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Orchestra.Â
Violin and Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Musical course - Solfege (56)
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:: (40)
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Choral 2-part (23)
Partition de Poche (23)
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Choral SSAA (21)
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Solistes s TB, Choeur SATB, Pi… (19)
Soprano voice (19)
Organ and Orchestra (19)
Choeur Mixte et Orchestre (19)
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Gemischter Chor (SATB) und Orc… (18)
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CD (18)
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Harp (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Ensemble A Vent (15)
Partition D'etude (14)
Chamber Music (14)
Easy Piano (14)
Bassoon, Piano (duet) (14)
Big band (14)
Bassoon (14)
Accordion ensemble (13)
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Voice Mezzo-Soprano, Orchestra… (13)
Lyrics and Chords (13)
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Clarinet Quintet: Clarinet, St… (12)
Quatuor à Cordes et Quintette… (12)
3 Violons et Basse Continue ou… (12)
Mezzo-Soprano voice, Piano (12)
2 Trompettes, Cordes Et Basse … (12)
Partition D'Orchestre In 16 Po… (12)
School Ensemble (12)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Solistes (S) TB, Choeur SATB, … (11)
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Solistes SATB, Choeur SATB, 2 … (11)
High voice, Piano (11)
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Chant (11)
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C Instruments (10)
String Trio: 2 violins, cello (10)
Mandolin (10)
Violin, Viola (duet) (10)
Alto et Orchestre (10)
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Baritone voice (10)
Marimba and Orchestra (10)
Ensemble Moyen Contemporain (10)
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Choeur SATB et Orchestre (9)
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Tenor Saxophone (9)
Harmonica (9)
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Trombone et Orchestre à Vent (8)
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Orgue et Orchestre (8)
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Euphonium or Saxhorn and Piano… (8)
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Mezzo-Soprano voice (8)
Scores (8)
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Choeur SSA, 2 Flûtes Traversi… (8)
Petit Orchestre: Récitant, So… (8)
Travaux Pour Choeurs (8)
All Instruments (8)
Tuba (8)
Tenor voice (8)
Violine und Orchester (8)
Mezzo-Soprano Et Orchestre (7)
2 Violons et 2 Cornets (et Bas… (7)
Baryton Et Orchestre (7)
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Trompette et Orchestre à Vent… (7)
Soli (STB), Gemischter Chor (S… (7)
Violin, Basso continuo (7)
Cello Ensemble (7)
Choeur de Femmes (SA) avec Sol… (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Trompette Solo, Orchestre à C… (7)
Woodwind Quintet (7)
Ukulele (7)
2 Violons, Alto, Luth et Basse… (7)
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Violon 1, Violon 2, Alto, Viol… (7)
Medium voice, Piano (7)
Violon 1 (7)
Low voice, Piano (7)
