| M-O-T-H-E-R (A Word That Means the World to Me) Piano, Vocal and Guitar [Singles] - Intermediate Alfred Publishing
Lyric by Howard Johnson, melody by Theodore Morse. For Piano/Vocal/Chords. This ...(+)
Lyric by Howard Johnson, melody by Theodore Morse. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Sheet. Nostalgia. Sheet. 4 pages. Published by Alfred Publishing.
(2)$3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fast Forward Jazz Ensemble [Score] - Intermediate C.L. Barnhouse
By Howard Rowe. Jazz ensemble. Barnhouse Medium Jazz Series. Audio recording ava...(+)
By Howard Rowe. Jazz ensemble. Barnhouse Medium Jazz Series. Audio recording available separately (items CL.991-2002-01, CL.991-2002-02 and CL.WFR347). Grade 3. Extra full score. Composed 2002. Duration 2 minutes, 41 seconds. Published by C.L. Barnhouse
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| That's My Hap-Hap-Happiness Piano, Voice Bourne Music Co.
Solo voice and piano SKU: BC.286681 Composed by Sherman. Vocal Music. Pub...(+)
Solo voice and piano SKU: BC.286681 Composed by Sherman. Vocal Music. Published by Bourne Music (BC.286681). Words by Charles Tobias & Howard Johnson. $4.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Great Irish Songbook Piano, Voice Carl Fischer
With A Special Section of Traditional Irish Jigs, Reels and Hornpipes. By Alexan...(+)
With A Special Section of Traditional Irish Jigs, Reels and Hornpipes. By Alexander Lee; Alma M. Sanders; Anonymous; C.W. Murphy; Charles W. Glover; Chauncey Olcott; Claribel; Dermot Macmurrough; Ernest R. Ball; F.W. Crouch; Fred Fischer; Fred Fisher; G. Barker; George L. Geifer; George M. Cohan; Harry Williams; Howard Johnson. Edited by Dan Fox. Arranged by Dan Fox. Text: Alfred Bryan; Alfred Perceval Graves; Annie Crawford; C.W. Murphy; Chauncey Olcott; Claribel; Dion Boucicault; E.J. Falconer; F. Mordaunt Spencer; Fred Fisher; Fred Weatherly; George Graff, Jr.; George L. Geifer; George M. Cohan; Harry Williams. For Piano, Voice. International Passport Series. Piano/Vocal Score. 128 pages. Published by Carl Fischer.
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| Fast Forward Jazz Ensemble [Score and Parts] - Intermediate C.L. Barnhouse
By Howard Rowe. Jazz ensemble. Solo. Barnhouse Medium Jazz Series. Audio recordi...(+)
By Howard Rowe. Jazz ensemble. Solo. Barnhouse Medium Jazz Series. Audio recording available separately (items CL.991-2002-01, CL.991-2002-02 and CL.WFR347). Solo. Grade 3. Score and set of parts. Composed 2002. Duration 2 minutes, 41 seconds. Published by . Score and Parts. Solo.
