SKU: HL.48025138
ISBN 9781784546984. UPC: 196288093152. 9.0x12.0x0.321 inches.
The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the Violin Edition (with an optional easy violin part and guitar chords); or the Complete Edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.
SKU: LM.J31013
ISBN 9790231705218.
RAMEAU : Menuet - CAIX D'HERVELOIS : Air gai - MOZART : Allegretto - FORQUERAY : Rigaudon - SCHUMANN : Reverie - SCHUBERT : Moment musical - WAGNER : Les Maitres Chanteurs - MENDELSSOHN : Romance - CORELLI : Grave - LECLAIR J. M. : Sarabande - TARTINI : Andante cantabile - SCHUBERT : La truite. (recueil en 1ere, 2eme, 3eme et 5eme position, sauf l'Andante Cantabile de Tartini : positions 1 a 6).
SKU: HL.49012358
ISBN 9790001103329. 9.0x12.0x0.125 inches.
SKU: HL.49003314
ISBN 9790220119880. UPC: 884088053444. 9.0x12.0x0.177 inches.
This volume presents a mixed and varied collection of jazzy violin arrangements with piano accompaniments. Contents: Down by the Riverside * Bill Bailey, Won't You Please Come Home * East Virginia Blues * Jeanie with the Light Brown Hair * La Paloma * The American Patrol * Frankie and Johnny * O Sole Mio. Includes score and pull-out violin part.
SKU: YM.GTW01100445
ISBN 9784636103052. 8.5 x 12 inches.
Here, you can enjoy the beautiful Japanese classic tunes expressing the changing seasonal sentiments in this book. It features 25 songs, mainly nursery rhymes, children's songs, and shoka songs, and it comes with a karaoke CD of piano accompaniment. Please enjoy these wonderful arrangements, which are perfect for recitals and concerts.
SKU: JK.01761
Luke 2:8-14.
African-American Christmas spiritual arranged for early-advanced violin solo and piano.Composer: African-American Spiritual Arranger: Kelly D. Anderson Difficulty: intermediate advanced Performance time: 2:29Reference: Luke 2:8-14.
SKU: PR.414411630
ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.
EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.Excursions for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section. The traditional statement-contrast-restatement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast. Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section. This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to. In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we? It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners. Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano. The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece. The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version