2 Violins (duet) (7)
Streichorchester (7)
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Guitare Electrique (7)
Biography (7)
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Soli (SATB), Choeur Mixte (SAT… (6)
Brass Quartet (6)
3 Parties Solo, Choeur Et Orch… (6)
MAND::Mandolin (6)
Marimba (6)
Baryton ou Tuba et Fanfare (6)
String Quartet : 4 violas (6)
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Orgue et Fanfare (6)
Violon I (6)
Solistes SATB, Choeur SATB, 2 … (6)
ENS::Ensemble (6)
Percussions et Concert Band ou… (6)
Descant (Soprano) Recorder (6)
Choral SSATB (6)
Piano Trio: Violin, Viola, Pia… (5)
Saxophone ensemble (5)
Tuba or Euphonium or Saxhorn (5)
4 Solistes, Choeur Et Orchestr… (5)
Clarinette, Orchestre et Piano… (5)
Cello, String Bass (duet) (5)
Chorale (5)
Keyboard (5)
Clarinette (Clarinette De Bass… (5)
Violin (band part) (5)
Choral SSAATTBB (5)
Violon, Viole Et Orchestre (5)
Harpsichord (5)
Orchestre De Chambre (5)
Choral SSAATBB, Organ (5)
Tuba et Orchestre à Vent (5)
Solistes s ATB, Choeur SATB, 2… (5)
Flexible Instrumentation (5)
Organ, Mixed Choir and Orchest… (5)
Hautbois, Clarinette, 4 Violon… (5)
Recorder Quartet (5)
Partition D'Orchestre In 8 (5)
Conducteur et Poche (5)
Tenor voice, Piano (5)
Choeur et Orchestre (5)
Guitare (5)
Marimba, Piano (duet) (5)
Snare drums (5)
Piano Quintet: piano, violin, … (5)
Trompette et Cordes (4)
Basson et Concert Band ou Harm… (4)
Quintette de Cuivres (4)
Guitare Classique et Orchestre… (4)
Ensemble à Cordes, Timbales, … (4)
2 Violons, 2 Altos et 2 Violon… (4)
CLT/FLT/ORCH::Clarinette/Fl?te… (4)
Piano, Oboe and Bassoon (4)
Flute, Harp en Piano (4)
Trio avec Piano (4)
Clarinette et Quatuor à Corde… (4)
Violin, Guitar (duet) (4)
String Quartet (4)
Choeur Mixteor (SATB), Orchest… (4)
Violon, Violoncelle, Alto et C… (4)
Flûte Traversière, Clarinett… (4)
Balalaika (4)
Voices, Choir and Orchestra (4)
Mixed Choir and Orchestra (4)
String Trio: violin, viola, ce… (4)
Flûte Traversière Hautbois, … (4)
Solistes SATB, Choeur SATB, 2 … (4)
Concert Band / Harmonie (4)
Trio A Vent-Bois (4)
Flûte Traversière ou Flûte … (4)
Clarinet Quartet: Clarinet, Vi… (4)
2 Flutes, Piano (4)
Quatuor à Cordes ou Orchestre… (4)
Orchestre, Choeur D'Enfants (2… (4)
Flûte Traversière Orchestre … (4)
2 Pianos et Orchestre (4)
Vibraphone et Orchestre à Cor… (4)
Clarinette en Sib, 2 Violons, … (4)
Solistes SATB, Choeur SATB, 2 … (4)
Orgue et Concert Band ou Harmo… (4)
Violon, Guitare et Accordéon (4)
Cajon (4)
Clarinet, Violin, Cello, Piano… (4)
Ensemble à Cordes (4)
Trio à Cordes (4)
Clarinet Ensemble (4)
2 Violins, Piano (4)
Trio (4)
Flute and Strings Trio (4)
Concert band, Percussion (4)
Flûte Traversière, Hautbois … (4)
Soprano et Orchestre (4)
Quatuor à Cordes ou Orchestre… (4)
Timpani (4)
Choral Soprano solo, SATB, Key… (4)
Oboe, Clarinet and Orchestra (3)
Flûte Traversière, 2 Clarine… (3)
Treble (Alto) Recorder, Basso … (3)
Concert Band ou Harmonie et Tu… (3)
Musical Awakening (3)
2 Flûtes Traversières, 2 Hau… (3)
Piano, Percussion et Harpe (3)
Petit Ensemble Contemporain (3)
DVD Opera and Ballets (3)
Voix et Piano Réduction (3)
Bass guitar (3)
Concert Band ou Harmonie et Cl… (3)
Solistes SATB, Choeur SATB, 4 … (3)
Petit Orchestre (3)
