SKU: HL.48186508

UPC: 888680871284. 9.0x12.0x0.112 inches.

“Études Mignonnes (or Cute Studies) is the first in a series of three volumes of studies for the Violin. Compiled in 1878 by Auguste Samie, the études allow students to work on basic technical concepts, such as bowing and sound production. The 20 studies in Études Mignonnes each helpfully contain a title indicating the focus of the exercise, followed by clear instructions regarding technique. Moreover, this edition of Soixante Études is revised and annotated by Georges Catherine, popular contemporary violinist and arranger. Edits by Catherine include bowing marks, fingerings, articulation, dynamics and performance directions. Including input by two prolific players of the Violin, Études Mignonnes is an obligatory guide for beginners of the instrument. ”.

SKU: BT.HITPCTEVK01

French.

Le temps des études Kreutzer est un recueil qui compile les 40 études (ou caprices) du compositeur Versaillais, accompagné d’un disque d’exception : un enregistrement par la star montante du violon français, Nicolas Dautricourt, sur Stradivarius !édition originale (Urtext) annotée par Bruno Garlej, qui propose une synthèse musicale et pédagogique enrichie par les nombreuses versions précédentes.Ce corpus des fameux « Caprices de Kreutzer » se voit ici présenté sous un jour ambitieux, réunissant rigueur de la technique violonistique et beauté de l’interprétation, avec biographie, gravure, et préface de François de Mazières (Mairede Versailles). Un cadeau parfait pour tous les violonistes !

SKU: AP.12-0571540791

ISBN 9780571540792. English.

This set of inventive and hugely contrasting études for solo violin were written by Tom Coult between 2010 and 2014, the last two as commissions from the London Sinfonietta. The final piece in this eight-minute collection is the most unusual: serene and meditative, it utilizes a novel technique by which the player sustains hushed three-note chords.

SKU: HL.48022455

Premiered in September 2010. The first Etude seeks fragile tones while the second and fourth Etudes draw on the exuberance and cheerfulness of the Balkan dance tradition. The third Etude gradually proceeds to a familiar Gregorian hymn tune.