Instrumental Play-Along-A dozen jazz classics complete with jazz combo backing tracks for solo instrumentalists. Includes the songs Doxy ? In Walked Bud ? In Your Own Sweet Way ? Mercy Mercy Mercy ? Nardis ? On Green Dolphin Street ? Reunion Blues ? St. Thomas ? Scrapple from the Apple ? Sidewinder ? Stolen Moments and Take Five.

to the violin concerto by Gyorgy Ligeti. Par ADES THOMAS. In a conversation with the violinist Peter Herresthal, we touched on the “invitation” in the score of Ligeti’s Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer’s directions exactly: the cadenza may use material from all five movements, and should be of “hectic” character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Adès) The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly 'as if unprepared'. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. György Ligeti/ Répertoire / Violon

Par STACY PHILLIPS. Poursuit la réédition de la classique Phillips Collection de traditionnelle américaine Fiddle Tunes - Volume 2, Hornpipes américain préféré pour violon présente plus d'une centaine de classique et moins connus fiddle tunes dans le style hornpipe de partout aux Etats-Unis, certains avec plusieurs versions. Tous les morceaux transcrit la lecture de certains des plus grands violonistes traditionnels du passé et du présent y compris Benny Thomasson, Bob Walters, Howdy Forrester, James Bryan, Rodney Miller, Ruthie Dornfeld et beaucoup plus. Flexions et accompagnement de corde sont inclus. Cet ouvrage sera également de la valeur aux étudiants de la musique classique. Enseignants, vous cherchez des pièces courtes qui renforcement les échelles et les arpèges qui ne portaient de vos élèves ? Fatigué des mêmes etudes classiques anciennes ? Hornpipes peuvent aussi servir d'exercices efficaces et agréable pour tous les étudiants de violon, pas seulement les violoneux. Beaucoup d'entre eux pourraient provenir à droite de la période baroque de la musique de l'art. Mais ils illustrent également certains des Etats-Unis... / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Solos / Recueil / Violon

for Solo Violin. For solo violin. Commissioned by the Royal Philharmonic Society and the BBC3 as part of New Generation Artist Works. Premiered by Ilya Gringolts on March 17 2003 in London's Wigmore Hall.

For solo Violin.Published in 2003.First performed by Peter Sheppard Skaerved New York 25th February 2003.

For solo Violin.First published in 1998. First performance by Vania Lecuit ISCM World Music Days in Luxembourg 4th October 2000.