Solistes SATB, Choeur SATB, 2 … (3)
Voices, Children's Chorus, Ch… (3)
Tuba Ténor et Piano (3)
2 Clarinettes Et Basson (3)
3 Solistes, Choeur Et Orchestr… (3)
Organ and Brass Quartet (3)
Orchestre Scolaire (Piano Ad L… (3)
Solistes SATB, Choeur SATB, Ha… (3)
Accessoire (3)
Bass Trombone (3)
Alto Partie Séparée (3)
2 Trompettes, 2 Violons Et Bas… (3)
Viola (band part) (3)
Trio (2 Solistes avec Réducti… (3)
Flûte à Bec Alto ou Traversi… (3)
Balalaïka Et Piano (3)
Clarinette, Viola and Piano (t… (3)
Soprano (3)
Voice, Guitar (3)
Solistes SATB, Choeur SATB, Tr… (3)
Mug (3)
Choeur d'Enfants à 2 Parties … (3)
Saxophone Soprano et Piano (3)
Melody line, (Lyrics) and Chor… (3)
Clarinette (2 Clarinettes) Et … (3)
Hautbois, Violon ou 2 Violons … (3)
3 Pianos (3)
2 Cellos, Piano (3)
Libretto (3)
3 Parties Solo, Choeur Et Orch… (3)
2 Orchestres à Cordes (3)
Viola da Gamba (3)
Oboe, Percussion (3)
DVD concert (3)
Violoncello, Basso continuo (3)
4 Parties Solo, Choeur Et Orch… (3)
Piccolo, Piano (3)
Mezzo-Soprano, Orchestra (3)
String orchestra, Percussion (3)
Choeur de Femmes et Orchestre (3)
Choral Unison (3)
Chœur Mixte [SATB] et Orchest… (3)
Baryton, Choeur Mixte Et Orche… (3)
Alto ou 2 Violes et Piano (3)
Timbales (3)
2 Cellos (duet) (3)
Clarinet Quartet: 4 clarinets (3)
4 Solistes, Choeur Et Orchestr… (3)
Partition In 16 Poche (3)
Violoncelle (Partie Séparée)… (3)
Solistes SATB, Choeur SATB, 2 … (2)
TPT/TIMP::Trompette, Timbale (2)
Choeur SATB, 2 Clarinettes, 2 … (2)
Piano and Orchestra (2)
4 Guitars (Quartet) (2)
Flûte Traversière (Matériel… (2)
Trompette, Bugle, Piccolo Trom… (2)
Harmonie (2)
Chœur Mixte [SATB] et Orchest… (2)
Vibraphone and 2 Marimbas (2)
2 Dessus, Basse (2)
Baritone and Orchestra (2)
Soprano, Mezzo-Soprano, Baryto… (2)
HN/ORCH::Cor, Orchestre (2)
Folk Ensemble (2)
ST (A) BarB et Piano (2)
Voix Moyenne et Orchestre (2)
2 Saxophones (duet) (2)
Accordion, String(s) (2)
Quatuor A Cordes Et Orchestre (2)
Trompette Et Orchestre (2)
Choeur De Femmes (SA) (2)
Solistes (SATB), Choeur Mixte … (2)
Solistes SATB, Choeur SATB, 2 … (2)
Partition D'etude A3, Orchestr… (2)
Children choir (2)
Solistes SATB, Choeur SATB, 2 … (2)
Solistes SATB, Choeur SATB, 2 … (2)
Basse Partie Séparée (2)
Basson et Concert Band/Harmoni… (2)
Hautbois Et Orchestre A Cordes… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Solistes SATB, Choeur SATB, 2 … (2)
Solistes SATB, Choeur SATB, 2 … (2)
Solistes SSATB, Choeur SSATB, … (2)
Choeur SATB, Paroisse et Orgue… (2)
Pianoforte Et Orchestre (2)
Solistes SATB, Choeur SATB, (C… (2)
English Horn (2)
Clarinette Alto et Piano (2)
Xylophone, Piano (2)
Voix et Ensemble Instrumental (2)
Solistes SATB, Choeur SATB, 2 … (2)
Solistes SATB, Choeur SATB, (C… (2)
Brass Band, Voix d'Enfants, Or… (2)
Opéra (2)
CLT/ORCH::Clarinette, Orchestr… (2)
Solistes SATB, Choeur SATB, Tr… (2)
Piano Accompaniment (2)
VLC/ORCH::Violoncelle/Orchestr… (2)
Ténor Solo, Violon Solo, SATB… (2)
Instrument Solo en Do et Orche… (2)
Voices (STB), Mixed Chorus, B… (2)
Solo Piano (2)
Bugle et Orchestre (2)
Clarinette et Orchestre de Cha… (2)
Cor Anglais et Orchestre à Co… (2)
Basson, Orchestre à Cordes et… (2)
Flûte Traversière, Piano et … (2)
VCE/ORCH::Voice, Orchestra (2)
Ténor, Choeur (SATB) et Orche… (2)
Low voice (2)
