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Violin and Piano
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Violin Concerto op. 25 (SAY FAZIL)
Violin and Piano
Schott
1001 Nights in the Harem. Par SAY FAZIL. 'My Violin Concerto consists of four mo...
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1001 Nights in the Harem. Par SAY FAZIL. 'My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazade’s One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance – in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds. As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments. As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion.' Fazil Say/ Répertoire / Violon et Piano
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Souvenir D'Un Lieu Cher (Violin And Piano) (TCHAIKOVSKI PIOTR ILITCH)
Violin and Piano
[Sheet music]
Faber Music Limited
Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place)...
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Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place) is a collection of three pieces for violin and piano. The first - Méditation - was written in Clarens in Switzerland in March 1878. Tchaikovsky originally intended it to be the slow movement of his violin concerto, but later replaced it with the more substantial Canzonetta and recast it for violin and piano. The other two movements were composed in May of the same year on the estate of his benefactress, Nadeja von Meck at Brailovo in Ukraine which is the 'dear place' of the title. It was published in in May 1879. The work is very characteristic of Tchaikovsky's style. It is built on beautiful melodies, with a Russian folk inflection, and contains a variety of contrasting sections. The outer movements are written in a gentle lyrical style, whereas the scherzo is fast and furious creating a mood of stormy anger. The trio section is based on a simple melody with a tinge of sadness about it. The solo part exemplifies Tchaikovsky's mastery of violin writing, using as it does a wide range of timbres and effects. / Répertoire / Violon et Piano
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Ernest Bloch: Sonata: Violin: Instrumental Work
Violin and Piano
Schirmer
Ernest Bloch's Sonata For Violin And Piano is a challenging but extremely reward...
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Ernest Bloch's Sonata For Violin And Piano is a challenging but extremely rewarding work. The first movement's tempo marking is Agiatato and the music is in turn turbulent and aggressive passionate and sorrowful but the prevailing mood is one of grave disquiet. The sense of unrest continues in the second movement although it is marked Molto quieto)and is mostly contemplative by nature. The last movement marked Moderato begins with the tolling of bells in the piano part. The violin is assertive although less aggressive than it was in the first movement. A tender epilogue follows this and dies away peacefully bringing the work to its conclusion.
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Take The Lead - Swing + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
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Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Swing' features idiomatic arrangements of swing classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Chattanooga-Choo Choo Ch'Boogie; I've Got A Gal In Kalamazoo; In The Mood; I Don't Mean A Thing (If It Ain't Got That Swing); Jersey Bounce; Pennsylvania 6-5000; A String Of Pearls
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Jean Sibelius: Humoresque V Op. 89c: Violin: Instrumental Work
Violin and Piano
[Sheet music]
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Advanced
Wilhelm Hansen
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions The Hum...
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Among the best of Jean Sibelius’ oeuvre are his 1917 compositions The Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He uses a considerably smaller Orchestra accompaniment to the Violin in the second group but maintains the subtlety of depth and texture. The opening bars of the Fifth Humoresque act as a continuation of the minor tonality that dominated the previous two pieces but the music soon reverts into a warmer major mood. Op.89 No.3 is the highlight of this group and one of Sibelius' most immediately compelling creations.
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Moodswings
Violin and Piano
Schott
Un mélange de jazz, de blues et de pop, ' Sautes d'humeur ' contient un ensembl...
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Un mélange de jazz, de blues et de pop, ' Sautes d'humeur ' contient un ensemble de pièces conçues pour les enseignants et le violoniste amateur ou de jeune qui recherchent quelque chose au sein de la capacité du joueur qui contient des rythmes intéressantes et passionnantes des principaux changements en un seul numéro. / Violon Et Piano
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Nigel Goldberg: Sounds Of A Rainbow Vol.3: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Spartan Press
Grade 3-4-A series available as violin duets or violin & piano.Whether a student...
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Grade 3-4-A series available as violin duets or violin & piano.Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. Thepurpose of the second violin part is therefore to enable the teacher to underline the harmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example. This music is also available for violin and piano with piano accompaniments written by Heidi Rolfe.Finally I think that children enjoy the challenge of expressing different moods and emotions musically and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.Nigel Goldberg.
