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String Trio: 3 cellos (2)
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French horn (band part) (2)
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Trompette (Ou Cornet), Trombon… (2)
Fake Book (2)
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Flute Quartet: 4 flutes (1)
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2 Ou 4 Voix Mixtes Et Piano (O… (1)
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Choeur Mixte et Orchestre (1)
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Trompette Et Piano Ad Libitum (1)
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Works For Mixed Choir And Orchestra - Les Djinns Op. 12 N 43B / La Naissance De Vénus Op. 29 N 72B / Madrigal Op. 35 N 78B / Pavane Op. 50 N 100A (FAURE GABRIEL)
Voice and Orchestra
[Sheet music]
Barenreiter
Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” conta...
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Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” contains Fauré's four secular choral works in their orchestral arrangements, namely 'Les Djinns”, 'La Naissance de Vénus”, 'Madrigal”, and 'Pavane”. These works were composed between 1876 and 1887 - thereafter Fauré wrote choral compositions based only on sacred texts. The first three works are presented here for the first time in a full score edition, previously having been published only in their versions with piano accompaniment. This edition is therefore the first to present the works with an authoritative musical text based on the careful study of the sources. 'Les Djinns” (1876-76) for mixed choir and orchestra is based on the famous poem by Victor Hugo first published in the collection 'Les Orientales”, while 'La Naissance de Vénus” (1882) for soloists, choir and orchestra is based on a text by Paul Collin. 'Madrigal”, the orchestral version of which cannot be dated with certainty (around 1891, for a quartet of soloists or choir) has been composed after a poem by Armand Silvestre, and the famous 'Pavane”, originally composed for orchestra and only later supplemented with a text by Symbolist poet Robert de Montesquiou, is presented here in an elegant, graceful version with mixed choir. / Date parution : 2019-06-20/ Répertoire / Chant et Orchestre
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Lobgesang / Hymn of Praise Op. 52 MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX)
Voice and Orchestra
[Sheet music]
Barenreiter
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mention...
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Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mentioned his 'Hymn of Praise” in the same breath as Beethoven's Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name 'symphony-cantata”. Later he added a secular counterpart with 'Die Erste Walpurgisnacht”. Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work's performance, e.g. tempo, articulation and dynamics. For the first time the piano reduction includes Mendelssohn's authorised version of the 'Sinfonia”, based on the first edition of No. 1 for piano solo./ Répertoire / Chant et Orchestre
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