Soli Et Choeur SATBB Sans Acco… (2)
Solistes SATTB, Choeur SSATTBB… (2)
Marimba or Xylophone and Piano… (2)
Solistes SATB, Choeur SATB, (C… (2)
Grand Ensemble Contemporain et… (2)
Soloists, Mixed Choir and Orc… (2)
Voix Et Choeur Et Orchestre (2)
Contrebasse et Orchestre (2)
Solistes SATB, Choeur SATB, Tr… (2)
Strings orchestra (2)
ENS::Ensemble d'cole (2)
Solistes SATB, Choeur SATB, 3 … (2)
Solistes SATB, Choeur SATB, (C… (2)
Concert Band/Harmonie et Solo (2)
Trombone, Piano Et Percussions… (2)
Parties Supplémentaires (2)
Solistes SATB, Choeur SATB, 2 … (2)
Alto ou Violoncelle et Piano (2)
Livre Musical (2)
Soli, Mixed Choir and Orchest… (2)
Baritone (Tenor) solo, Chorus… (2)
Violon, Alto Et Orchestre (2)
2 Trumpets (duet) (2)
Clarinet, Bassoon (duet) (2)
Children choir, Instruments (2)
Clavecin et Orchestre à Corde… (2)
Marimba or Xylophone (2)
3 Solistes, Choeur Et Orchestr… (2)
Soprano et Orchestre de Chambr… (2)
VLN/ORCH::Violon, Orchestre (2)
3 Cornets et Brass Band (2)
Choeur De Cuivres Et Orchestre… (2)
Ottavino, 2 Flûtes Traversiè… (2)
Solistes, SATB et Orchestre (2)
Flute, Cello, Piano (trio) (2)
Soprano Saxophone and Piano (2)
Soprano, Baryton Et Orchestre (2)
Clarinette Et Cordes (2)
Solistes SATB, Choeur SATB, Co… (2)
Flute, Basso continuo (2)
Piano et Orchestre à Cordes (2)
Percussions et Concert Band/Ha… (2)
Flute, Oboe (duet) (2)
Marimba (2)
Trompette ou Tuba et Concert B… (2)
Narrateur Et Orchestre (2)
Organ, Trumpet (duet) (2)
Voix Mixtes et Orchestre (2)
Solistes STBar, Choeur SATB, 2… (2)
Solistes SATB, Choeur SATB, 2 … (2)
English horn, Piano (2)
Guitar, Bassoon (2)
Solistes SATB, Choeur SATB, Ba… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Rapport Critique (2)
STRING ENSEMBLE (2)
Solistes, Chœur Mixte SATB et… (2)
Solistes SATTBB, Choeur SATB/S… (2)
OB/ORCH::Oboe, Orchestra (2)
Soli Et Choeur SATTB Sans Acco… (2)
Voice Soprano, Cello (2)
2 Guitars (duet) (2)
Book (2)
Soli Et Choeur SATB Sans Accom… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Baryton Solo, Choeur et Orches… (2)
Soli/Choeur SATBB Sans Accompa… (2)
Choeur d'Enfants ou Baryton et… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur SATB, 2 Hautbois, 2 Cla… (2)
3 Trombones (trio) (2)
MANDA::Mandola (2)
Cor Anglais (Hautbois), Trompe… (2)
Cor en Fa (2)
SATB/ORCH::SATB, Orchestra (2)
Flute and Guitar (2)
Solistes SATB, Choeur SATB, (4… (2)
Soprano, SATB et Orchestre (2)
Cornet and Piano (2)
VLA/ORCH::Viola, Orchestra (2)
Mixed Choir (SATB) and String … (2)
Solistes SATB, Choeur SATB, 2 … (2)
Saxophone Alto, Saxophone Sopr… (2)
Parties Solo, Choeur Et Orches… (2)
ORCH/VLA::Orchestra, Viola (2)
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3 Guitars (trio) (2)
Violon et Ensemble (2)
Contrebasse (Partie séparée)… (2)
Piano, Orchestre (2)
Partition Et Parties (2)
Solistes SATB, Choeur SATB, 2 … (2)
Xylophone (2)
Quatuor à Cordes et Orchestre… (2)
Organ, Strings (2)
Solistes SATB, Choeur SATB, (C… (2)
Reportage (2)
VLA/ORCH::Viola, Orchestre (2)
Flute, Violin, Violoncello and… (2)
Voices and Orchestra (2)
Ténor, Alto ou Baryton et Orc… (2)
OPERA::Op‚ra (2)
Soli/Choeur Mixte Et Orchestre… (2)
Petit Orchestre Ou Voix Et Pet… (2)
Descent (Soprano) Recorder, Pi… (2)
Children choir, Piano (2)
