SKU: J1.6022
8.26 x 11.28 inches.
SKU: HL.49015461
ISBN 9790001084185. 9.0x12.0x0.138 inches.
SKU: J1.6015
SKU: J1.6008
SKU: HL.49045444
ISBN 9790001162005. UPC: 841886028746. 9.25x12.0x0.058 inches. German - English - French. (ed. Wolfgang Birtel, Benjamin Ramirez) Schott Student Edition Repertoire.
This Rondo, which originally was the third of four easy performance pieces in a cycle for violin and piano (Op. 22), is one of Rieding's most popular and frequently performed pieces in violin lessons for beginners. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: BR.EB-8390
ISBN 9790004176962. 9 x 12 inches.
Francesco Mancinis four sonatas were first published in a collection of twelve sonatas in 1724.The present edition is based on a reprint of the first edition published in 1730 (copy housed at Kings College, Cambridge), in which the sonatas are explicitly assigned to the recorder.The present edition is based on a reprint of the first edition published in 1730 (copy housed at King's College, Cambridge), in which the sonatas are explicitly assigned to the recorder.
SKU: HL.1171048
ISBN 9781705189382. UPC: 196288125099. 9.0x12.0x0.08 inches.
Morten Lauridsen was commissioned by acclaimed violinist Anne Akiko Meyers to make arrangements of his popular songs, “Dirait-on” and “Sure on this Shining Night” which she has recorded on her CD Shining Night, now making these world-famous vocal songs available for violinists to enjoy and to perform in concert.
SKU: AP.1-ADV14770
UPC: 805095147704. English.
A new and exciting way for violin players to learn and practice basic jazz style. Easy Jazz Conception: Violin Book & CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Mark Feldman on violin along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the soloist and rhythm section, and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD, and learn basic jazz style first hand.
SKU: HL.50601168
8.25x11.75x0.08 inches.
During the course of her South American concert tour, the American star violinist Hillary Hahn presented the world premiere of Franghiz Ali-Zadeh's new work “Impulse” on 11 September 2012 in Rio de Janeiro. The encore piece “Impulse” is part of Hilary Hahn's cycle In 27 Pieces: The Hilary Hahn Encores. The violinist had turned to various contemporary composers from whom she requested contributions. The individual encore pieces were premiered by the violinist successively until the end of the 2012/13 season and then recorded on CD.
SKU: HL.50600469
8.25x11.75x0.14 inches.
“I belong to that group of people who appropriate Debussy's wonderfully formulated philosophy according to which music begins where words end. Contrary to a view that has become widespread during the past 100 years, I am convinced that the task of the composer is to write music, not to talk about it. Even if my technical and aesthetic commentaries on one of my compositions were to have a certain value for listeners, such a commentary would have the effect that I were more or less forcing my own vision of the work onto the listener. The power of music is, however, a gift that makes it capable of calling forth different reactions in listeners. I shall therefore limit myself to saying that the 'Imaginary Variations' were inspired by the wonderful recordings of Janet Packer that I listened to with the greatest pleasure prior to the beginning of my work. The title is derived from the fact that this composition is structured similarly to the classical variation form and that the audience can listen to the constant changes of the musical ideas. In truth, however, the twelve short sections of the work are not true variations even though they reveal some connections and similarities.” (Krzysztof Meyer).
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