SKU: OT.22090
ISBN 9789655050738. 8.27 x 11.69 inches.
Daniel Akiva's Partita for violin solo consists of six movements based loosely on music of the Sephardic Jews. It was written for students as performance material, and dedicated to them. Contents: Liturgical Song Prayer Supplication Dance Kaddish SupplicationDaniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school. Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.
SKU: HL.49007122
ISBN 9783795722197. UPC: 196288077480. 9.0x12.0x0.282 inches. German.
The most important aspect of the violin method 'Die frohliche Violine' is the fun of learning to play the violin: The textbook is aimed at an early playful beginning with the instrument. Over the course of the lessons, the pupils are deliberately addressed in a language that corresponds to their age. Furthermore, the method provides a stylistically varied range of classical and folkloristic instrumental pieces, and always gives a lot of interesting information on the music and its composers.Vol. 1: Detailed introduction to the bow hold - songs and instrumental pieces, using exclusively the first type of fingering while focussing on rhythmic, melodic and technical variety - playful touching and feeling of violin-playing techniques such as pizzicato, position playing, harmonics and double stops. Vol. 1 is accompanied by a CD (T 3272) containing all songs and pieces with funny dialogues spoken by children. A motivating addition to violin lessons and a great gift idea!
SKU: SU.50007260
Published by: Seesaw Music.
SKU: HL.49046366
ISBN 9781540083869. UPC: 840126906264. 9.0x12.0x0.139 inches.
Lei Liang's Deja vu is a one-movement hypnotic dialogue between the violin and percussion. The instrumental writing is intricate yet, at times, explosive. The work contains numerous passages of improvisation with the score providing guidance to the performers.
SKU: HL.50605338
ISBN 9781705179826. UPC: 196288105725. 9.0x12.0 inches.
Zebra Crossing was commissioned by Creative Dialogue France. With special thanks to the Rolex Mentor and Protege Arts Initiative, Zebra Crossing received its World Premiere on August 26th 2021 at Chateau de Brissac in France, performed by the Zebra Trio.
SKU: HL.49046564
ISBN 9781705126592. UPC: 842819113713.
This composition is a response to the Trio Arbos enticing commission to include me in a series of works for piano trio by various composers that pay tribute to and enter into dialogue with the flamenco. For the title of my piece I have chosen a verse by the great poet Miguel Hernandez, which has wonderfully captured the depth of the Spanish soul in which the flamenco resonates so strongly. (Thierry Pecou).
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