Vents / Winds / Fiati / Viento… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Tenor Saxophone and Piano (2)
Saxophone Baryton Et Piano (2)
2 Pianos, 3 hands (2)
Brass Quartet: 4 horns (2)
Solistes SATB, SATB et Orchest… (2)
Cello, Organ (2)
Orchestral (2)
Violon et Orchestre de Chambre… (2)
TEN/BASS/BAR/TTBB/ORCH::Tenor/… (2)
Harpe et Piano (2)
Piano et Orchestre en Do (2)
Mixed Choir (SATB), Clarinet, … (1)
ST (A) BarB et Orchestre (1)
Solistes SSSATB, Choeur SSATB,… (1)
SAATBB et Orchestre (1)
Klavierauszug - Flöte (Oboe)… (1)
2 Pianos, Percussions Et Orche… (1)
Orchestre et Quatuor à Cordes… (1)
Oeuvres complètes (1)
Soprano, Quintette à vent (F… (1)
SREC/TENREC/BREC/ELEC::Soprani… (1)
VLN/HARP/HPCD/STR ORCH::Violin… (1)
Soli/2 Choeurs SATB Sans Accom… (1)
Solistes SATB, Choeur SATB, Fl… (1)
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Concerto D Major Op. 61 For Violin And Orchestra
Violin and Piano
G. Henle
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...
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Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Concerto D major op. 61 for Violin and Orchestra pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée
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Concerto For Violin And Orchestra A Minor Bwv 1041
Violin and Piano
[Sheet music]
G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Concerto for Violin and Orchestra a minor BWV 1041 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 671. / Violon Et Piano / Partition
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Bohuslav Martinu: Concerto for Violin and Orchestra no. 1 H 226: Violin:
Violin and Piano
Barenreiter
Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work ...
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Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work having been commissioned by the Violin virtuoso Samuel Dushkin. However it was never performed during the composer?s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.This Piano reduction is based on the musical text of the first edition. The solo parthas been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinu scholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hireFull score available for sale (H5798)
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Benjamin Frankel: Concerto For Violin And Orchestra Op.24: Violin: Instrumental
Violin and Piano
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Novello & Co Ltd.
Benjamin Frankel's reputation is based on the cycle of five string quartets and ...
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Benjamin Frankel's reputation is based on the cycle of five string quartets and eight symphonies which together with the powerfully beautiful concertos for violin and for viola rather overshadow many of his other fine pieces. The Violin Concerto grew from the composer's long and close association with Max Rostal a friendship which also inspired one of Frankel's perhaps best known compositions the First Sonata for Solo Violin.Frankel's exciting Concerto For Violin And Orchestra Op.24 has been beautifully arranged for Violin with Piano Reduction by Philip G. Jones. The solo violin part is also included on a separate insert.
