Composed by Johann Sebastian Bach (1685-1750), edited by Dietrich Kilian. BWV 1041. For violin and piano. Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Baroque. A Minor. 26 pages. 9x12 inches. Duration 15m. Published by Baerenreiter-Ausgaben.

By Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Sextet. For glockenspiel, xylophone, vibraphone, 2 small marimbas (4 octaves), 4.3 octave (low A) marimba. NOTE: Two marimba players can also share a 4.3 octave (low A) marimba if ins. score and parts on CD-ROM.

Composed by Johann Sebastian Bach (1685-1750). Masterworks; Solo; Solo Small Ensembles; String - Violin and Piano. Kalmus Edition. Baroque; Masterwork. Book. 28 pages. Kalmus Classic Edition #00-K03020. Published by Kalmus Classic Edition

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5354

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Bach's manuscript leaves several questions unanswered.

Solo concerto; Baroque. Full score. 24 pages. Duration 16'. Breitkopf and Haertel #PB 5354. Published by Breitkopf and Haertel (BR.PB-5354).

ISBN 9790004211533. 9 x 12 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Bach's manuscript leaves several questions unanswered.

Violin 2 (solo: vl - str - bc)

SKU: BR.OB-5354-16

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Bach's manuscript leaves several questions unanswered.

Solo concerto; Baroque. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5354-16. Published by Breitkopf and Haertel (BR.OB-5354-16).

ISBN 9790004337844. 10 x 12.5 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Harpsichord/piano (solo: vl - str - bc)

SKU: BR.OB-5354-12

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Bach's manuscript leaves several questions unanswered.

Solo concerto; Baroque. Part. 12 pages. Duration 16'. Breitkopf and Haertel #OB 5354-12. Published by Breitkopf and Haertel (BR.OB-5354-12).

ISBN 9790004337820. 10 x 12.5 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Violin and Piano. Composed by Various. String. Classical. Softcover. 256 pages. G. Schirmer #LIB 2152. Published by G. Schirmer

By Johann Sebastian Bach. (CD). Instructional. CD only. Published by Devine Entertainment Corporation.

By Johann Sebastian Bach. Edited by Weismann, Oistrach. For violin, piano. BWV 1041(Urtext). Published by C.F. Peters.

By Johann Sebastian Bach (1685-1750). Piano Personality. Softcover. 128 pages. Published by Cherry Lane Music

Chorus (with soloists) and piano (solos: SATB (choir: SATB) - 0.2.cor ang.0.0 - 0.0.0.0 - org (solo) - str - bc)

SKU: BR.EB-7188

21st Sunday after Trinity - reconstruction. Composed by Johann Sebastian Bach. Edited by Werner Breig. This edition: piano reduction/vocal score. Choir; stapled. Edition Breitkopf.

Step by step, Breig reconstructs the entire introductory movement.

Cantata; Baroque. Piano/Vocal Score. 36 pages. Duration 20'. Breitkopf and Haertel #EB 7188. Published by Breitkopf and Haertel (BR.EB-7188).

ISBN 9790004173428. 7.5 x 10.5 inches.

BWV 188 reconstructed in its entirety for the first time The project of publishing Bach's cantatas in a material that can be purchased completely continues to grow with a new edition of a work that made particular demands on the editor. For Breitkopf, the renowned Bach scholar Werner Breig had already brought out new editions of the well-known B-minor Suite (PB/OB 5397, EB 8737) and of the A-minor Suite on which it was based, but now reconstructed for violin, strings and basso continuo (PB/OB 5398). His interest was particularly sparked by the sinfonia, which has been transmitted in an extremely rudimentary fashion. Step by step, Breig reconstructs the entire introductory movement from the final virtuoso organ passage and the da capo indication with corresponding musical incipit. His model for the reconstruction, which was carried out with enormous stylistic authenticity, is an early D-minor violin concerto which is no longer extant in this form, but which Bach later reworked into the Harpsichord Concerto BWV 1052. Performers will enjoy a Bach cantata that is now restored in its entirety for the first time.

Step by step, Breig reconstructs the entire introductory movement.