han Figurines is a musical realization of my impression of the Chinese clay figurines of the Eastern Han (25-220 A.D.).  Have you seen the shapes of the enraptured storyteller, the vivid acrobat, and the moving dancers with long sleeves?  They are in highly exaggerated forms and postures, in large and sweeping movements — the innocent and bold images symbolize the strength, motion, and speed.  It’s the beauty of the crude and primitive power of humanity in its conquest of the material world.—Chen Yi.