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Bohuslav Martinu: Concerto for Violin and Orchestra no. 2 H 293: Violin:
Violin and Piano
Barenreiter
After hearing the Boston Symphony Orchestra perform Martinu?s Symphony No. 1 in ...
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After hearing the Boston Symphony Orchestra perform Martinu?s Symphony No. 1 in New York Mischa Elman commissioned the composer to write a Violin Concerto for him. Martinu thereupon composed his second Violin Concerto in 1943. That same year Elman played the solo part at the première with Sergei Koussevitzky conducting the Boston Symphony Orchestra.This Piano reduction is based on the musical text of the first edition. The solo part has been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinuscholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hire
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Peter Maxwell Davies: Concerto For Violin And Orchestra: Violin: Instrumental
Violin and Piano
[Sheet music]
Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its ...
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This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday and was written for Isaac Stern. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenthSt. Magnus Festival. It was given by Isaac Stern and the Royal Philharmonic Orchestra conducted by Andre Previn.This book contains the solo violin part and a piano reduction of the orchestral score.
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Johann Sebastian Bach: Concerto For Violin And Orchestra In E BWV 1042: Violin:
Violin and Piano
[Reduction]
G. Henle
The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movem...
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The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movements: Allegro Adagio Allegro Assai. Its history is somewhat vague as no autograph manuscript survives. Originallyscored for Violin Strings and Continuo it is presented here with a Piano reduction. Editorial suggestions for bowing and fingering have been provided together with a ?clean? copy for the violinist?s own use. J. S.Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organist and choirmaster but was also employedas a composer a many different Royal Courts.
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Wolfgang Amadeus Mozart: Single Movements For Violin And Orchestra: Violin:
Violin and Piano
[Reduction]
G. Henle
For years Henle has been issuing urtext Piano reductions of Mozart?s works for V...
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For years Henle has been issuing urtext Piano reductions of Mozart?s works for Violin and Orchestra at six-month intervals. Now the time has come for the three Single Movements. These incomparabletreasures of the Violin literature are too well-known to require special praise here. Each solo part appears in an impeccable urtext edition accompanied by cadenzas improvised lead-ins (Eingänge) fingering and bowing marks. ThePiano reduction sounds beautiful and is easy to play or to quote Mozart?s own words 'it comes off as smooth as silk'.
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John Joubert: Concerto For Violin And Orchestra (Violin/Piano): Violin:
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Concerto For Violin And Orchestra (Violin/Piano)
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John Corigliano: Concerto For Violin And Orchestra: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Schirmer
John Corigliano's Concerto for Violin and Orchestra (The Red Violin) draws upon ...
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John Corigliano's Concerto for Violin and Orchestra (The Red Violin) draws upon music he composed for the film of the same name which won an Academy Award for best film score. The story spans three centuriesin the life of a magnificent but haunted Violin in its travels through space and time. Corigliano composed this 36-minute concerto in memory of his father the former concertmaster of the New York Philharmonic. For Violin andPiano reduction.
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Bartok B. - Violin Concerto No.1 Op.posth. - Violin And Orchestra
Violin and Piano
Boosey and Hawkes
Edition : piano reduction with solo part Instrumentation : violin and orchestra ...
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Edition : piano reduction with solo part Instrumentation : violin and orchestra Date of Composition: 1907-8 Duration : 21' Number of Pages : 32
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Wolfgang Amadeus Mozart: Single Movements for Violin and Orchestra: Violin: Part
Violin and Piano
[Reduction]
Barenreiter
Single Movements for Violin and Orchestra (Urtext). (Adagio in E K.261; Rondo in...