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Oscar Rieding: Marcia Op.44 & Rondo Op.22/3: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Barenreiter
The 'Marcia' and 'Rondo' are often the first concert pieces for a young Violinis...
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The 'Marcia' and 'Rondo' are often the first concert pieces for a young Violinist that are not part of a Violin method. Both works have become favourites in class recitals. They give the young musician an opportunity to express a variety of moods in energetic and elegant performances. The series Bärenreiter’s Concert Pieces continues with further works from the Violin repertoire. The editions contain a solo Violin part and a Piano reduction for the accompanist. The series is edited by Kurt Sassmannshaus the internationally-renowned Violin teacher and co-author of the 'Early Start'Sassmannshaus Violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus Violin school tradition; they can be used in parallel from the third volume onwards or alongside any Violin method. The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
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Helen Grime: Romance for Violin and Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
'Romance for violin and piano is a short reflective piece that exploits the lyr...
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'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the
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Franz Joseph Haydn: Violin Concerto In G: Violin: Instrumental Work
Violin and Piano
G. Henle
Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Vi...
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Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Violin concertos and was apparently written before he was taken into the service of the Esterházy family. It was firstpublished a century after the Austrian composer?s death in 1909 and was little known before. The concerto is lovely and ingratiating to the ear consisting of 3 movements (Allegro moderato Adagio andAllegro) with a total performance time of under 20 minutes. The unmatched intimacy and loveliness of the uniquely beautiful Adagio and the high spirited final movement with its charming Bagpipe imitation will putplayers and audiences alike in the best of moods from the outset. This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The Orchestra part is reduced to a Pianoaccompaniment and two copies of the Violin score which is identical to that of the Haydn-Gesamtausgabe are enclosed as separate inserts. A preface in German English and French by editor Günter Thomas is included as well.
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Fun-tasto: Reflection and Exhilaration
Violin and Piano
[Sheet music]
EMB (Edition Musica Budapest)
for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied compositi...
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for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied composition with László Draskóczy in Budapest, and conducting with Mark Stringer in Vienna. His works were awarded, among others, at the 2023 5th Zodiac International Music Competition, and the 2020 MUPA Composers Competition. As a conductor, he made his debut with the Hungarian State Opera in 2021. 2017-2020 he was assistant conductor of Savaria Symphony Orchestra. By incorporating a diverse range of musical genres, his aim is to connect with a wide spectrum of music enthusiasts. Many of his works delve into the intricate realm of mental health. Reflection and Exhilaration were awarded the second prize at the 2022 Béla Bartók World Competition and was chosen as obligatory piece of the 2023 Béla Bartók World Competition for violin. The two movements represent opposite moods, but they have in common the simplicity and effectiveness of the melodic invention, as well as the rhythmic sophistication, which also refers to the Bulgarian rhythms known from Bartók. / Date parution : 2023-07-31/ Répertoire / Violon et Piano
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Isaac Albéniz: Pavana - Capricho Op.12: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Advanced
Unión Musical Ediciones
Pavana – Capricho is one of the last pieces from Isaac Albeniz’s ear...
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Pavana – Capricho is one of the last pieces from Isaac Albeniz’s early period before he turned to Spanish influences – a style that would characterise the rest of his compositions. In this earlier period Albeniz who was a child prodigy on the Piano composed ‘salon style’ music and experimented with traditional styles in the manner of Rameau Bach Beethoven Chopin and Liszt. His shift towards Spanish music occurred after meeting the teacher and composer Felipe Pedrell a leading figure in the development of nationalist Spanish music.Pavana-Capricho is graceful andlight-hearted at the same time. The playfulness that arises from the alternating moods is best achieved when the proper technique and articulation is applied. Arranged for Violin and Piano and with a performance time of ca. 3:30 this piece of Romantic chamber-music is a perfect addition to any concert programme.
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Reynaldo Hahn: Sonate En Ut Majeur: Violin: Score
Violin and Piano
Heugel
Having been considered as a 'fashionable' and 'cliché' composer of his day Hah...