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| Serenade [Score] Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash Cymbals, Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Oboe 2, Percussion 1, Percussion 2, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more. SKU: CF.SC88 Composed by William Grant Still. Full score. 32 pages. Duration 9 minutes, 20 seconds. Carl Fischer Music #SC88. Published by Carl Fischer Music (CF.SC88). ISBN 9781491158845. UPC: 680160917563. William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Stillas interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. William Grant Still's catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 Afro-American by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still's orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the Dean of Afro-American Composers. Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still's interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American†by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.â€Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still’s interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| From the Black Belt Carl Fischer
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, F...(+)
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Oboe, Percussion, Timpani, Trumpet 1, Trumpet 2, Trumpet 3, Viola, Violin 1, Violin 2, Violoncello SKU: CF.SC89L Seven Little Pieces. Composed by William Grant Still. Large Score. 36 pages. Duration 12 minutes. Carl Fischer Music #SC89L. Published by Carl Fischer Music (CF.SC89L). William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American†by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.â€The “Black belt†refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Still’s piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American†by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.â€The “Black belt†refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Still’s piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: Li’l Scamp If one were to base his judgment on the volume of sound, he would think this little fellow, who delights in playing childish pranks, a big scamp. But the aptness of the title is determined by the brevity of the piece rather than by the volume of sound. Honeysuckle A musical suggestion of the saccharine odor of the honeysuckle. Dance This title is self-explanatory. Brown GirlA tone picture of a lovely girl. Mah Bones Is Creakin’An old man, afflicted with rheumatism, complains loudly. BlueThe lament of a weary soul. Clap Yo’ Han’sThe participants in a game for children form a circle and clap their hands at intervals. $48.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| From the Black Belt [Score] Carl Fischer
Orchestra chamber orchestra SKU: CF.SC89 Seven Little Pieces. Comp...(+)
Orchestra chamber orchestra SKU: CF.SC89 Seven Little Pieces. Composed by William Grant Still. Full score. 36 pages. Duration 12 minutes. Carl Fischer Music #SC89. Published by Carl Fischer Music (CF.SC89). ISBN 9781491158852. UPC: 680160917570. Scoring: Bass Clarinet in Bb, Bassoon, Clarinet 1 in Bb, Clarinet 2 in Bb, Contrabass, Flute 1, Flute 2, Harp, Horn 1 in F, Horn 2 in F, Horn 3 in F, Oboe, Percussion, Timpani, Trumpet 1 in Bb, Trumpet 2 in Bb, Trumpet 3 in Bb, Viola, Violin 1, Violin 2 and more.
William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a The aBlack belta refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Stillas piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a The aBlack belta refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Stillas piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: Lial Scamp If one were to base his judgment on the volume of sound, he would think this little fellow, who delights in playing childish pranks, a big scamp. But the aptness of the title is determined by the brevity of the piece rather than by the volume of sound. Honeysuckle A musical suggestion of the saccharine odor of the honeysuckle. Dance This title is self-explanatory. Brown Girl A tone picture of a lovely girl. Mah Bones Is Creakina An old man, afflicted with rheumatism, complains loudly. Blue The lament of a weary soul. Clap Yoa Hanas The participants in a game for children form a circle and clap their hands at intervals. $30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violin [Sheet music] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Choral Reflections: Insights from American Choral Conductor-Teachers Hal Leonard
Text Book SKU: HL.360490 Edited by Brandon Williams. Book. Choral Resourc...(+)
Text Book SKU: HL.360490 Edited by Brandon Williams. Book. Choral Resources, Teacher Resource. Softcover. 208 pages. Published by Hal Leonard (HL.360490). ISBN 9781705124673. UPC: 840126949018. 6.0x9.0x0.47 inches. Tesfa Wondemagegnehu writes, “The compendium you hold in your hands represents the glimmering of the North Star. All thought-leaders and outstanding practitioners of our time, these authors have provided myriad ways to navigate through the messy, deafening, and sometimes terrifying chaos around us.†Choral Reflections offers inspiration, ideas, and insights for conductor-teachers at any stage. The goal for Choral Reflections is to provide a platform for a new and more representative cross-section of American choral conductor-teachers to share their reflections, beliefs, values, and visions for the choral art. The thirty contributors are: Hilary Apfelstadt, Anton Armstrong, Geoffrey Boers, Edith A. Copley, Rollo A. Dilworth, Jason Max Ferdinand, Lynne Gackle, Janet Galvan, Lynnel Joy Jenkins, Craig Hella Johnson, Ann Howard Jones, Henry H. Leck, Iris S. Levine, Fernando Malvar-Ruiz, Kevin McBeth, Marcela Molina, Gary Packwood, Rosephanye Powell, Amanda Quist, Doreen Rao, Jeffery B. Redding, Eugene Rogers, Diana V. Saez, Pearl Shangkuan, Tom Shelton, Sandra Snow, Andre J. Thomas, Betsy Cook Weber, Brad Wells, and Jace Kaholokula Saplan. $29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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