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Single Movements for Violin and Orchestra (Urtext). (Adagio in E K.261; Rondo in B flat K.269; Rondo in C K.373).vn orchPiano reduction(New edition with Cadenzas)
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Camille Saint-Saëns: Concerto For Violin And Orchestra No.1 Op.20: Violin:
Français
Violin and Piano
[Reduction]
Hamelle
Concerto For Violin And Orchestra No.1 Op.20
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Maurice Ravel: Tzigane: Violin: Instrumental Work
Violin and Piano
Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...
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Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Jones: Viennese Fiddler: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Boosey and Hawkes
Viennese music has become almost synonymous with Johann Strauss II and his great...
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Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.
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Christmas Strings (MILLER DONALD)
Violin and Piano
-
Beginner
Mel Bay
With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be perf...
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With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano
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Miller: Christmas Strings: Violin 1 and 2: Violin Duet: Instrumental Album
Violin and Piano
[Sheet music]
-
Beginner
Mel Bay
With Piano Accompaniment-These books are arranged to be performed with various c...
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With Piano Accompaniment-These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known others will sound fresh and new tomost players. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the pianoaccompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas Inc. If performed with full orchestra no solo parts should beplayed except the 1st violin part. Note also if you wish to perform these works with full orchestra and you are short certain instruments you still have some flexibility with the score. For example if there are not enoughviolas for balance the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.
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Camille Saint-Saëns: Havanaise Op.83: Violin: Instrumental Work
Violin and Piano
[Score and Parts]
Barenreiter
First scholarly-critical edition of this work.Variants from the Orchestral versi...
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First scholarly-critical edition of this work.Variants from the Orchestral version shown in the Violin part.This virtuoso work based on the Cuban Habanera rhythm was composed in 1887 and is a part of standard concert repertoire. Following Christine Baur?s highly successful Bärenreiter Urtext edition of Saint Saens? ?Allegro appassionato? (BA 9047) the editor now presents the ?Havanaise? in the version for Violin and Piano.This first-ever critical edi tion of ?Havanaise? draws on both the composer?s autograph version for Violin and Piano as well as the later orchestrated version. Where the solo part of theorchestral version differs from the version for Violin and Piano the variants are shown in the Violin part as ossias.The editor offers a concise and informative introduction (Eng/Ger/ Fr) on the history and compositional process of ?Havanaise?; a detailed critical commentary (Eng) concludes this Urtext edition.
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Indra - Hommage A Lili Boulanger (PEPIN CAMILLE)
Violin and Piano
Jobert
Par PEPIN CAMILLE. Lorsque Claire Bodin [1] m'a proposé d'écrire une pièce en...
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Par PEPIN CAMILLE. Lorsque Claire Bodin [1] m'a proposé d'écrire une pièce en hommage à une compositrice du passé, j'ai choisi de rendre hommage à Lili Boulanger (1893-1918). Compositrice et orchestratrice hors-pair, elle était également une très belle femme, généreuse et courageuse, oeuvrant à l'arrière du front pour les civils et soldats mobilisés durant la Première Guerre Mondiale - et cela malgré la maladie et sans jamais cesser d'écrire. Première compositrice à remporter le Grand Prix de Rome en 1913, elle ouvre une voie jusqu'alors non reconnue aux femmes. Son succès éclaire la présence féminine dans un domaine jusque là 'réservé' exclusivement aux hommes. Rendre hommage à Lili Boulanger, c'est non seulement rendre hommage à l'incroyable femme et musicienne qu'elle était, mais aussi à cette voie qu'elle a ouverte aux compositrices des générations futures. J'ai choisi d'écrire une pièce inspirée de la mythologie hindoue, en hommage à sa Vieille Prière Bouddhique achevée en mars 1917. Indra sera ainsi créée en mars 2017 - soit cent ans après la conception de l'oeuvre de Lili Boulanger ! Indra est le dieu de la guerre et de l'orage. Ses attributs sont l'éclair et l'arc-en-ciel. Doté de pouvoirs magiques, Indra affronte le serpent Vrtra qui retient les eaux célestes, faisant ainsi