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Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn's compositions are possibly not as well-known as they ought to be. Sonata In C Major for Violin and Piano however shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was a magical art andhis compositions often contain expressions of his otherwise hidden emotions and moods. Sonata In C Major contains a variety of different features making for a pleasant and evocative piece for advanced violinists.
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The Well-Tuned Fiddle Book II: Violin: Instrumental Album
Violin and Piano
ABRSM Publishing
Grades 4-5-Contains characterful and approachable original compositions for viol...
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Grades 4-5-Contains characterful and approachable original compositions for violin and piano. Has a contrast of styles and moods. Imaginative and adventurous players will find plenty to test their technical and interpretational abilities.
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Sonate En Ut Majeur (HAHN)
Violin and Piano
[Sheet music]
Heugel
Par HAHN. Having been considered as a 'fashionable' and 'cliche' composer of his...
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Par HAHN. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn 's compositions are possibly not as well-known as they ought to be. Sonata In C Major for Violin and Piano, however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet, before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art andhis compositions often contain expressions of his otherwise hidden emotions and moods. Sonata In C Major contains a variety of different features, making for a pleasant and evocative piece for advanced violinists./ Répertoire / Violon et Piano
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Dark Love (GRECO JOSE LUIS)
Violin and Piano
[Sheet music]
Unión Musical Ediciones
Par GRECO JOSE LUIS. Composed in 2000 and premiered by Mariana Todorova, concert...
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Par GRECO JOSE LUIS. Composed in 2000 and premiered by Mariana Todorova, concertmaster of the Spanish Radio and Television Orchestra, and pianist Irini Gaitani at the Monumental Theater of Madrid on 1 December 2001. Recorded on Albany Records by Yulia Iglinova Milstein, violin, and Ilona Timchenko, piano. The work distills six different moods and atmospheres in a sometimes virtuosic, sometimes lyrical setting. / Date parution : 2022-04-01/ Répertoire / Violon et Piano
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Nigel Goldberg: Sounds Of A Rainbow Vol.2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Easy
Spartan Press
Grades 2-Whether a student or a great artist the desire to make a beautiful sou...
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Grades 2-Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came from the wish to give young students music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the accompanuments is therefore to enable the teacher to underline theharmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example.Finally it is the author's belief that children enjoy the challenge of expressing different moods and emotions musically and it is hoped that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.Contents:Almost Alone D MinorAlong the Sunny Path F MajorDance of the Gnomes D MinorEnglish Folk Song A MajorFisherman's Tale Bb MajorFull Moon F MajorHappy Song G MajorIntermezzo Bb MajorLana's Song A MinorLändler A MajorMountain Climb G MajorOff to School C MajorOverture G MajorQuick March ! A MajorRustic Dance D MajorSad Song G MinorSicilienne G MinorSicilienne Variation G MinorSpring Song C MajorSunshine and Flowers C MajorVirtuoso Variations G Major
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N. Goldberg: Sounds Of A Rainbow 1: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Easy
Spartan Press
Whether a student or a great artist the desire to make a beautiful sound is a c...
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Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came from the wish to give young students music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the accompanuments is therefore to enable the teacher to underline theharmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example.Finally it is the author's belief that children enjoy the challenge of expressing different moods and emotions musically and it is hoped that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.
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Play Jazztime (HUWS JONES EDWARD)
Violin and Piano
[Sheet music]
Faber Music Limited
Par HUWS JONES EDWARD. Play Jazztime presents a selection of world-famous hits f...
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Par HUWS JONES EDWARD. Play Jazztime presents a selection of world-famous hits from this brilliant, brittle era- from the seductive melodies of Arlen to the archetypal Twenties hits Charleston and Five foot two, eyes of blue. Relive the age of Gatsby- and Play Jazztime!   / Instrumental Music / Recueil / Violon et Piano
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Let's Play Together
Violin and Piano
Schott
/ Violon Et Piano
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Play The 1St Trumpet (Romantic Moods)
Violin and Piano
[Sheet music]
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Intermediate/advanced
Editions Marc Reift (Swiss import)
/ Orchestres A Vent / niveau : 4-8 / Partition
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