Violin Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Violon

Description Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane

By Luke Gillespie. Covers all styles of comping from basic and fundamental approaches to modern! A complete collection of II/V7/I voicings for jazz Keyboard starting with simple diatonic voicings and progressing into more harmonically rich and diverse voicings with intricate passing tones and complex harmonies. No longer will you be stuck using the same kinds of voicings over and over even in different styles. Now you can have a variety of II/V7 voicings available at your fingertips for every musical situation. 112 pages.

Geschrieben 1981 für die Malerin und Musikerin Rivka Golani, wurde das Werk 1981 im Rahmen von Musique Vivante, Paris, durch Rivka Golani, Viola, uraufgeführt.Eine in sehr langsamem Tempo fortschreitende Harmonik wird durch eine genau festgelegte arpeggio- und tremolo-Technik des Bogens von mehreren unaufhörlich zitternden und sich in allen Richtungen unregelmäßig bewegenden Klanggittern überdeckt. Was durch diese Gitter hindurch tönt, ist eine äußerst vielschichtige, extrem rasch sich bewegende Musik, die gleichzeitig abläuft.Es gibt auch eine Version des gleichen Werkes für Cello (1981). (H. Holliger) / Violon