souffrir le monde d'une grande sécheresse. Indra le combat et délivre les eaux du ciel en transperçant les nuages. Tel est le mythe qui m'a inspiré. J'ai eu envie d'écrire une pièce rythmique, puissante et énergique, pour rendre hommage à la force et au courage de Lili Boulanger en tant que femme artiste. Lui rendre hommage aujourd'hui sans prendre en compte sa condition de femme est un luxe que l'on ne peut pas encore se permettre. Qui plus est, il m'a semblé tout naturel de choisir ce thème plein de vigueur pour cette oeuvre dédiée à la pianiste Célia Oneto Bensaïd et la violoniste Raphaëlle Moreau qui en feront la création. Tout l'enjeu de cette oeuvre était de représenter cette force et cette volonté : comment rendre cette vivacité et cette fougue de l'orage - de ce combat - avec seulement deux instruments ? J'ai ainsi conçu une pièce alternant des épisodes nerveux et pulsés - guerrier - à des épisodes plus légers et dansants - vif, aérien. J'ai recherché des sonorités martiales en pensant véritablement l'oeuvre d'une façon 'orchestrale' avec des appels de cors ou encore des coups de grosse caisse. Un bref épisode aux couleurs flûtées sur un tapis scintillant de harpe - magique et incantatoire - rappelle les pouvoirs magiques d'Indra avant de retrouver la nervosité et la pulse initiales. / Contemporain / Répertoire / Violon et Piano
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Edward Elgar: Chanson de matin- Chanson de nuit: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate
Peters
In the earlier part of Elgar's career as a composer he wrote several short piec...
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In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular. Chanson de Nuit and Chanson de Matin both carried his name far and wide before he composed his larger orchestral works. These two pieces which together complete Op.15 were published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was the original version. However Elgar himself was a good violinist and so it may well be that he would have played this tune through to himself on the violin before adding a piano part andsending it off to his publishers for their consideration. In any event it remains a beautiful theme of considerable character and style.This Urtext edition provides you with an accurate representation of the composer’s original intentions and thoroughly detailed editorial marking and suggestions with commentary as edited by Donald Burrows.This is the version for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert.
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Alla madre (HEINIO MIKKO) (HEINIO MIKKO)
Violin and Piano
Fennica Gehrman
Par HEINIO MIKKO. Mikko Heiniö's Alla madre (2007) abandons the traditional vir...
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Par HEINIO MIKKO. Mikko Heiniö's Alla madre (2007) abandons the traditional virtuoso concerto concept: here a large orchestra engages in dialogue with a solo violin. The first movement is called Arrivo, ?Arrival?: the soloist literally arrives later, and by degrees, playing his/her first two solos offstage. Even then the orchestra continues to take the initiative for a long time. Not until the second movement, entitled Aura, ?Air or Wind?, does the initiative pass to the solo violin as it sets light to notes in the orchestra harmony like individual lamps. And not until the end of the second movement and the beginning of the third does the solo violin play completely on its own. The title of the first movement, ?Arrival?, underlines the event, the dramaturgy, whereas that of the second movement, ?Aura?, alludes to the texture and the shimmering space. The third movement is the most strongly emotional, as the name Carezza, ?Caress? suggests. This product includes the solo part and the piano reduction (B4 sized). The orchestral material is available from the publisher. The orchestration: 3(III picc)3(III ca)3(III=bcl)3(III=cfg)-4331-13-hp-str / Date parution : 2023-01-24/ Répertoire / Violon et Piano
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Instrumental
Violin and Piano
[Sheet music]
-
Easy
Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...
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Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
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Rêverie Et Caprice (Violin And Piano)
Violin and Piano
Classical guitar
Faber Music Limited
Following the composition of Harold En Italie for Viola and orchestra in 1834, B...
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Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.
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Helen Grime: Romance for Violin and Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
'Romance for violin and piano is a short reflective piece that exploits the lyr...
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'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the
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